The City Between Genre and Authorship in All’s Well That Ends Well by Cheaptanaru Gabriela

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Acte I by Thomas Middleton

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Act IV by Philip Massinger, Thomas Middleton, William Rowley

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Tourment des temps, tourment des âmes : The Changeling (1622) et A Game at Chess (1624) by Antoine Ertlé

“…The Changeling and A Game at Chess, by Thomas Middleton and William Rowley, depict a tormented universe peopled by characters led by their passions and perversions. …”
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Drama for Students : Presenting Analysis, Context, and Criticism on. by Hacht, Anne Marie, editor 651893, Gale Group (Online service) 651863

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Shakespeare and Middleton’s Co-Authorship of <em>Timon of Athens</em> by Eilidh Kane

“…The essay focuses on Shakespeare’s collaboration with Thomas Middleton on Timon of Athens (1605-1606). It provides new evidence concerning the patterns of imagery in the play and argues that these support the authorial divisions established by earlier attribution studies. …”
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Language Individuation and Marker Words: Shakespeare and His Maxwell's Demon. by John Marsden, David Budden, Hugh Craig, Pablo Moscato

“…A new score, CM1, is introduced to measure variation patterns based on the frequency of occurrence of each word for the authors John Fletcher, Ben Jonson, Thomas Middleton and William Shakespeare, compared to the rest of the authors in the study (which provides a reference of relative word usage at that time). …”
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'Unregarded age': texts and contexts for elderly characters in English renaissance drama, c.1480-1625 by Sheldon, DSK

“…In the final chapter, I offer a detailed analysis of <em>The Old Law</em> by Thomas Middleton and William Rowley.</p>…”