Individual Differences in Verbal and Spatial Stroop Tasks: Interactive Role of Handedness and Domain by Mariagrazia Capizzi, Ettore Ambrosini, Antonino Vallesi, Antonino Vallesi

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Polyfunctionality of ‘Give’ in Hui Varieties of Chinese: A Typological and Areal Perspective by Wen Lu, Pui Yiu Szeto

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Effects of BRI strategy on Mediterranean shipping transport by Claudio Ferrari, Alessio Tei

“…Piraeus, the proposed Venice container offshore terminal) and providing rail alternatives (e.g. …”
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Italianicity is in the eye of a beholder: Analysis of audience reception to the Italian tourist campaign Italia. Open to Meraviglia by Koprivica-Lelićanin Marija

“…The Ministry introduced Botticelli’s Venus as a virtual and modern influencer at Lake Como, in front of the Colosseum, and on St. Mark’s Square in Venice. The first advertisements sparked controversy in Italian society, and Eco characterized such phenomena as divisions between apocalyptic thinkers and integrated intellectuals as early as 1964. …”
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Vincenzo Ferrari, the Seventies: The Enigma of Writing by Bianca Trevisan

“…In 1972, Ferrari joins the Venice Biennale showing his artist’s books, while in 1975 he signs the collective Manifesto della Nuova Scrittura where he explains that “The new writing is a ‘creative process’ through which finite opportunities reach their infinite ways of realization”. …”
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Marine Litter Detection by Sentinel-2: A Case Study in North Adriatic (Summer 2020) by Achille Carlo Ciappa

“…The patches were more concentrated at the mouths of the northern rivers, less off the Venice lagoon, and very few outside the Po River, with the minimal river outflow during the period. …”
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Climate changes modulated the history of Arctic iodine during the Last Glacial Cycle by Juan Pablo Corella, Niccolo Maffezzoli, Andrea Spolaor, Paul Vallelonga, Carlos A. Cuevas, Federico Scoto, Juliane Müller, Bo Vinther, Helle A. Kjær, Giulio Cozzi, Ross Edwards, Carlo Barbante, Alfonso Saiz-Lopez

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AI at Work: Automation, Distributed Cognition, and Cultural Embeddedness by Matteo Pasquinelli, Cristina Alaimo, Alessandro Gandini

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Constriction – Construction, a short history of specialised wearing apparel for athletic activities from the fourteenth century to nineteenth century by Baptiste Soline Anthore, Baptiste Nicolas P.

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Interpretacje nieobecności i obecności historii w artystycznych projektach wizualnych by Ludmiła Małgorzata Sobolewska

“…The Biennial of Art in Venice (2013) and Documenta (13) in Kassel (2012). …”
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Changes in the constitutional position of the public prosecutor's office in the constitutional revision 2022 by Orlović Slobodan P., Rajić Nataša N.

“…Those amendments have been also confirmed by the Venice Commission, which are considered as the key factor. …”
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Doing harm: the impact of UK’s GCRF cuts on research ethics, partnerships and governance by Nwako Zibah, Grieve Tigist, Mitchell Rafael, Paulson Julia, Saeed Tania, Shanks Kelsey, Wilder Rachel

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L’Aquila in tre atti. Dalle ordinanze per soddisfare il "fabbisogno alloggiativo" all’esplosione di case nella città-territorio by Claudia Faraone

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Iacobus Publicius’s Ars memorativa: An Approach to the History of the (Printed) Text by Luis Merino Jerez

“…The second version of this second stage was published in Venice in 1482 at the Ratdolt printing press. The Ars memorativa was associated with two rhetorical treatises (Institutiones oratoriae and Ars epistolandi), and the resulting volume was published under the generic title Oratoriae artis epitomata. …”
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I materiali e la tecnica pittorica di Giulio Aristide sartorio nel ciclo “Il poema della vita umana” (1906-07): conoscenza e prevenzione per un progetto di musealizzazione by Francesca Caterina Izzo, Elisabetta Zendri, Eleonora Balliana, Laura Falchi, Matteo Piccolo, Silvio Fuso, Henk van Keulen

“…In 1906 Giulio Aristide Sartorio created the pictorial cycle “The Poem of Human Life" for the Central Hall of the Venice Biennale. To complete the cycle (over 240 m2) in just nine months, he used a special painting technique: “a mixture of wax, mineral turpentine and oils”.This cycle has had a complicated history of conservation. …”
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THE GENOESE AND VENETIAN COLONIES IN THE BLACK SEA AND THE AZOV SEA AREAS IN POLITICS AND INTERNATIONAL RELATIONS (1400–1475) by Evgeny Khvalkov

“…In the fourteenth and fifteenth centuries in this region (the Black Sea and the Azov Sea) and even in the regions of Southeastern and Eastern Europe, the interests of numerous political players were confronted: Genoa, Venice, Florence and Pisa, Vatican, the Holy Roman Empire, the kingdoms of England, France and Aragon, the Duchy of Burgundy, the Byzantine Empire, Georgia, Russian principalities, Tatar states, the Grand Duchy of Lithuania, the Kingdom of Poland, Hungary and Wallachia, the Mamluk Sultan and, finally, the growing Ottoman Empire were just a short list of actors on the political scene at that time. …”
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The Master Plan of the Cathedral of Cuenca. A Continued Intervention by Maryan Alvarez-Builla Gomez

“…It proposes a parallel debate between historic nostalgia and the modern appropriation of the Monument, incorporating aspects both from the Letter of Venice from 1964 and, in anticipation, from the Letter of Krakovia from 2000, that explicitly foresaw against the historic and reactionary lectures within heritage interventions. …”
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Documents of the notary Victor Gaffaro. For a virtual archive of Venetian documents drawn up in Constantinople (1336-1341) by Andrea Nanetti

“…The paper is a result of a research carried out in the State Archives of Venice in 1999. It presents the documentary evidence and the historical study of the Venetian notary Victor Gaffaro, who was the chancellor of the Venetian ‘bailus’ in Constantinople from 1336 to 1341.…”
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Longevity and reinvention: Venetianization and the Biennale by Gold, John Robert, Gold, Margaret

“…It is noted that the hiatus in activity caused by the response to COVID-19 has fed calls for rethinking Venice’s relationship with art, tourism, and urban development. …”
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Marta Czok EX_PATRIA by Scarso, Jacek Ludwig, Czok, Marta

“…In response to the theme of the Sixtieth Venice Art Biennale "Foreigners Everywhere", Fondazione Marta Czok presents EX_PATRIA, under the patronage of the Polish Embassy in Rome: a collection of recent and historical works by Marta Czok, from the Eighties to the present day, which reflect on the construction of the concept of homeland and the ideologies that make this concept ambiguous. …”
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