Colonial Sounds and Aural Interferences in the Dadaist Sound Poetics of Hugo Ball and Tristan Tzara by Arina Rotaru

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INTERPRETATIVE-ANALYTICAL HYPOSTASES IN “SEPT FRAGMENTS DE TRISTAN TZARA” FOR VOICE AND PIANO BY ADRIAN POP by Lavinia CHERECHES

“… The present paper provides a descriptive analysis of the Sept fragments de Tristan Tzara, a unitary song cycle, organized on the basis of an internal dramaturgy, in which the poet’s verses (used in French in original) outline the thematic framework pervaded by the central idea of love. …”
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LE MOUVEMENT DADAÏSTE : SOURCES, HISTOIRE LITTÉRAIRE ; PRÉCURSEUR DU SURRÉALISME. LA FIGURE EMBLÉMATIQUE DU POÈTE ROUMAIN TRISTAN TZARA by Manuela ORITA-SERBAN

“…The Mysterious Figure of Romanian poetry, Tristan Tzara. Globally, the Dada movement can be considered a precursor of the crisis of European consciousness insofar as, coming as a reaction against the First World War, it rejects systems, ideologies, frontiers and rational categories. …”
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Dark tongues : the art of Rogues and Riddlers / by 582822 Heller-Roazen, Daniel

La fuite hors du temps dans l’écriture de Pablo Picasso by Encarnación De Truchis

“…Le fait qu’en 1934 Picasso se mette à écrire répond à l’évolution de sa démarche créatrice – laquelle, selon Tristan Tzara, rejoint celle de l’évolution de la poésie – plutôt qu’à une crise personnelle ou artistique ou à l’influence directe du surréalisme. …”
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Les titres dans la conversation des arts en France De la fin des années 1890 aux années 1920 by Grau, D

“…It is composed of six comparative case studies, tracing a genealogy from Paul Gauguin and Alfred Jarry to André Breton and Max Ernst, including discussions of Paul Cézanne and Emile Zola, André Gide and Henri Matisse, Guillaume Apollinaire and Pablo Picasso, Francis Picabia and Tristan Tzara.</p> <p>These comparisons reveal a polarity between two different lineages: one that emphasizes the specificity of each medium and engages with it within the framework of its boundaries, and does not seek to communicate with the world outside their work of art; and the other, which blurs the boundaries between different art-forms and simultaneously engages with the evolutions taking place in culture. …”

La préface de Robert Desoille by Jean-Luc Pouliquen

“…Plus précisément, dans l’expérimentation du rêve, c’est de Tristan Tzara que Gaston Bachelard se sentira le plus proche. …”
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Witkacy na wrocławskich scenach lalkowych by Karol Suszczyński

“…Seans dadaistyczno-surrealistyczny według Georges’a Ribemont-Dessaignes’a, Eugene Ionesco, Tristana Tzary i Stanisława Ignacego Witkiewicza [The Importunate Prince: A Dada and Surrealist Séance According to Georges Ribemont-Dessaignes, Eugene Ionesco, Tristan Tzara, and Stanisław Ignacy Witkiewicz] (prem. 10 Feb. 2000) by Aleksander Maksymiak. …”
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Functions of Nature in the Thoughts of Fereydoon Moshiri and Paul Éluard by Hamid Jafari ghariyeali, Zahra Sayyedyazdi, Batool Afsharkia

“…He came to know Louis Aragon, Andre Burton, Philip Soupo and Tristan Tzara between 1920-1922 and was drawn to Dada movement. …”
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