Socrates Sculpture Park / by Baker, Alyson, Mestrovic, Ivana, Donohue, Robyn, Hanrahan, Thomas., Kastner, Jeffrey, Sandler, Irving, 1925-, Cohen, Steven L., Socrates Sculpture Park

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Fakta och fiktion i ekfrastiska representationer av bilder by Emma Tornborg

“…Ekphrastic texts have a special place in discussions about fact versus fiction, since they often (though not always) relate in various ways to existing media products such as paintings, photographs and sculptures, and since they have been traditionally used as substitutes for actually seeing, for example, a work of art. In this article I investigate ekphrastic poems and factual texts which represent the same art works, in order to discuss the issue of fact and fiction in different kinds of texts. …”
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Le cartel taurin en Espagne de la Seconde République au franquisme : entre instrument de propagande et œuvre d’art authentique by Justine Guitard

“…It becomes a propaganda weapon in the same way as a work of art praising bullfighting.…”
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Lo spettatore coreografato: o quando il teatro entra al museo by Pamela Bianchi

“…Within a migration from the black box to the white cube, the theatrical body becomes a work of art, through a process of objectivation. Likewise, the exhibition space turns into a hybrid place of creation. …”
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Photography and interpretations of the word: art and education by Lucinea Aparecida de Rezende, Sandra Aparecida Pires Franco, Letícia Marquez

“…To achieve this target, we understood photography as something possible to be interpretated and also as a work of art. This way, we show that readers can be benefited by reading and rereading photographs, when they are seen along with the words reading.…”
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An art history of means: Arendt-Benjamin by Jae Emerling

“…Although explicitly associated with Walter Benjamin, the entirety of Hannah Arendt’s work on art and history is premised on transmissibility as well. …”
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Memory-making processes through sound art as a way of resistance in Colombia by Maria Paula Suarez

“…The article aims to analyze the work of art Cantos silentes en cuerpos de madera by Leonel Vásquez as an alternative narrative of the Internal Armed Conflict in Colombia. …”
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Petrified Beholders: The Interactive Materiality of Baldassarre Peruzzi’s <i>Perseus and Medusa</i> by Mari Yoko Hara

“…Baldassarre Peruzzi’s cosmological vault fresco (1510–11) in the Villa Farnesina in Rome, prominently featuring a scene of Perseus and Medusa, showcases a dynamic operation that was often at work in the early modern period between the beholder and an immobile work of art. These types of representational objects participate in the discourse around <i>materiality</i>, not by employing the signifying powers of their constituent materials, but by encouraging thought about their material presence. …”
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Work on a literary text is one of the effective methods of independent work when teaching the Russian language to students of foreign language groups by Isakova Ravshana, Begmatova Navruza, Otajonova Firuza

“…The article is devoted to one of the effective methods of self-education - work with a work of art. The use of innovative pedagogical technologies when checking out-of-class reading of fiction recommended by a teacher is one of the forms that can arouse interest among students, as well as involve them in the analysis of the content of the work, while reinforcing some types of grammatical structures that are often found in colloquial speech.…”
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Bycie i świat. Metamorfozy pojęcia „świat” w filozofii Martina Heideggera by Magdalena HOŁY-ŁUCZAJ

“…Metamorphosis of the Concept of the “World” in the Philosophy of Martin Heidegger The article reconstructs transformation of the concept of the “world” in Martin Heidegger’s view in the light of his: Being and Time, Basic Problems of Phenomenology, On the Essence of Ground, The Fundamental Concepts of Metaphysics, The Origin of the Work of Art, Contributions to Philosophy, and essays Language, Thing and Building, Dwelling, Thinking. …”
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The phantasmagoria: From ghostly apparitions to multisensory fairground entertainment by Charles Spence

“…The question to be addressed in this review concerns the link between the phantasmagoria (defined as a ghostly visual entertainment) and the multisensory sensorium (or sensory overload) of the fairground and even, in several other cases, the Gesamtkunstwerk (the German term for “the total work of art”). I would like to suggest that the missing link may involve the ghost attractions, such as Dr. …”
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Emil Utitz et la « science générale de l’art » by Lara Bonneau

“…Against what he regarded as an aesthetic subjectivism—be it the aesthetics of the judgement of taste, the Hegelian science of beauty or the psychophysiological aesthetics—Utitz developped an ontology of the work of art based on its “objectality”. The article attempts to retrace the key elements of this systematisation project.…”
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Art as a guaranty of sanity: The Skin I Live In by Tarja Laine

“…Drawing upon Paul Crowther’s notion of an internal relation between the artist’s experience and the work of art, it argues that the film communicates a vision of embodied artistic practice as a redemptive strategy used to resolve trauma resulting from the traditional body/soul dualism. …”
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The Form of Happiness. Some Remarks on Art, Mimesis and Technology in the Wake of Adorno’s Conception of Natural Beauty by Rolando Vitali

“…Then, an interpretation of the work of art is proposed, which identifies its natural moment in the peculiar kind of productive praxis that takes place within it. …”
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MENGGAMBAR DARI ANGKA BAGI GURU TK UMP by Lia Mareza, Agung Nugroho

“…Activities to produce a work of art is a process that requires sensitivity to the object as a work activity creates. …”
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Heidegger in Hebrew: Translation, politics, reconciliation by Herskowitz, D

“…This article deals with the largely neglected topic of Martin Heidegger’s Jewish reception by examining the translation of The Origin of the Work of Art into Hebrew by Shlomo Zemach in 1968. The various challenges confronting the coming-into-being of this translation are outlined by drawing on previously unknown archival material, including correspondence between Zemach and Vittorio Klostermann (Heidegger’s German publisher), as well as between Zemach and Heidegger himself. …”

RALPH WALDO EMERSON’S PRINCIPLE ON ENVIRONMENTAL ETHICS by Fuad Hasyim

“…So, the writer built explored conception (environmental ethics) before coming into a work of art. The main result displayed six environmental ethics: respecting nature, cosmic solidarity, love and caring for nature, no harm, simplicity and harmony life with nature, and moral integrity. …”
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Juri Lotman’s Typologies of Culture by Silvi Salupere

“…Lotman compares culture with a living organism as well as with a work of art, above all emphasizing the dynamicity of culture that is effected by two poles (i. e. consciousnesses) throughout the whole of cultural history: cyclical-continual (mythological) and linear-discrete (historical). …”
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The Existential Relevance of Art for Human Life by Giovanna Caruso

“…From this perspective, the human being – understood as a being in a self-researching process – and the work of art – conceived as an experience-figure – show a structural correspondence: a constitutive unfathomability. …”
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Gli intermediari nell’arte contemporanea by Heinich, Nathalie

“…The example of a French member of the Nouveaux Réalistes movement helps to map the various categories of persons, institutions, gestures, objects owing to which a piece of scrap may be offered the career of an authentic work of art. The paper eventually provides a historical explanation of the growing role of intermediaries in modern and contemporary art, and an insight on the French present time cultural policy concerning intermediaries in the visual arts. …”
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