Twelfth night / by Gibson, Rex

Twelfth night secrets / by 564247 Feather, Jane

Twelfth night, or, What you will / by Shakespeare, William, 1564-1616, author, Donno, Elizabeth Story, 1921-, editor

Twelfth night of 1917 and the Moscow art theatre Twelfth night of 1917 and the Moscow art theatre by Arkady Ostrovsky

“…He started
 rehearsing Twelfth Night, a play he had put on at the Society of Art and Literature in 1897.
 The Studio production of Twelfth Night was played on 25 December 1917, two months to the day after the Revolution. …”
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Twinship and Occult References in Twelfth Night by Kent Cartwright

“…Yet in Shakespeare’s Twelfth Night certain elements in the denouement—involving nature, androgyny, and spiritual genius and related to magic and occultism—emphasize a multiplicity or surplus of meaning that resists rationalization and closure.  …”
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Anamorphic Naming in Shakespeare's Twelfth Night by Vincent F. Petronella

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Historicist and Presentist Interpretation of Shakespeare’s Twelfth Night by Sharif Mohammad Shahidullah

Subjects: “…Historicism; Presentism; Twelfth Night; Transvestism; Gender; Renaissance; Marriage; Feminism…”
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Le mythe comme détour dans Twelfth Night by Cécile Mauré

“…The study of the myth of Echo and Narcissus in Twelfth Night shows us however that it is a decisive element in the reading and the understanding of the play. …”
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Cesario, Sebastian, Olivia, Viola, and Illyria in “Twelfth Night” by Norman Nathan

“…Abstract Shakespeare chose certain names in Twelfth Night with reference to Caesar Augustus. Sebastos was Caesar's Greek name; Caesar had lived in Illyria; Caesar married Livia. …”
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A Historicist and Presentist interpretation of Shakespeare’s Twelfth Night by Sharif Mohammad Shahidullah, Nor Faridah Abdul Manaf

Subjects: “…historicism; presentism; twelfth night; transvestism; gender; renaissance; marriage; feminism…”
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“Me Against Me” in the Context of Laughing Theories: Twelfth Night by Oğuzhan VARTOLİOĞLU

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Playing the role: Power of love and love of power in Shakespeare's Twelfth Night by Ljubica Matek

Subjects: “…Shakespeare; Twelfth Night; power; Elizabethan England…”
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“When the bear won't go hunt”: masculinity in Shakespeare's Twelfth Night by Jean-Louis CLARET

“…In Twelfth Night by William Shakespeare, the character of Orsino stands for the male polarity, as opposed to Olivia who represents femininity. …”
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The Bifocality of Dance in Shakespeare’s Twelfth Night: An Analysis of Shakespearean Dance Adaptations by Kimberly M. Glassman

“…Drawing on Lynsey McCulloch’s notion of Shakespeare in dance and Shakespeare as dance, this paper explores the bifocality of Shakespeare and dance in Twelfth Night. In Illyria, a realm of fantasy, dance is a measure of dismantling, whilst maintaining, a cosmic order. …”
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“All the proportions are changed”: twelfth night and the evolution of the concept and practice of mise en scène in Portugal “All the proportions are changed”: twelfth night and the evolution of the concept and practice of mise en scène in Portugal by Paulo Eduardo Carvalho

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"What country, friends, is this?": Australian and New Zealand Productions of "Twelfth Night" in the Twentieth Century by David Carnegie

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Mariangela Tempera and Keir Elam (eds.), Twelfth Night, dal testo alla scena by Giuliana Iannaccaro

“…Mariangela Tempera and Keir Elam (eds.), Twelfth Night, dal testo alla scena (Bologna, Emil, 2017, 285 pp. …”
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Portrait, blason et anatomie dans Twelfth Night et quelques poèmes de Shakespeare by Pierre Iselin

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Examining Rosalind/Ganymede’s and Viola/Cesario’s Disguised Bodies in Shakespeare’s As You Like It and Twelfth Night by Tri Murniati

“…In this article, I explore the disguised body in two of Shakespeare’s comedies As You Like It and Twelfth Night. Since the human body can be problematized, it is worth trying to examine Rosalind’s and Viola’s disguised bodies under the lens of Erving Goffman’s dramaturgy theory. …”
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Mel et sal. Suavité et sévérité de la voix dans Twelfth Night by François Laroque

“…In Twelfth Night, the characters’ voices, now acerbic, now suave, turn language into a real chamber of echoes when the sounds and songs of carnival, charivari, buffoonery and folly are alternately heard besides the sweet musical strains. …”
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