Listening in/to Literature by Tamara L. Mitchell

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A Response to Punti and Dingel’s Critique of the Validity of the Intercultural Development Inventory for BIPOC Students. Comment on Punti, G.; Dingel, M. Rethinking Race, Ethnicity... by Mitchell R. Hammer

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The Exploitation of Potential Immigrants by Unscrupulous Consultants: A Task Force Report by A. Duff Mitchell

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OCLC PICA: a European Library Membership Organisation by Janet Mitchell Lees

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<i>Mourning the Unborn Dead: A Buddhist Ritual Comes to America, </i>by Jeff Wilson. by Scott A. Mitchell

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Disability Ghosting in the Double Lockdown Institution of COVID-19 by David Thomas Mitchell

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Disembodied AI and the limits to machine understanding of students' embodied interactions by Mitchell J. Nathan

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Christian Catechetical Texts by Michael R. Mitchell

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Three Models of US State-Level Charity Regulation by Mitchell George E.

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Vad vill bilder? by W.J.T. Mitchell

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How not to secure wireless sensor networks: a plethora of insecure polynomial‐based key pre‐distribution schemes by Chris J Mitchell

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Antigenic structure and the induction of different immune responses to parasites by Graham F. Mitchell

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Perceived inhibitors to rural practice among physiotherapy students by R. A. Mitchell

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['Mourning the Unborn Dead: A Buddhist Ritual Comes to America, by Jeff Wilson.'] by Scott A. Mitchell

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Conscription and European Security: A Theoretical First-Step by Mitchell A. Belfer

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['"Christianity is for rubes; Buddhism is for actors": U.S. media representations of Buddhism in the wake of the Tiger Woods\' scandal'] by Scott A. Mitchell

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The Influence of Colorism on the Hair Experiences of African American Female Adolescents by Lakindra Mitchell Dove

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A Gladiolus with Links to St Andrews and Edinburgh by Robert J. Mitchell

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Sobre la exportabilidad del flamenco inconsciente by Timothy J. Mitchell

“…Durante dos siglos, tanto en el campo de la tauromaquia como en el de la música, los aficionados premiaban los estilos interpretativos que concordaban con su peculiar guión interno y rechazaban los que no, y así iban construyendo identidades taurinas o flamencas que los artistas procuraban emular o personificar de manera creativa (Mitchell 1991, 1994). Dice Antonio Zoido que "El fenómeno 'explota' en cuanto que entre flamencos o toreros y aficionados de ambos se establece una relación casi hegeliana en la que un polo no puede existir plenamente sin el otro" (1998:102). …”
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Margrete of Nordnes in Cult, Chronicle, and Ballad by Stephen A. Mitchell

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