Sam Shepard's plays according to Slovenian theatre directors by Anina Oblak

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Interview with Gianina Carbunariu (Romanian playwright and theatre director) by Ioana Moldovan

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An interview of Indian Mime Theatre director Padma Shri Niranjan Goswami by Sreetanwi Chakraborty

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Women theatre directors in Malaysia: a comparative study of Rohani Md. Yousoff and Fauziah Nawi / Syarafina Abdullah by Abdullah, Syarafina

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A fruitful soil: what coaches can learn from how theatre directors in rehearsal create a learning environment by Julia Drum

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“I Believe in a Theatre That Lives and Breathes Like a Rock ‘n’ Roll Band” — Interview with Srdjan Janićijević, Macedonian Theatre Director by Nelko Nelkovski

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Perspectivas históricas del rol de la dirección teatral en el teatro argentino y contemporáneo. Tránsitos desde el teatro moderno europeo hasta el teatro independiente en Córdoba,... by Fwala-lo Marin

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Learning to Act: Tony Sheldon’s Emotional Training in Australian Theatre by Anne Pender

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Transfer kulturowy a repertuar popularny: przypadek londyńsko-warszawski by Agata Łuksza

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« Molly S. » , d’après « Molly Sweeney » de Brian Friel, ou « J’entends plus rien à gauche » by Julie Brochen

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Appoggiature by Benedetto Sicca

“…He chooses the form of a ABCs of memories and concepts that are relevant in the activity of one of the most influential theatre director in contemporary theatre; here remembered with a personal and affectionate stance.…”
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La relation metteur en scène/acteurs. Le rôle des sens dans le processus de création du spectacle by Gloria Paris

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On Dramaturgy of Care and Encounter in the Theatres of Multilingualism: Interview with Ayham Majid Agha by Yana Meerzon

“…This dialogue between a Syrian theatre director, Ayham Majid Agha, who is currently residing in Berlin, and a theatre scholar, Yana Meerzon, focuses on the challenges and advantages of working in the multilingual performance context of a cosmopolitan metropolis such as Berlin. …”
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Public Interview with Garry Hynes by Thomas Conway

“…This is a public interview conducted by Thomas Conway (director, dramaturge, and lecturer) with Druid Co-Founder and Theatre Director Garry Hynes. The interview took place in the Colm Ó hEocha Theatre, NUI Galway, on the 6th June as part of the EFACIS 2013 conference.…”
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"La Grande Magie" di Dan Jemmet alla Comédie-Française: trucchi, artifici e menzogne by Margherita Pastore

“…In this essay, Margherita Pastore analyzes the direction of Eduardo de Filippo’s La grande magia realized in 2009 at the Comédie-Française by the british theatre director Dan Jemmet. This direction revisites the neapolitan playwright’s theatrical universe and, by the use of metatheatre, proposes at the same time an interpretation of the play consistent with Eduardo’s desire to establish a link between stage and audience in addition to a show impregnated with the history itself of theatre.…”
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Praticare il dissenso. Intervista a Giorgina Pi by Serena Guarracino

“…Giorgina Pi is a theatre director, activist, video maker, and outspoken feminist. …”
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Spotkania. Współpraca Michała Borczucha z dziećmi oraz osobami niepełnosprawnymi by Zuzanna Berendt

“…The aim of this article is to present three performances by a theatre director Michał Borczuch that were created in cooperation with children and disabled people: You Better Not Go There (2013), Stay, Stay (2015), Paradiso (2014). …”
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From Dionysus in 69 to Imagining O: discussing nakedness with Richard Schechner by Chloé Lavalette

“…Born in 1934, Richard Schechner is an American theatre director and theorist. The former director of the Performance Group with which he wrote Dionysus in 69, he is also editor of the famous TDR: The Drama Review and cofounder of the Performance Studies Department at the Tish School of the Arts at New York University. …”
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Greek Tragedy for the New Millenium: Public Testimony and Restorative Justice in Yael Farber’S Molora by Eric Dugdale

“…It also examines Farber’s play in light of the ideas of the influential Brazilian theatre director Augusto Boal, noting how the relationship with the classical past has changed in the three decades between the publication of Boal’s Teatro del oprimido y otras poéticas políticas in 1974 and the première of Farber’s Molora in 2003.…”
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An interview of Vinay Sharma by Sreetanwi Chakraborty

“…Vinay Sharma is an actor, a theatre director and a writer who has a major role to play in the development of the Padatik theatre group in Kolkata. …”
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