Starting points and artistic premises in abstraction by artist Wassily Kandinsky as an entrance for teaching the principles and rules of abstraction and enriching the art work painting for art education students by Dr. Amal Mahrous Abdel Gani

“…The main idea of this research was inspired from a desire to clarify some of artist Wassily Kandinsky's Starting points and artistic premises in abstraction and to benefit from them as an entrance for teaching the principles of abstract painting and enriching the art work painting for the art student. The aim of the research is to study the premises of Wassily Kandinsky, both the artistic and intellectual premises, as an entrance for art teaching for students of the fourth year, Department of Art Education, Faculty of Specific Education, Menoufia University in 2020/2021, and also, it aims at enriching the art of abstraction for students of the fourth year, Department of Art Education, Faculty of Specific Education, Menoufia University in 2020/2021 through studying these premises. …”

Freedom’s Seeds: Reflections of Food, Race, and Community Development: Voices of the Food Movement in Detroit by Monica M. White

“…Music can be heard while neighbors work in the garden, and artists are hard at work painting signs, building compost bins, and creating other garden decora­tions that together make this a community space....…”
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Ideologi sosial politik pada karya semsar siahaan / Anggiat Tornado by Tornado, Anggiat

“…The ideology refers to a system of thinking adopted by the artist in expressing criticism and their mind in the form of the contemporary art work with the subject of two artists: 1) Semsar Siahaan with the work of installation redigging (Kuburan Massal, 1999) said that the history of cruelty in Indonesia especially violation of human rights has been buried with a new history being recreated again. His work's painting works Manubilis (1998); Human, animals and the devil a term describing Manubilis three characteristics in one unity. …”
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Recognizing the Layering Wall Decorations of Safavid Palaces in Isfahan and its Regeneration for Newer Usages by Mansour Kolahkaj, Nadia Esfandiari gharabi

“…For this intention, this art can be applied for newer purposes with the aid of implemented examples.Objective: The aim of this research is to regenerate traditional Iranian art in novel fields in order to expand Iranian handicrafts.Research Method: The present research is conducted qualitatively following a descriptive-analytical approach based on field studies such as photography, face-to-face interviews, and library resources.Results: Layering long applied in the past along with decorations such as carving (Koshtehbori), mirror work, painting, and plastering in wall paintings is currently applied in newer fields such as interior decoration and decorative paintings. …”
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Environmental manipulation and stimulation of atypical children trough art therapy by L.-M. Hosu

“…These stages are achieved through mixed techniques of artistic work, painting, decorating, modeling, collage, weaving and binding techniques. …”
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Relações de sucessos como elementos da cultura da vitória na Restauração Portuguesa by Doré, Andrea

“…These texts are considered as part of a set of manifestations understood as practices of victory, which include literary works, paintings of battles and the use of prisoners and objects of worship. …”
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Relações de sucessos como elementos da cultura da vitória na Restauração Portuguesa by Andréa Doré

“…These texts are considered as part of a set of manifestations understood as practices of victory, which include literary works, paintings of battles and the use of prisoners and objects of worship. …”
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The Problem of the Authenticity of the Aesthetic Concept qiyun shengdong by Téa Sernelj

“…The complexity of the concept of qiyun shengdong is reflected in literary works, painting, calligraphy, and music, as well as in literary theory and the theory of painting. …”
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The Pigments of the Painter Fleury Richard (1777–1852), a Model for Multidisciplinary Study by Davy Carole, Erika Wicky, Amina Bensalah-Ledoux, Stéphane Paccoud, Cécile Le Luyer, Anne Pillonnet, Gérard Panczer

“…This original study is based on the analysis of more than 40 color powders using different spectroscopic techniques (X-ray diffraction (XRD), Fourier transform infrared spectroscopy (FTIR), and Raman spectroscopy), color index estimation, and the comparison of the results obtained from three pictural works painted by the artist. It allows us (i) to identify and reference the pigmented powders and pictural choices in connection with historical manuscripts describing the artist’s practice, and (ii) to identify the most judicious analysis methods and question the difficulty of analyzing paintings in a non-destructive way, where pigments are put into a matrix and mixed.…”
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Das Kaum Noch Sichtbare Sichtbar Machen by Kilian Heck

“…Such attempts at playing with optical phenomena were typical for his works painted after his visit in Italy in 1829/1830. …”
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«"Otros reyes de la su casa onde él venía": Metáforas, diagramas y figuras en la historiografía castellana (1282-1332)» by Rosa María Rodríguez Porto

“…Abstract: In the decades after the death of Alfonso X, the kings and queens of Castile seem to have been surrounded by a variegated series of images –either real objects or mental pictures– generated around several key metaphors for the Western imagery of kinship. In these works –painted or sculpted galleries of kings, historiographical texts, heraldic emblems– political and family tensions arise, revealing also the role played by images in the articulation of historical narratives and dynastic memory. …”
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Human genetics and genomics research in Ecuador: historical survey, current state, and future directions by Marlon S. Zambrano-Mila, Spiros N. Agathos, Juergen K. V. Reichardt

“…Fields such as pharmacogenetics and pharmacogenomics have begun to be explored during the last years. Conclusions This work paints a comprehensive picture and provides additional insights into the future panorama of human genetic and genomic research in Ecuador as an example of an emerging, resource-limited country with interesting phylogeographic characteristics and public health implications.…”
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Equilibrium and rhythm in Piet Mondrian’s Neo-Plastic compositions by Fallahzadeh, Ali, Gamache, Geneviève

“…The first group is early Neo-Plastic paintings created between 1919 and 1921, while the second group is mature works painted between 1935 and 1937. This article demonstrates the esthetic development in Mondrian’s thought by showing the degrees of conformity of his art with the fourth and the fifth principles of Neo-Plasticism (written by Mondrian in 1926) in regard to the expression of “equilibrium” and “rhythm” as universal and dynamic. …”

Identification of Age-associated Proteins and Functional Alterations in Human Retinal Pigment Epithelium by Xiuxiu Jin, Jingyang Liu, Weiping Wang, Jiangfeng Li, Guangming Liu, Ruiqi Qiu, Mingzhu Yang, Meng Liu, Lin Yang, Xiaofeng Du, Bo Lei

“…In older hRPE cells, apoptotic signaling-related pathways were up-regulated, and endoplasmic reticulum organization was down-regulated both in the intracellular and secreted proteomes. Our work paints a detailed molecular picture of hRPE cells during the aging process and provides new insights into the molecular characteristics of RPE during aging and under other related clinical retinal conditions.…”
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A Curious Case of Neglect by Jenny Reynaerts

“…In their Hague residence, Van Lynden and Van Pallandt hung modern French works painted in a loose or even sketchy manner. These were acquired during visits they made together to sales and galleries in Paris and through their commercial relationship with Goupil & Cie (from 1884 Boussod, Valadon & Cie) and the firm of Wisselingh & Co, both with branches in the Netherlands. …”
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A Comparative Analysis of Visual Elements of the Stucco Ornaments in Soltaniyeh Monument, Sayyed Roknaddin Mausoleum and Sayyed Shamsaddin Mausoleum in Yazd by Farnoush Shamili, Zeinab Samadnezhadazar, yaser hamzavi

“…The ornaments used in the Soltaniyeh mausoleum include stucco ornaments, Mogharnas work, tile work, inlay work, paintings and inscriptions, and various ornaments. …”
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