Showing 201 - 220 results of 3,975 for search '"Tragedy"', query time: 0.12s Refine Results
  1. 201

    Tragedy, Euripides, Melodrama: Hamartia, Medea, Liminality by Brian G. Caraher

    Published 2013-09-01
    “…The dramaturgy of Euripides’ Medea is contrasted with the norms of Greek tragedy and examined in comparison with other adaptations — both ancient and contemporary — of the myth of Medea, in order to unfold the play’s transgression of a tragic vision of the social polity.…”
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    Inclusive groups can avoid the tragedy of the commons by Arend Hintze, Jochen Staudacher, Katja Gelhar, Alexander Pothmann, Juliana Rasch, Daniel Wildegger

    Published 2020-12-01
    “…Abstract The public goods game is a famous example illustrating the tragedy of the commons (Hardin in Science 162:1243–1248, 1968). …”
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  6. 206

    History and Language in Tennyson’s Tragedy Harold (1876) by Ismael M. Fahmi Saeed , Lanja A. Dabbagh

    Published 2019-03-01
    “…Alfred Tennyson (1809- 1892) wrote a compact, action- packed, historical, patriotic, and a pioneering tragedy inspired  by the Norman Conquest of England entitled Harold in 1876. …”
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  7. 207

    The Life Esidimeni tragedy: A humanrights perspective by B A Ferlito, A Dhai

    Published 2017-12-01
    “…As seen with the Life Esidimeni tragedy, people with mental illnesses often find it more difficult than others to achieve the fulfilment of their rights. …”
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    “There is No End”: Anna Akhmatova’s Unfinished Tragedy Prologue by Polina Poberezkina

    Published 2021-11-01
    “…The tragedy Prologue written in 1960s is analyzed in the broad context of the history of its creation, Anna Akhmatova’s biographical myth and world culture. …”
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    Tragedy “Mozart and Salieri”: Conflict Phenomenology and Culturology by P. N. Tolstoguzov

    Published 2018-09-01
    “…The questions linked with originality of the conflict in Pushkin’s tragedy “Mozart and Salieri” are considered. The relevance of the study is due to the extreme complexity and fundamental controversy of Pushkin’s position in the genre search of the era. …”
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