Fantástico Sr. Fox (Wes Anderson) by Jesús Miguel Sáez-González

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Julie Assouly, Wes Anderson – cinéaste transatlantique by Christophe Gelly

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Isla de perros: Japón según Wes Anderson by Mario Ceballos Fernández

Subjects: “…wes anderson…”
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A construção de diálogos em Wes Anderson by Henrique Bolzan Quaioti

Subjects: “…Wes Anderson…”
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El paradigma de la apropiación pop en Wes Anderson by Paula Blanco Ballesteros

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That Dog Is Real: Queer Identities in the New Wes Anderson’s Film Isle of Dogs by Bianca Friedman

“…Trying to combine queer theories with Animal Studies, I propose an analysis of Wes Anderson’s latest movie, Isle of Dogs, and in particular a reflection on the relationship between animals and machines. …”
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The Importance of Being ‘On the Road’: A Reading of the Journey in The Darjeeling Limited (2007) by Wes Anderson by José Duarte

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Une esthétique postmoderne : l’esprit kitsch dans The Grand Budapest Hotel (Wes Anderson, 2014) by Pierre Beylot

“…This article recalls some of the works to which the notion of kitsch gave rise in the fields of art history and cultural industries; it then addresses the questions raised by kitsch in cinema through the example of The Grand Budapest Hotel (Wes Anderson, 2014). Characteristic of a kitsch rhetoric, this example also makes it possible to question the criteria of judgment of taste employed by today’s spectators and to propose a typology of reception of more general scope.…”
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Warren Buckland Wes Anderson’s Symbolic Storyworld. A Semiotic Analysis New York and London: Bloomsbury Academic, 2019, pp. 224 by Gabriele

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Cine, fotografía y arquitectura: la composición simétrica y la noción de arquitecturización en la obra de Wes Anderson. Antecedentes visuales de la película La crónica francesa by Manuel Blanco-Pérez

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El uso del travelling como marca del estilo de Wes Anderson: análisis de Academia Rushmore (1998), Los Tenenbaums: una familia de genios (2001) y El Gran Hotel Budapest (2014) by Tomás Atarama-Rojas, Fiorella Vílchez Chiroque

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La stop-motion como ejército de resistencia. La tardía Edad de Oro de una técnica anacrónica by Jordi Costa

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Real‐world evidence in the cloud: Tutorial on developing an end‐to‐end data and analytics pipeline using Amazon Web Services resources by Wes Anderson, Roopal Bhatnagar, Keith Scollick, Marco Schito, Ramona Walls, Jagdeep T. Podichetty

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Accelerating healthcare innovation: the role of Artificial intelligence and digital health technologies in critical path institute’s public‐private partnerships by Jagdeep T. Podichetty, Sakshi Sardar, Nick Henscheid, Grace V. Lee, J. Rubin Abrams, Wes Anderson, Shu Chin Ma, Klaus Romero

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Critical Data for Critical Care: A Primer on Leveraging Electronic Health Record Data for Research From Society of Critical Care Medicine’s Panel on Data Sharing and Harmonization... by Smith F. Heavner, PhD, RN, Vishakha K. Kumar, MD, MBA, Wes Anderson, PhD, Tamara Al-Hakim, MD, Pam Dasher, MLS, Donna Lee Armaignac, PhD, APRN, CCNS, CCRN, Gilles Clermont, MD, MS, J. Perren Cobb, MD, FACS, FCCM, Sean Manion, PhD, Kenneth E. Remy, MD, MHSc, MSCI, FCCM, Karin Reuter-Rice, PhD, NP, FAAN, FCCM, Melissa Haendel, PhD, FACMI, Society of Critical Care Medicine (SCCM) Discovery Panel on Data Sharing and Harmonization

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Büyük Budapeşte Oteli Filminin Renkler Üzerinden Fenomenolojik Mekânsal İncelenmesi by İdil Ece Şener, Hikmet Eldek Güner

“…Sinemada mekânı en iyi şekilde yorumlayan/kullanan yönetmenlerden biri de Wes Anderson’dur. Wes Anderson filmlerinin önemi, film temalarına uygun şekilde hazırlanan müziklerle, mekânı ve olayları ustalıkla seyirciye aktarmasıdır. …”
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Estetica del dettaglio filmico by Mattia Giannone

“…The paper shows how filmography directors like Jean-Pierre Jeunet and Wes Anderson clarify a new perspective on this topic.…”
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Animating the Corpse by Julie McCown

“…I also contrast The Tale of the Fox with Wes Anderson’s 2009 stop motion film Fantastic Mr. Fox which reinforces the complexity and contradictions of The Tale of the Fox’s depiction of animal bodies and the animal puppets’ status as sutured hybrid beings that allow us to confront our moral and ethical responsibility to real animal bodies in a way not possible with previous critical interpretations of animal representation. …”
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Between memory and matter: Italy and the transnational dimensions of public art by Bond, E

“…These complex processes of memory-making are illustrated through a comparative analysis of Wes Anderson&rsquo;s&nbsp;<em>Bar Luce</em>&nbsp;(2015), Thomas Hirschhorn&rsquo;s&nbsp;<em>Gramsci Monument</em>&nbsp;(2013), and Muna Mussie&rsquo;s&nbsp;<em>Oblio</em>&nbsp;(2021). …”

Subtitling multilingual films and multimodal pragmatics : Isle of Dogs as a case study by Wang, Mu Xin

“…In this research, a case study approach is adopted using the Chinese subtitled version of Wes Anderson’s film Isle of Dogs as the subject. The quantitative analysis of the corpus was contrasted with online reviews of the subject which showed that omissions of subtitles for films of such genre should be carefully considered in order to achieve the optimal watching experience. …”
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