Confronting Realities – First Steps Working on Cinematic Autosociobiographies by Barbara Wolfram, Christina Wintersteiger, Elena Meilicke, Nina Kusturica, Claudia Walkensteiner-Preschl

“…Working on Cinematic Autosociobiographies conducted at the Film Academy Vienna/ mdw – University of Music and Performing Arts Vienna, Austria as well as a reflection on the relationship between its research approaches, theory and criticism. …”
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Enabling FAIR use of Ethnomusicology Data – Through Distributed Repositories, Linked Data and Music Information Retrieval by Alex Hofmann, Tomasz Miksa, Peter Knees, Asztrik Bakos, Hande Sağlam, Ardian Ahmedaja, Boonsit Yimwadsana, Clare Chan, Andreas Rauber

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Music Therapy and Other Music-Based Interventions in Pediatric Health Care: An Overview by Thomas Stegemann, Monika Geretsegger, Eva Phan Quoc, Hannah Riedl, Monika Smetana

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Points2Sound: from mono to binaural audio using 3D point cloud scenes by Francesc Lluís, Vasileios Chatziioannou, Alex Hofmann

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Judgment of togetherness in performances by musical duos by Sara D'Amario, Werner Goebl, Laura Bishop, Laura Bishop

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Towards 3D printed saxophone mouthpiece personalization: Acoustical analysis of design variations by Ozdemir Mehmet, Chatziioannou Vasileios, Verlinden Jouke, Cascini Gaetano, Pàmies-Vilà Montserrat

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Choir singing: Performing Identities and Loyalties by Matej Santi

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Maataw – the Floating Island: Performing Social and Ecological Change among Tao People by Wei-Ya Lin

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The Reception of the Motet Elisabeth Zachariae by Jacobus Handl-Gallus in the Sixteenth and Seventeenth Centuries by Marko Motnik

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FAIR Interconnection and Enrichment of Public-Domain Music Resources on the Web by David M. Weigl, Tim Crawford, Aggelos Gkiokas, Werner Goebl, Emilia Gómez, Nicolás F. Gutiérrez, Cynthia C. S. Liem, Patricia Santos

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Body motion of choral singers by Sara D'Amario, Sara D'Amario, Sara D'Amario, Sten Ternström, Werner Goebl, Laura Bishop, Laura Bishop

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“Mit Herz und Hand fürs Vaterland”: Staging the Fighting Heroes for Propagandistic Purposes by Cornelia Szabó-Knotik

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Empirically Assessing Rhythmic Entrainment: A Re-analysis of Ohriner’s “Listener-Performance Synchronicity in Recorded Performances of Chopin’s Mazurkas” by Werner Goebl

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Tempting of Speech in Music Education by Michael Pinkas

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Music without Borders: by Hande Saglam

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Folksongs as “Jack of all Trades”: About the Meanings of Singing Folksongs in the First World War in Austria by Anita Mayer-Hirzberger

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Early Music, Notation and Performance: an interview with Clive Brown by Marcus Held, Clive Brown

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Advanced information processing of MEMS motion sensors for gesture interaction by Y. Ling

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Wie gesellschaftliche Normen und Machtverhältnisse durch Sprache vermittelt werden by Julia Fent

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Contribution on the Life and Work of Composer Jan Urban by Domagoj Marić, Gerold Gruber

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