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Approaching Viollet-le-Duc
Published 2017-03-01“…Restoration of Gothic architecture is a way to preserve it for the future, but also the study of medieval art, culture and society is useful to build a future. Viollet-le-Duc found some elements of modernity in medieval architecture and showed that, through the interpretation of the past, we can understand the present and project the future.…”
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Viollet-le-Duc, the nineteenth-century and us
Published 2017-03-01“…The essay introduces the book Viollet-le-Duc and the nineteenth-century, which in part gathers together the results of the study-day on Viollet-le-Duc La Nostalgia delle origini. …”
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Viollet-le-Duc and the “restoration” of Mont Blanc
Published 2017-03-01“…The essay, a synthesis of the Ph.D. thesis of the author, examines the study of Viollet-le-Duc on Mont Blanc, starting from the analysis of his book Le massif du Mont Blanc. …”
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Viollet-le-Duc and the discovery of the origin of Gothic architecture
Published 2017-03-01“…In 1836, the young Viollet-le-Duc travelled to Italy with the purpose of completing his studies on art and architecture, which he had interrupted in France as he did not agree with the classicistic orientation of the Académie des Beaux-arts. …”
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Viollet-le-Duc and polychrome decoration in neo-Gothic architecture
Published 2017-03-01“…The essay analyses the interest of Viollet-le-Duc in the relationship between decorative painting and architecture in French medieval buildings. …”
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Proportion, order and construction. Viollet-le-Duc and the temples in Paestum
Published 2017-03-01“…Many architects, painters, engravers, archaeologists and scholars have investigated the structures of the ancient city. Viollet-le-Duc was among those who visited Paestum in 1836. …”
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Eugène Emmanuel Viollet-Le-Duc in spomeniško varstvo: študija primera
Published 2014-12-01Subjects: “…Eugène Emmanuel Viollet-le-Duc…”
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Couleurs du passé/Couleurs du présent. La polychromie d’architecture chez Viollet-le-Duc / Colours of the Past/ Colours of the Present. The Polychromy of the Architecture of Viollet-le-Duc
Published 2016-11-01Subjects: “…Viollet-le-Duc…”
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Italian backgrounds. 1835-1837. Ruskin and Viollet-le-Duc’ early travels in Italy
Published 2022-12-01“…Comparing John Ruskin and Viollet-le-Duc to highlight their opposing approaches to protecting the past is frequent when reading about them and is indeed valid and effective. …”
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L’émergence de l’esthétique photographique par Viollet-le-Duc et Ruskin
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Home, Degeneration and Decadence: Discursive Connections between Bénédict Morel and Eugène Viollet-le-duc
Published 2021-10-01Subjects: Get full text
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Il “Medioevo ritrovato” di Eugène Viollet-le-Duc nel Palazzo dei Papi di Avignone
Published 2017-03-01“…Il saggio ripercorre le vicende del progetto mai realizzato di Viollet-le-Duc per il restauro e la réaffectation del Palazzo di Papi di Avignone, tracciando un iniziale quadro delle importanti trasformazioni subite dall’edificio nel corso dei secoli e in particolare dopo il 1790 quando, estromesso il papato, la fabbrica fu trasformata in fortezza e poi in carcere. …”
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The ornament of the 1870s. In Search of original Russian Art (Victor Butovsky, Vladimir Stasov and Eugene Viollet-le-Duc)
Published 2024-03-01Subjects: Get full text
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A Simulation Study to Calculate a Structure Conceived by Eugène Viollet-le-Duc in 1850 with Finite Element Analysis
Published 2019-08-01Subjects: Get full text
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Le Voyage d’Italie (1836-1837) of Viollet-le-Duc as a basic experience in his training as architect
Published 2017-03-01“…The essay analyses the influence of Viollet-le-Duc’s travels to Italy in his early training. …”
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Little Jean begins to see. Some notes from a book on drawing by Eugène Emmanuel Viollet-le-Duc
Published 2017-03-01“…The massive, theoretical work of Viollet-le-Duc ends, in the year of his death, with a little book on drawing, Histoire d’un dessinateur. …”
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Domenico Lo Faso Pietrasanta, Duke of Serradifalco and Eugéne Viollet-le-Duc: medieval apprenticeship and initiation to the “arte regia”
Published 2017-03-01“…When Viollet arrived in Palermo, Serradifalco was developing a process of revision of medieval Sicilian architecture, with the purpose of finding a “new architecture” for the future. Viollet-le-Duc became involved in this process. The essay underlines the similarities between the experience of Serradifalco and the contemporary activity of Viollet-le-Duc after his stay in Sicily. …”
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