Imagética grotesca by Antonio Vargas

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Immagini e immaginario del Giappone in Francia e in Italia dall’ukiyo-e al cinematografo degli inizi del Novecento by Elena Nepoti

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Ukiyo-e between Pop Art and (Trans)cultural Appropriation: On the Art of Muhamed Kafedžić (Muha) by Srđan Tunić

Subjects: “…ukiyo-e…”
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Almazán Tomas, David y Ogata Gekkō. Estampas del Genji Monogatari. Gijón: Satori, 2002, 164 pp. by José Pazó Espinosa

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Elegia dla ruchów kontestacyjnych w obrazach Przepływającego Świata („ukiyo-e”) by Bartosz Zając

Subjects: “…ukiyo-e…”
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三代歌川豊国画『百人一首絵抄』に見る構図の再製　[Remanufacturing of the composition in the Hyakunin isshu eshō by Utagawa Toyokuni Ⅲ] by 中村純子 Nakamura Sumiko

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Trwanie plamy i migotanie linii. Przestrzeń i czas w grafikach Arthura C. Danto by Piotr Winskowski

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Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’ by Capucine F. Korenberg, Lucia Pereira-Pardo, Peter J. McElhinney, Joanne Dyer

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Fireflies in Art: Emphasis on Japanese Woodblock Prints from the Edo, Meiji, and Taishō Periods by Deirdre A. Prischmann-Voldseth

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Noworoczny upominek u wstępu do roku królika, czyli Japonia w drukach Jana Kuglina by Katarzyna Krzak-Weiss

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Creation and reference characterization of Edo period Japanese woodblock printing ink colorant samples using multimodal imaging and reflectance spectroscopy by Tana Villafana, Gwenanne Edwards

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A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods by Anna Cesaratto, Yan-Bing Luo, Henry D. Smith, Marco Leona

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Variations in Hiroshige’s Print “The Plum Garden at Kameido” by Capucine Korenberg

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El amante viscoso: Sawatari, Shindo, Amano y la revisión del grabado Tako to Ama, de Hokusai, en la fotografía artística y el cine by Adolfo de Mingo Lorente

Subjects: “…Estampa japonesa (ukiyo-e)…”
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