Fantástico Sr. Fox (Wes Anderson) by Jesús Miguel Sáez-González

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A construção de diálogos em Wes Anderson by Henrique Bolzan Quaioti

Subjects: “…Wes Anderson…”
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The Importance of Being ‘On the Road’: A Reading of the Journey in The Darjeeling Limited (2007) by Wes Anderson by José Duarte

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Une esthétique postmoderne : l’esprit kitsch dans The Grand Budapest Hotel (Wes Anderson, 2014) by Pierre Beylot

“…This article recalls some of the works to which the notion of kitsch gave rise in the fields of art history and cultural industries; it then addresses the questions raised by kitsch in cinema through the example of The Grand Budapest Hotel (Wes Anderson, 2014). Characteristic of a kitsch rhetoric, this example also makes it possible to question the criteria of judgment of taste employed by today’s spectators and to propose a typology of reception of more general scope.…”
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Warren Buckland Wes Anderson’s Symbolic Storyworld. A Semiotic Analysis New York and London: Bloomsbury Academic, 2019, pp. 224 by Gabriele

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Büyük Budapeşte Oteli Filminin Renkler Üzerinden Fenomenolojik Mekânsal İncelenmesi by İdil Ece Şener, Hikmet Eldek Güner

“…Sinemada mekânı en iyi şekilde yorumlayan/kullanan yönetmenlerden biri de Wes Anderson’dur. Wes Anderson filmlerinin önemi, film temalarına uygun şekilde hazırlanan müziklerle, mekânı ve olayları ustalıkla seyirciye aktarmasıdır. …”
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Estetica del dettaglio filmico by Mattia Giannone

“…The paper shows how filmography directors like Jean-Pierre Jeunet and Wes Anderson clarify a new perspective on this topic.…”
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Animating the Corpse by Julie McCown

“…I also contrast The Tale of the Fox with Wes Anderson’s 2009 stop motion film Fantastic Mr. Fox which reinforces the complexity and contradictions of The Tale of the Fox’s depiction of animal bodies and the animal puppets’ status as sutured hybrid beings that allow us to confront our moral and ethical responsibility to real animal bodies in a way not possible with previous critical interpretations of animal representation. …”
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Between memory and matter: Italy and the transnational dimensions of public art by Bond, E

“…These complex processes of memory-making are illustrated through a comparative analysis of Wes Anderson&rsquo;s&nbsp;<em>Bar Luce</em>&nbsp;(2015), Thomas Hirschhorn&rsquo;s&nbsp;<em>Gramsci Monument</em>&nbsp;(2013), and Muna Mussie&rsquo;s&nbsp;<em>Oblio</em>&nbsp;(2021). …”

Subtitling multilingual films and multimodal pragmatics : Isle of Dogs as a case study by Wang, Mu Xin

“…In this research, a case study approach is adopted using the Chinese subtitled version of Wes Anderson’s film Isle of Dogs as the subject. The quantitative analysis of the corpus was contrasted with online reviews of the subject which showed that omissions of subtitles for films of such genre should be carefully considered in order to achieve the optimal watching experience. …”
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