Horizontal and Vertical Voice Directivity Characteristics of Sung Vowels in Classical Singing by Manuel Brandner, Matthias Frank, Alois Sontacchi

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Auralization of High-Order Directional Sources from First-Order RIR Measurements by Markus Zaunschirm, Franck Zagala, Franz Zotter

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Classification of Phonation Modes in Classical Singing Using Modulation Power Spectral Features by Manuel Brandner, Paul Armin Bereuter, Sudarsana Reddy Kadiri, Alois Sontacchi

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Binaural Rendering with Measured Room Responses: First-Order Ambisonic Microphone vs. Dummy Head by Markus Zaunschirm, Matthias Frank, Franz Zotter

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Precedence effect for specular and diffuse reflections by Wendt Florian, Höldrich Robert

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Theory of continuously curved and phased line sources for sound reinforcement by Gölles Lukas, Zotter Franz

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The Future of Musical Emotions by Dylan van der Schyff, Andrea Schiavio, Andrea Schiavio

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Pavlov’s Dog and the Liturgy: Listening and Recognition in Gregorian Chant by Karl Franz Prassl

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„Hymnus novus“ by Katharina Larissa Paech

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When the Sound Becomes the Goal. 4E Cognition and Teleomusicality in Early Infancy by Andrea Schiavio, Andrea Schiavio, Andrea Schiavio, Dylan van der Schyff, Dylan van der Schyff, Silke Kruse-Weber, Renee Timmers

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On the Way to Life-domains Balance: Success Factors and Obstacles by Harald Lothaller

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Perzeption und Rezeption des Gregorianischen Chorals von seiner Restauration bis heute by Stefan Engels

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On the Way to Life-domains Balance: Success Factors and Obstacles by Harald Lothaller

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Addressing new challenges for a community music project in the context of higher music education: A conceptual framework by Andrea Gande, Silke Kruse-Weber

“…In response to Europe's societal challenges, such as current issues about migration, the Institute of Music Education at the University of Music and Performing Arts Graz established Meet4Music (M4M), a low-threshold community music project. …”
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Musical Empathy, Emotional Co-Constitution, and the “Musical Other” by Deniz Peters

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In Search of a Lost Composition by Beethoven: The Equale in A-LId-49 by Bernhard Rainer

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Der slawische Anteil am Bestand des Blasmusikarchives der Universität für Musik und darstellende Kunst in Graz by Engelbert Logar

“…The article examines the Slavic share of sheet music for brass instruments in the archive of the University of Music and Performing Arts Graz, located in the research station in Oberschützen in the Austrain state of Burgenland. …”
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Bonding and Bridging: Perceptions of Social Capital in Community Music by Elizabeth Bucura

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Compositional Strategies for Large-Scale Works Around 1600 by Bernhard Rainer

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Negotiating individuality and collectivity in community music: A qualitative case study by Schiavio, A, van der Schyff, D, Gande, A, Kruse-Weber, S

“…In this paper, we report on a qualitative study based on the “Meet4Music” (M4M) project recently developed at the University of Music and Performing Arts Graz, Austria. M4M is a low-threshold community-based program where participatory sessions dedicated to different artistic activities are freely offered to people from different social and cultural backgrounds. …”