Landscape and western art / by 446829 Andrews, Malcolm

Non-Western art : a brief guide / by 278618 Mackenzie, Lynn

Hypostases of Representing the Portrait of the Pope in the Western Art by Irina-Andreea Stoleriu, Adrian Stoleriu

“…Our objective of the study”Representation of the Pope in Western Art” is to present a few specific features of the typology of the portrait for the sovereign pontiff. …”
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Chinoiserie : the impact of Oriental styles on Western art and decoration / by 395736 Impet, Oliver

The meeting of Eastern and Western art : from the sixteenth century to present day / by 377961 Sullivan, Michael

A Conversation with Robert Hatten about A Theory of Virtual Agency for Western Art Music by Robert Hatten, Maria Lúcia Machado Pascoal, Cristina Capparelli Gerling, Flavio Santos Pereira, Diósnio Machado Neto, Guilherme Sauerbronn de Barros, Paulo de Tarso Salles

“…On August 20th, TeMA received Robert Hatten to open the series, who was invited to talk about his most recent book: A Theory of Virtual Agency for Western Art Music (2018). Six guests from TeMA joined Hatten for the discussion session: Maria Lúcia Machado Pascoal, Cristina Capparelli Gerling, Flavio Santos Pereira, Diósnio Machado Neto, Guilherme Sauerbronn de Barros, and Paulo de Tarso Salles. …”
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['National Museum of Western Art as Important Cultural Property of Japan: its Evolution and Historical Value'] by Yoshiyuki Yamana, Kyo Fukuda

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Machine learning revealed symbolism, emotionality, and imaginativeness as primary predictors of creativity evaluations of western art paintings by Blanca T. M. Spee, Jan Mikuni, Helmut Leder, Frank Scharnowski, Matthew Pelowski, David Steyrl

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Developing Encounters between Chinese and Western Art: The Contribution of Two Jesuits in China in the Seventeenth and Eighteenth Centuries by Lisi Feng

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Research on the Impact of Western Art upon Chinese Artists Wu Guanzhong and Zao Wou-ki in the 20th Century by Cheng Cheng

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A study on public space design strategies in Japanese National Museums - focusing on The National Museum of Western Art and The National Art Center in Tokyo by Heekeun Kim, Youngho Yeo

Subjects: “…the national museum of western art…”
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Different Approaches to Modern Art and Society: Li Zehou versus Xu Fuguan by Téa Sernelj

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The Influence of Arab Nationalism on Modern Egyptian Art: Studying the Evolution of Modern Egyptian Art From 1920 to 1960 by Bahareh Barati, Mehdi Mohammadzadeh, Mohammadreza Moridi, Said Khavarnejad

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Development of the Social Experience of a Concert Scales (SECS): The Social Experience of a Live Western Art Music Concert Influences People's Overall Enjoyment of an Event but not Their Emotional Response to the Music by Katherine O’Neill, Hauke Egermann

“…We have developed and validated the first quantitative measure of the social experience of a Western art music concert. Our results also suggest that the emotional response to music and the overall experience of a concert are separate and that only the latter can be influenced by the social experience of a concert.…”
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Art after Auschwitz. Dimensions of ethics and agency in responses to genocide in post World War II art practice by Kyriakides, Y

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Winslow Homer watercolors / by Cooper, Helen A. 538069, National Gallery of Art (U.S.) 538072, Amon Carter Museum of Western Art 538073, Yale University. Art Gallery 538075

‘Michael Sullivan and his study of modern and Contemporary Chinese Painting’ by Jerome Silbergeld

Subjects: “…The Meeting of Eastern and Western Art…”
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Musical decolonisation: the reception of Pablo Casals in Japan and the Sinophone world by Min-Erh Wang

“…</p> <p>From the late nineteenth century onwards, Western art music has rooted in Japan and the Sinophone world alongside colonialism. …”

Peggy Guggenheim and the Pacific by Veys, Fanny Wonu

“… This paper examines the small Pacific collection of Peggy Guggenheim, looking at how it became part of a non-Western art collection that exists in addition to her important modernist assembled works. …”
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Music Preferences of Undergraduate Students in a Multi-Musical Country by Yeoh, Miranda Poh Khoon

“…Ten excerpts of each of the three types of music Commercial, Western Art and Malaysian were recorded on a CD. This is the first instance when a CD, rather than a cassette, is used to contain the sound stimulus. …”
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