An Experimental Reading: On the French translation of Memoir From the Warsaw Uprising by Karpowicz Agnieszka, Louis Annick

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Kaleidoscope and Harmonica. The Warsaw Uprising throughthe Eyes of a Five-year-old by Tomasz Paweł Krzeszowski

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That Which Is Absent: Accounts and Memories of Women from the Warsaw Uprising as Ready-Made but Not Used Film Scenarios by Karolina Kosińska

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A Bodiless Enemy by Rafał Marszałek

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Muranów czyli karczowanie. O książce „Festung Warschau” Elżbiety Janickiej by Irena Grudzińska-Gross

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Praktyki polskości by Irena Grudzińska-Gross

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How to narrate urbicides? Lidija Ginzburg’s and Miron Białoszewski’s portrayals of urban destruction by Anna Seidel

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„Unsere Generation sollte sich nicht mehr durch das Thema des Zweiten Weltkriegs belastet bzw. schuldig fühlen“: Das Museum des Warschauer Auf-stands als Ort interkulturellen Lerne... by Sylwia Adamczak-Krysztofowicz, Angela Schmidt-Bernhardt, Antje Stork, Victoria Storozenko

“…It also contains the discussion of the educational value of the presentation of the Warsaw Uprising in the museum.…”
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Dialog z tradycją w piosenkach zespołu Lao Che by Magdalena Roszczynialska

“…In the second one, she focuses on the depiction of the mythology of the Warsaw Uprising and the Polish historical policy based on it. …”
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A memoir which in Spain became a diary by Sobolczyk Piotr

“…This article investigates the Spanish translation of Miron Białoszewski's Memoir from the Warsaw Uprising. I discuss the erroneous translation of the work as a “diary” according to Spanish dictionaries and literary theory works, the paratexts (introduction and afterword), and the reception of the work by the Spanish speaking community. …”
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Miłosz, wojna i poezja cywilna by Irena Grudzińska-Gross

“…Instead, the poet concentrated on writing and publishing; he also criticized what he viewed as unjustified sacrifice of life in the Warsaw Uprising of 1944. His attitude was criticized then, and today continues to be a source of attacks against the poet. …”
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Portrety fotograficzne w filmie polskim: pamiątka, ślad, rekwizyt by Ewa Szkudlarek

“…The selected photographic portraits in film, of Teresa Kociełło and Bogumił Niechcic (Noce i dnie [Nights and Days]), Władysław Niwiński (Polskie drogi [Polish Paths]), Barbara Lawinówna and Łukasz Zbożny (Dom [Home]), are connected by the tradition of family photography, black and white aesthetic, as well as by their links to socio-historical events (the outbreak of World War I, World War II, post-war effects of the Warsaw Uprising). The diverse interpretations of the theme of photography, however, set various perspectives in motion: a psychological one (Sigmund Freud),), anthropological one (Hans Belting), and, most importantly, those relating to the theory and aesthetics of photography (Roland Barthes, François Soulages, Marianna Michałowska). …”
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Na drodze do marca – szczecińskie Dziady 1966 by Maria Makaruk

“…The Szczecin Forefathers’ Eve was a generational experience: Maciejowski’s work posed the questions that were fundamental for the generation whose formative experiences were both the Warsaw Uprising of 1944 and the Polish October of 1956. …”
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Starring – Photos: On Polish Iconographic Films Made from Photos by Mikołaj Jazdon

“…Films on the Polish resistance movement were also made, with particular emphasis on the Warsaw Uprising. The turn of the 19th and 20th century became the subject of documentaries at the turn of the 1970s and 1980s. …”
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Wojna i zagłada: Odbicie doświadczeń z lat 1939–1945 w przedstawieniach i pisarstwie Erwina Axera by Rafał Węgrzyniak

“…From August to October 1944 he took part in the Warsaw Uprising. After the insurgents’ defeat, together with the soldiers of the Home Army, he was taken to a prisoner-of-war camp in Germany, liberated by the US Army in May 1945. …”
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Felicji Kruszewskiej przygoda z teatrem by Marek Piekut

“…Her novel for young adults, Bolesław Chrobry, and drama Pożar teatru [“Theater on Fire”] burned during the Warsaw Uprising in 1944. The last part of the publication contains letters written by the playwright to the Edmund Wierciński in 1927–1928. …”
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Krieg in den Augen eines Kindes. Analyse der Lexik in der Literatur für Kinder und Jugendliche by Paulina Kaźmierczak

“…The perspective of the analysis is multi-layered and the whole work deals with the important and difficult topic of warfare, persecution of ethnic, religious and national groups, expulsion and the Warsaw Uprising. It takes into account both the nature of the topic covered and the age of the audience, which is important because of the vocabulary used in the text. …”
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Globalne tezy, lokalne przemilczenia by Grzegorz Krzywiec

“…This also leads to many false and misleading juxtapositions with the most striking one being the comparison between the Warsaw Ghetto Uprising and Warsaw Uprising. Interestingly enough, evading many national particularities, Snyder relapses in deeply rooted national, and to be specific, Polish tales. …”
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