Trauma and the Fictional Self-Portrait in Margaret Atwood’s 'Cat’s Eye' and Ana Teresa Pereira’s 'As Rosas Mortas' by Ana Brígida Paiva

“…Although the perceived connection and ‘likeness’ between work of art and the subject being depicted seems to differentiate portraiture from other kinds of paintings, this relationship to a perceived reality is far from linear, particularly so when portraits or other works of art are represented in literature – a longstanding literary device known as ekphrasis. …”
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NANOTECHNOLOGY IN THE CULTURAL HERITAGE - INFLUENCE OF NANOSPENSIONS ADOPTED BY NANOPARTICLES OF TiO2 FOR CLEANING THE SURFACE OF HISTORICAL PLASTERS by Klára Kroftová, Markéta Šmidtová, Ivo Kuřitka, David Škoda

“…The continuous development of nanostructure and the study of physico - chemical processes in the nanometer range lead to new methods that can slow down the degradation processes of a work of art, or even restore damage caused, for example, by an inappropriate restoration process. …”
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3D Applications in Conservation and Connoisseurship: Investigating and Supplementing the Scholarly Catalogues of the Red Faun by Angela Marie Ratigan

“…Tradition condition reports verbally express information about the state of a work of art, such as its preservation or past restorations, and are often supplemented with photographs or drawings. …”
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Ralph Ellison Travels to Denmark: Invisible Man/Usynlig Mand and the World Location of American Literature by Johs Rasmussen

“…By reconstructing how Invisible Man was received both in the United States and Denmark, I show that the evaluative criteria by which the novel was judged to be a valuable work of art breaks down the geographical delimitation of national literatures. …”
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SACRED ART OF THE 19TH AND 20TH CENTURIES: BLOOMING OR WILTING? by Grażyna Ryba

“…In connection with the modifications of criteria for assessing a work of art, postulated in the last decades of the twentieth century by philosophers and culture theorists associated with postmodernism and aimed at rethinking that approach to art, one may also perhaps propose changes that would allow including a wider range of artistic phenomena associated with religious than previously considered. …”
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Billedrummet som et levende atlas i verden En introduktion til Georges Didi-Hubermans billedpolitiske projekt og kuratoriske praksis by Michael Kjær

“…An Introduction to George Didi-Huberman’s Image Theory Project and Curatorial Practice This article delivers both an overview of the ongoing work of art historian Georges Didi-Huberman (b. 1953) and an attempt at analyzing the incarnational conception of images that runs through Didi-Huberman’s image theory. …”
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Metamorphoses of the Subject: Kandinsky Interpreted by Michel Henry and Henri Maldiney by Anna Yampolskaya

“…Henry claims that this living through the work of art is transformative; it is akin to ascetic practice or mystical experience that goes beyond the distinction of the subject and the object. …”
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Organization of Artistic World of Fantastic Work: Categorical Concepts (dilogy of O. Gromyko “Year of Rat”) by G. V. Popova

“…It is noted that the idea of creating a special artistic world in fiction correlates with secondary conventions and fiction, which are interpreted as essential features of any work of art. The author concludes that the exceptional plausibility of the universe under consideration is due to the conceptuality, associativity and duality of the created narrative.…”
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Discursive Variability of Film Criticism by Saenkova-Melnitskaya, L. P.

“…However, the mobility of film criticism, its ability to adapt to new socio-cultural requirements and challenges is explained by the fact that it synthesizes different approaches, methods of considering a work, an event, and the author of a work of art. Film criticism always demonstrates a high degree of adaptation and viability even in during a crisis of cinema and absence of mass demand for publications about it.…”
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La ripetizione e il sublime. Danto, Lyotard, Wathol e la fine (differita) dell’arte by Dario Cecchi

“…Danto as well as Lyotard argues that Warhol conceives the work of art as a machine: according to the former, it is a philosophical machine; according to the latter, it is a consumerist machine. …”
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Moscow Place Names in “Master and Margarita” by M. A. Bulgakov. Patriarshiye Ponds: History and Literature by Y. Shi

“…It is argued that the historical and linguistic analysis of place names, which occupy a significant place in the fabric of a work of art, should be based on the determining the relations of nominations with history and culture of a country and a city. …”
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Alighiero & Boetti: sulla firma come identità e duplicazione by Portinari, Stefania

“… On a 1968 spring morning, on Peschiera avenue in Turin, Alighiero Boetti (1940-94) splits himself in two, portrayed by the photograph Twins: a photomontage that not only shows a replica of him, as much as reveals him as a ‘different’ reduplication, with minute modified details. From that work of art, previously disclosed from others evoking the topic of the double, in 1972 he separates also his name as artist’s signature and from 1973 will entitle many exhibitions “Alighiero and Boetti”, until the graphic variation “Alighiero Boetti” in 1984. …”
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The tragedy of internment during the World War II in contemporary semidocumentary Japanese-American discourse by E.S. Khovanskaya

“…The subject of the analysis is the transformation of the historical fact into a work of art. The aim of the paper is to track the way J. …”
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Techniques reproductibles et artistiques dans L’Œuvre au Noir de Marguerite Yourcenar : transposition et référence communicative by Hanae Abdelouahed

“…We will try to develop these problems merging form of osmosis The work at Black Yourcenar, at the intersection of disciplines and critical approaches that think the work of art in its many meanings and semiotic richness.…”
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Realistic and Absurd Dramatic Setting: A Comparative Study by اسماء مكرم سعيد

“…Dramatic setting in any work of art assumes its significance, especially in drama and all other forms of narrative, telling of the occurrence of an action in relation to themes and characters. …”
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KOMODIFIKASI PADA TARI SRIMPI MERAK KESIMPIR KARYA HAMENGKUBUWANA KE VII by Sawitri Sawitri, Sri Marmoah, Farida Nurhasanah, Muhlis Fajar Wicaksana

“…In terms of sacredness, it is certainly reduced, but in terms of preservation, it is one solution to be sustainable. Every work of art will experience development, even if it is a work from hamengkubuwana to VII. …”
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Odnos antropologije i umjetnosti u djelu Rajmunda Kuparea by Marko Vučetić

“…That man presents a value, the same as a work of art, implies that the importance of artwork has been recognized through anthropological laws, in the same way that the value of man has been recognized through art. …”
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Catalogue de la série de portraits des amiraux de France conservés au musée national des châteaux de Versailles et de Trianon by Pauline Maroteaux

“…These figures of admirals, which combine historical document, work of art and aristocratic entertainment, allow us to broaden our knowledge of the working methods and sources used by the painters of this minor genre of historical portraiture in the modern period.…”
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The Relationship between “End of Art” and “End of Human” Regarding Jean Baudrillard’s View by Soheila mansourian, amir nasri

“…With this difference, that art is no longer defined as a realm separate from politics, religion and economics, art is, in a general sense, transmuted into a style and method, in light of which, ugly and beautiful, good and bad, right and wrong are departed from their references (authorities) such as ethics, religion, economics and work of art and pass out in the end of the route together with the concept of subject.…”
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Cinema Divina and Autotheory: An Interview with Marilyn Freeman by Marilyn Freeman, Cat Auburn

“…Autotheory is widely held to be the coalescence of autobiography with theory (or philosophy) within a work of art or literature, often with an aim towards offering social or cultural narration and service. …”
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