The emerging social sciences and editorial practice in poetry and the crisis in the early twentieth century by Cole, J

Subjects: “…W.E.B. Du Bois…”

La ligne de couleur de W.E.B Du Bois. Représenter l’Amérique noire au tournant du XXe siècle by Solange Kim, Christine Zanin

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What “No Chart Can Tell Us”: Ordinary Intimacies in Emerson, Du Bois, and Baldwin by Prentiss Clark

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‘Two Souls, Two Thoughts, and Two Unreconciled Strivings in One Body’: W.E.B. Du Bois’ Double Consciousness in the Lived Experiences of Black South Africans by Vhonani MS Petla

Subjects: “…w.e.b. du bois…”
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Cosmopolitan Fantasies, Aesthetics, and Bodily Value: W. E. B. Du Bois's <em>Dark Princess</em> and the Trans/Gendering of Kautilya by Vermonja R Alston

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Re-Presentation of African American Womanhood in Three Works of the New Negro Visual Arts Movement by Ivana Takáčová

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Teaching American Studies within Intellectual History (idéhistoria) by David Östlund

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El New Deal en la línea del color by Sandro Mezzadra, Alessandro Bissogno

Subjects: “…Pensamiento político de W. E. B. Du Bois…”
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Activist Scholar-Practitioners in the United States and South Africa by Jan Fritz

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The Present and the Past of American Liberalism In Light of Slavery and Racial Injustice by E. G. Ponomareva

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Entre dualidades e opressões: análises interseccionais da identidade negra e das estruturas de poder nas obras de Lélia Gonzalez, W.E.B. Du Bois, Saidiya Hartman e Mary Douglas by Francisca Raquel de Oliveira Temoteo

“…Com a leitura de Lélia Gonzalez (1983), W.E.B Du Bois (2021), Saidiya Hartman (2020) e de suas vivências, pode-se concluir que todas essas histórias, entre muitas outras que aparecem, constituem várias identidades que não são fixas, mas múltiplas, até mesmo o conceito de simbólico de Mary Douglas (1976) nos fornece outras intersecções que podem ser marcadores de corpos marginalizados histórica e politicamente. …”
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Haunt or Home? Ethos and African American Literature by Richard Schur

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Excerpt from <em>Dead Stars: American and Philippine Literary Perspectives on the American Colonization of the Philippines</em> by Jennifer M. McMahon

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The Afro-American by W. E. B. Du Bois

“…<p>This hitherto unpublished essay by W. E. B. Du Bois, the text titled “The Afro-American,” which likely dates to the late autumn of 1894 or the winter of 1895, is an early attempt by the young scholar to define for himself the contours of the situation of the Negro, or “Afro-American,” in the United States in the mid-1890s. …”
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Chinua Achebe's Appropriation of Du Bois's Of the Coming Of John by Walid MESSAOUDI, Ahmed Seif Eddine NEFNOUF, Boubaker MOHREM, Noureddine DERKI &  Otmane Abdelkader DRISSI

“…Abstract: This paper examines the African critic and novelist Chinua Achebe's reworking and recycling W.E.B.DU Bois's short story "Of The Coming Of John"(1903). …”
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Towards a new canon? Rewriting the history (and the future) of sociology by Paolo Parra Saiani

“…In the U.S., over the three past decades, there has been a huge interest in W.E.B. Du Bois and in Black scholars; only recently we are witnessing the proliferation of works on their role as founders of U.S. sociology. …”
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La vigencia del “problema negro” by Jorge Luis Aparicio

“…Reseña del libro: W.E.B. DuBois, El Negro de Filadelfia. Un estudio social. …”
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An intimate dialog between race and gender at Women’s Suffrage Centennial by Mimi Yang

“…Anthony, Frederick Douglass, W.E.B. DuBois, and Mary Church Terrell. In an interdisciplinary approach anchored in both historical and cultural studies, the article scrutinizes the split between the two visceral elements pertinent to cultural identity—gender and race—in Women’s Suffrage Movement, draws a pattern of their intersection, and maps out a “double consciousness” (to borrow W.E.B. …”
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Self, Other and Other-Self: Going Beyond the Self/Other Binary in Contemporary Consciousness by Sami Schalk

“…Primarily relying on the work of W.E.B. Du Bois and Niklas Luhmann, this article discusses the effects of the mass media on contemporary consciousness, identity and self/other relations. …”
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DEUSES NA ENCRUZILHADA: hibridismo religioso em Um defeito de cor, de Ana Maria Gonçalves e The bondwoman’s narrative, de Hannah Crafts by Jeane Virgínia Costa do Nascimento, Elio Ferreira de Souza

“…Kabengele Munanga (2015), Reginaldo Prandi (2001, 2015), W. E. B. Du Bois (1999) e Stefania Capone (2011) foram os referenciais teóricos desse estudo que foi feito por meio de levantamento bibliográfico. …”
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