Monstrous Space: Architectural Production in an Age of Algorithms by Waller, Alexandra L.

“…A conceptual framework is developed which situates a hybridized physical-digital domestic space in cross-disciplinary dialogue with other concepts and processes of hybridity and aligns the aesthetic qualities of domestic-digital space within the lineage of the grotesque in Western art and architecture. A methodology for architectural production is developed in response, including a structure for hybrid human-machine design collaboration, and approaches to material creation, organization, and assembly. …”
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Discoursing Asia: the regional contemporary and historical fracture in Asian contemporary art symposia, 1997–2002 by Wee, C. J. Wan-Ling

“…An emphasis on present-day art established a relational approach to temporality in which the recognition that contemporary artistic formations occupied a coeval time zone with contemporary western art in turn implied increased equality with the western metropole. …”
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Reconfiguration of the brain during aesthetic experience on Chinese calligraphy—Using brain complex networks by Rui Li, Xiaofei Jia, Changle Zhou, Junsong Zhang

“…Providing evidence that the aesthetic experience of Chinese calligraphy has several similarities with western art while retaining its unique characters as an eastern traditional art form.…”
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The mind of the everyday in contemporary fine art and Zen Buddhist practice by Pok, Chong Boon

“…Danto, Jacquelynn Baas and Mary Jane Jacob began researching the relationship between Western art and Zen. Among these views, an Eastern perspective is lacking, particularly in relation to Zen Buddhist practice of the everyday. …”
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Art Music Composition in Malaysia: A Focus on Three Composers by Lam, Ming Huey

“…There has been a lack of research in art music composed by Malaysian composers trained in the Western art music tradition. The objective of this research is to present the contribution of three Malaysian art music composers and the role they play in the formation of a Malaysian identity in the world of art music composition. …”
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Music Teachers's Perceptions of the Effectiveness of the Music Studies of the Malaysian Diploma in Teaching by Mah, Kok Heng

“…Though positively perceived, the findings also revealed inadequacies in specific teaching-learning strategies and acquisition of teaching skills such as incorporating the use of technology in music education; catering for integration and variety in classroom teaching; teaching music and movement activities associated with western art music; teaching fingering of notes for the alto recorder; and helping student teachers acquire and form musical concepts through the playing of musical instruments. …”
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Academic Labor and Music Curricula by Lucie Vágnerová, Andrés García Molina

“…In this paper we parse recent initiatives rethinking music curricula—in particular, those critiquing the enduring centrality of the Western art music canon—in connection to questions of academic labor and service. …”
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Figuração e Negritude: A Arte e o Outro como Ficção by Marco Antonio Vieira

“…Einstein denounces the logic of the western pictorial model of the classical era by contrasting it to the African sculptural plasticity. Western Art depends on a figurative architecture rooted in naturalism and whose persuasiveness resides in the possibility of converting its narratives into sufficiently credible fictions whose rhetorical effect established ‘blackness’ as a ‘figure’ fabricated by History and its fictional and imagetic structures. …”
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Malarstwo materii w Polsce. Na marginesach odwilżowej "nowoczesności" by Maria Jankowska-Andrzejewska

“…So far Polish art historians have usually interpreted works made of non-traditional substances by Polish artists as examples of inspiration by Western art and a tendency to abandon the painting as such. …”
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Organic Materials Used for Giant Buddhas and Wall Paintings in Bamiyan, Afghanistan by Yoko Taniguchi, Kazuki Kawahara, Miho Takashima, Marine Cotte, Joy Mazurek, Yuki Kumazawa, Yuki Taga, Takashi Nakazawa

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Diesseits und jenseits. Slowenische Kunst nach den politischen Umbrüchen 1945 und 1991. Eine Reflexion by Jožef Muhovič

“…The analysis of Slovenian art during the Cold War (after 1948) shows that under the influence of interaction with Western art, significant transformations of formal and semantic types occurred. …”
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Samtliga bokrecensioner by * * *

“….): The image of the black in Western art. The twentieth century. The impact of Africa, Volume 5.1 (Åsa Bharathi Karlsson) Lars Burman: Vältaliga studenter. …”
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Stages of artistic development of children from the age of four to twelve years old / Dahlia Mohd Shariff by Mohd Shariff, Dahlia

“…This research was to provide a local based information on the Malaysian children as so far the information available to art educators for children were based on Western art educators and their children. This research was to provide a guideline for any art educator as to the stages of development of the children. …”
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The effect of Islamic decorative arts on the formation of glass arts by pâte de verrè by Walid Onsy, Hossam Nazmy, Kazimierz Pawlak, Walaa Hamed

“…The Islamic decorative arts (geometric and floral motifs and writings) is the most important creative and technical aspects, which includes the gloss and distinct aesthetic philosophy that influenced Western art and was a source of renewal and innovation in a variety of technical areas. …”
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画中梦圆 ：陆行直《碧梧苍石图》及其题画词研究 = Painting the dysfunctional love : a study of Lu Xing Zhi’s Bi Wu Cang Shi Tu and the Poem Ci on the painting by 莫忠明 Bok, Zhong Ming

“…Through both Chinese and Western art theory, we would discuss how Lu Xing Zhi encodes the painting with cultural and social symbols and through it symbolized their inseparable love. …”
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Toward a New Concept of Progressive Art: Art History in the Service of Modernisation in the Late Socialist Period. An Estonian Case by Krista Kodres

“…Thus, under conditions of a fragile discursive pluralism in Soviet Union, quite symbolic concepts and values from formalist Western art history were “smuggled in”: concepts and values that the professional reader certainly recognised, although no names of “bourgeois” authors were mentioned. …”
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The Comparative Study of "Spiral" Motif in Islamic and Environmental Art by F. Ghaemi Manesh

“…Nature has always been a reference point for Western art, and especially in environmental art, the land, as the space and the place familiar with human is the bed of artistic work. …”
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«Ita quod arbor viva non remaneat»: devastazioni del territorio e prassi ossidionale nell’Italia dei comuni «Ita quod arbor viva non remaneat»: devastation of the land and siege pr... by Fabio Bargigia

“…Therefore, it sometimes results dominant, in an uncrowded panorama of studies, the far away written suggestions in English, and in particular the <em>Western Art of the war</em> of Victor Davis Hanson, too distant, however, both in time and space, from the medieval Italian cities, and, hence, paradigms to be prudentially considered.…”
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Comparison of the Viewpoints of Jalal Al-e Ahmad and Dariush Shayegan on Iranian Contemporary Art Emphasizing the Issue of Identity by Seyed ehsan Rooholamin, Morteza Afshari

“…Simultaneous with the decline of the authority of traditional art and the rise of Western art in Iran, this art was not able to communicate with the Iranian audience as traditional art was. …”
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A Comparative Analysis of the Poems of Sohrab Sepehri and Paul Verlain regarding Impressionism by Zahra Khatami Kashani

“…His poetry is more influenced by the modern Western art currents of the Impressionist. That is why most of the structural features of this school can be seen in Paul Verlaine's poetry. …”
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