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Institutional Certainty and Curatorial Ambiguity: The Whitney Biennial
Published 2021-08-01Subjects: Get full text
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Arte e consumo
Published 2018-12-01“…Resenha da mostra de Andy Warhol, From A to B and Back Again, Whitney Museum of American Art, Nova York.…”
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Alexander Calder’s Half-Circle, Quarter-Circle, and Sphere (1932): a complex history of repainting unraveled
Published 2020-08-01“…Abstract The Whitney Museum of American Art, New York, owns one of the largest motorized works made by the renowned American artist Alexander Calder, titled Half-Circle, Quarter-Circle, and Sphere. …”
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Entrevista com Lynn Zelevansky.
“…Em fevereiro de 2017, foi a vez do Art Institute of Chicago, e, finalmente em julho, a exposição foi montada no Whitney Museum of American Art em Nova Iorque. Nesta entrevista, Lynn Zelevansky relata o processo de organizar a mostra no Carnegie Museum, seus primeiros contatos com o Brasil na condição de curadora-assistente do MoMA e a importância de ter em mente a audiência e o timing da exposição.…”
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Performance/Media/Documentation... Thinking Beyond Dichotomies
Published 2021-04-01“…Auslander has written art criticism for ArtForum and other publications and regularly contributes essays to exhibition catalogs for museums in Europe and North America, including Tate Modern, The Whitney Museum of American Art, the Migros Museum, and the Walker Art Center. …”
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A pioneer of acrylic painting: new insights into Carmen Herrera’s studio practice
Published 2021-10-01“…Abstract Carmen Herrera, born on May 30th, 1915, is a Cuban American abstract minimalist artist, whose first solo show was held at the Whitney Museum of American Art, New York, in 2016–2017. On this occasion, a scientific study of five paintings from the artist’s time in Paris (1948–1953) revealed her pioneering use of solvent-based acrylic paints in post-war Europe. …”
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