La lezione del vuoto. Verità estatica ne “L’ignoto spazio profondo” by Alberto Brodesco

“…La formula suona bene, ha avuto successo. Werner Herzog ne scrive nella Dichiarazione del Minnesota, il suo manifesto, al punto 5: “There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. …”
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Refifining Data by Pointing the Index Finger by Rebecca Puchta

“…On the basis of an observation made from Werner Herzog’s documentary Lo and Behold: Reveries of the Connected World (2016), I argue that pointing makes the voice of data accessible through communicative reading and modeling work. …”
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Interior landscapes in the film 'The Enigma of Kaspar Hauser' by Cvejić Marko

“…This paper, presented as a case study, delves into the exploration of the interior landscapes depicted in the film The Enigma of Kaspar Hauser (1974), directed by Werner Herzog. Under a conceptually-hypothetical framework, the paper proposes the thesis that these interior landscapes effectively convey the affective and cognitive experiences of the main character, serving as a visual representation of his dreams. …”
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'Rêve d’un geste' ou la main et l’œil dans quelques films du handicap sensoriel by Marie Martin

“… This contribution examines how and why a cluster of films from every period or genre in the history of cinema and exhibiting blind or deaf characters, or both — such as The Wheel (Abel Gance, 1923), The Miracle Worker (Arthur Penn, 1962), Land of Silence and Darkness (Werner Herzog, 1971), Earth of the Blind (Audrius Stonys, 1992), The Silence (Mohsen Makhmalbaf, 1998) and Mademoiselle Paradis (Barbara Albert, 2017) — demonstrates a consistent paradigm linking the sensory deprived, the dream work or ‘film work’ (Thierry Kuntzel) and a high frequency of hands and eyes. …”
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ANÁLISE VIGOSKYANA DO FILME O ENIGMA DE KASPAR HAUSER by Andréia dos Santos Sachete, Valéria Silveira Brisolara

“…A história de Kaspar Hauser foi retratada em filme pelo autor Werner Herzog. Este filme apresenta uma criança selvagem, encarcerada, sem nenhum contato verbal ou social até por volta de seus 16 anos. …”
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"A Myth Becomes Reality": Kaspar Hauser as Messianic Wild Child by Ulrich Struve

“…Rilke, and Klaus Mann, by the Dada poet Hans Arp, by the dramatist Peter Handke, and by the filmmaker Werner Herzog. This article offers a brief historical sketch of Hauser's life before discussing a key aspect of the literary Kaspar Hauser reception: the motif of the foundling as a latter-day messiah. …”
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An Encounter of Documentary With Dance in 3D: Intermediality in Wim Wenders’ Pina Documentary / BELGESEL SİNEMANIN 3 BOYUTLU OLARAK DANSLA KARŞILAŞMASI: WİM WENDERS’İN PİNA BELGES... by Ersan Ocak*

“…On the other side, today, the creative use of 3D cinematography that is called “stereography” becomes widespread in arthouse filmmaking by directors such as Wim Wenders, Werner Herzog, Jean-Luc Godard, Peter Greenaway, etc. …”
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The immersive cave: the multimediality of prehistory between drawing, photography, cinema and 3D by Valentina Bartalesi, Tommaso Casini, Annamaria Ducci

“…From the first scientific illustrations of the 19th century through the exhibition strategies of the first half of the 20th century and the images of mass culture, the remediation of prehistoric art finds a crucial turning point in the moving images advent, culminating with the employing of 3D technologies in Werner Herzog's opus The Cave of forgotten dreams (2011).…”
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Writing towards absence with Herzog, Barthes and Calvino by Pang, Jeannette Ru Yan

“…This will be explored in relation to Werner Herzog’s documentary film Cave of Forgotten Dreams, Roland Barthes’s non-fiction work Empire of Signs, and Italo Calvino’s novel Invisible Cities – works which show how reflecting absence itself speaks to memory, loss and death.…”
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An Examination Aimed at Interactions Between Confidence in Consciousness and Moral Prejiduces: The Enigma of Kaspar Hauser by Çağdaş Emrah ÇAĞLIYAN

“…In this context, the film we refer in our research will be The Enigma of Kaspar Hauser (Jeder für Sich und Gott gegen Alle, Werner Herzog, 1974). This film is suitable for our study, for having a protagonist, who's been isolated from society until the first years of his youth, thus became free from common conceptions and moral assumptions. …”
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