“This is you”: Encountering Shakespeare with Tim Crouch by Sara Soncini

Subjects: “…Tim Crouch…”
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Revisiting Shakespeare for Young Audiences: Tim Crouch’s Shakespeare Adaptation Plays by Kadriye BOZKURT

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total immediate collective imminent terrestrial salvation (2019) by Tim Crouch by Aloysia Rousseau

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Rencontre avec Tim Crouch et sa traductrice Catherine Hargreaves by Marianne Drugeon, Déborah Prudhon

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Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage by Vicky Angelaki

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« Tout est dedans ». Remarques sur la matrice shakespearienne à propos d’I, Shakespeare de Tim Crouch by Virginie Yvernault

“…The purpose of this article is to show that this uncommon dramatic assembly, written and directed by Tim Crouch with the more or less active participation of his audience, offers an educational introduction to Shakespeare’s work at least as much as it constitutes a prologue to what one would be tempted to consider as a shakespearian reading of the world.…”
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“It must be by his death”: “I, Cinna (The Poet)” and the Appropriation of Shakespeare’s Ghostly Voice by Andrea Peghinelli

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Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing by Dan Rebellato

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Deconstructing and Re-constructing the Fictional Universe: On Two Opposite Examples of Contemporary Metadrama by Lada Čale Feldman

“…The paper discusses how the metadramatic modalities of simultaneous deconstruction and reconstruction of the fictional universe figure in two contemporary plays: Pascal Rambert’s The closure of love (2011) and Tim Crouch’s The Author (2009). The discussion reveals that the two much-acclaimed plays belong to a resilient self-reflective line of dramas questioning the closure of representation that starts in the early modern period with such classical pieces as Shakespeare’s Hamlet and Calderón’s The Great Theatre of the World.…”
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Attempts on (writing) her life: ethics and ontology in pro-feminist playwriting by Kai Roland Green

“…The post-1990s work of British playwrights Simon Stephens, Tim Crouch and Martin Crimp variously enact an attrition between female protagonists and male writers. …”
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Back to Verbal Theatre: Post-Post-Dramatic Theatres from Crimp to Crouch by Élisabeth Angel-Pérez

“…This article concentrates on Crimp’s Attempts on her Life (1997), because it defined the bases of the post-dramatic play, and on Tim Crouch’s 2009 play, The Author, because, twelve years later, it brings postdramaticity to its most extreme form. …”
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The Risky In-betweenness of Performing Audiences by Laudando, Carmela Maria

“…The paper focuses on the powerful interrogation of the audience’s agency as staged in two very different works that, despite their distance in terms of genre and cultural milieu, both call into question essentially normative notions of gender and nation: Between the Acts (1941) by Virginia Woolf and England (2007) by Tim Crouch. In Woolf’s last novel, the process of writing and reading ambiguously frames the fragmentary staging of an eccentric village pageant on Englishness and its literary heritage. …”
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How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory? by Tomaž Toporišič

“…The essay analyses the corpora of the dramatic or non-dramatic texts of contemporary authors (Simona Semenič, Milena Marković, Tim Crouch, Oliver Frljić, Katarina Morano and Žiga Divjak, Anja Hilling, Wajdi Mouawad, Dino Pešut and She She Pop) as a border area belonging to both the field of literature and theatre. …”
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