Cabiria, opera d'arte autonoma by Santoli, Carlo

“… Cabiria is ‘an autonomous work of art’, between aesthetical and stylistic peculiarities. …”
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Ideology and the simulacrum concept of the reality interpretation in Dušan Kovačević's play Balkanski špijun by Marinkov Jelena I.

“…In all the segments of this work, we tried to show how modern theories related to different domains of human thinking can be successfully applied in the interpretation of a complex work of art such as Balkanski špijun by Dušan Kovačević.…”
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A Beautiful Failure: The Tragic—And Luminous—Life of Jim Harvey (An Experiment in Narrative Theology) by J. Sage Elwell

“…To his death, Harvey refused to accept that his Brillo box was a work of art. However, the theory—the story—that was woven about Warhol’s <i>Brillo Boxes</i> transformed them from commonplace objects into multimillion-dollar masterpieces. …”
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Italian Dawdlers. Urban Drift in Nineties' Artistic Practice by Matteo Valentini

“…In both cases, along with the physical presence of the artist, the video and photographic documentation plays a fundamental part and, sometimes, it assumes the function of a work of art. The essay aims to describe the historical and theoretical background of this tendency and to analyze its various artistic manifestations developed between the Nineties and the new millennium: tour guides in peripheral areas organized by Cesare Pietroiusti, Luca Vitone's documentation of his ordinary path, Stalker's exploration of the "actual territories", Cesare Viel's forays in Genoa's harbor, urbanistic investigations led by Gruppo A12, and photographic collages of peripheric areas created by Botto&Bruno.…”
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New Technologies for 3D Realization in Art and Design Practice by Paul Thirkell

“…Historic precedents for new 3D technologies in the fine and applied arts are identified, and writing by Heidegger, Baudrillard, and Virilio informs the critical review of work by art and design practitioners in sculpture, metalwork, jewellery, and ceramics. …”
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PAINTER’S CREATIVITY AND PERSONALITY IN THE CONTEXT OF ART CRITICISM (ON THE EXAMPLE OF THE CREATIVITY OF A.N. LIBEROV, B.Ya. RYAUZOV, M.Ya. BUDKEEV, N.D. GRITSYUK) by Serikova Tatiana Yu., Simanzhenkova Tatyana K.

“…No doubt, art communication is impossible without a work of art, which is a trigger for the meeting between the painter and viewer to take place. …”
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Proserpine upon the Coin: Melville’s Quest for Greek Beauty in “Syra” by Bruno Monfort

“…The past is thus reconstructed as pure aesthetic enjoyment of life materialized by a coin engraved with the head of Proserpine, a hint at Winckelmann’s conception of what beauty was like when experienced by the Ancient Greeks. Not a work of art proper, such a coin was a sign that the common run of commerce could be attended by aesthetic value emerging from the freedom inherent in playful, carefree lives uncommitted to the earnestness of business transactions.…”
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The Superman as Master Narrative in Wole Soyinka’s by Amechi N. Akwanya

“…Season of Anomy demands both close reading and application of heuristic devices from literary theory and criticism because it is indeed a literary work of art. The master narrative of the superman is applied here to motivate a literary analysis of the work. …”
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Turbulence of the Fin-de-siècle: Arts Through the Looking-Glass of Intermediality by Mykyta Isagulov

“…This is the era of mass publishing and the growth of literacy rates, an era that laid the foundations for future theories on intertextuality and the idea of the work of art as an inclusive “canvas” inside of which all media have a place.…”
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Animation video design as promotion for nature school as habituation of green lifestyle by Yully Ambarsih Ekawardhani, Didi Subandi, Bisma Hikmah Kurniadi

“…Meanwhile, the creation of the work uses art-based research for capturing activities in the nature school environment to become an animated video design based on informal education, has a passion for raising students' awareness of green lifestyles. …”
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The Rediscovery of a Labour Camp on the Construction Site of the Stalin Monument in Prague by Jan Hasil, René Kyselý, Daniel Pilař

“…Until then, the existence of this specific site had not been reflected neither in the historical memory of the place nor in the literature devoted to the monstrous monument (dismantled in 1962), which was both a superb work of art and engineering and the most significant material manifestation of the cult of Stalin’s personality outside the USSR. …”
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Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir” by N. P. Zhilina

“…The central work of art by the outstanding Russian thinker of the early 18th century, philosopher, theologian and writer, associate of Peter I is examined in the article. …”
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Artificial and Live Actors in Luigi Pirandello’s Play Giants of the Mountain by Alexandra M. Bibikova

“…Among the trends that influenced Pirandello’s vision of the artificial body in the work of art are the theater of the “grotesque,” futurism, intellectual and symbolist drama, and the Sicilian tradition of the puppet theater. …”
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Three Voices on the “Ode To Joy” by Grzegorz Nadgrodkiewicz, Ewa Ciszewska, Jadwiga Mostowska

“…Jadwiga Mostowska focuses on the key plots, motifs and, first of all, on the central character to depart from generational tropes in favour of a reflection on the film itself – a work of art of the young director who wants to tell a story. …”
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Creating new connections: Objects, people, and digital data at the Musée du quai Branly by Tiziana Nicoletta Beltrame

“…The ‘ethnographic’ artifact, which was once a scientific object, has become a ‘work of art and civilization’ a heritage object registered at the Service des Musées de France. …”
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The individual's electromagnetic field and the effect of the plastic formula and the effect on the brain by ghada mohamed fottouh

“…This research deals with the impact on the brain and what happens in the brain when a person sees a work of art and interacts with it.How this interaction is translated into this miraculous and arranged member.And how the magnetic field of the individual affected by the fields of shapes surrounding it.And in turn, it works on the brain and is reflected and translated into a feeling.This is to clarify the role of artistic work in affecting and responding to the brain and its important role in influencing the work of human feeling and the magnetic field.Influencing in turn the effectiveness of the individual and his health and psychological status.Feeling of activity and magnetic loneliness.Art has an important role in the psychological and visual return, which in turn affects the signals and vibrations emitted from the brain.Everything in the universe has energy, even what we think of as solid matter is actually a specific state of energy.…”
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¿Écfrasis o hipotiposis?: enargeia y retórica visual en la poesía del Siglo de Oro by Adolfo R. Posada

“…The theory of the description in the Spanish Golden Age was indeed much more flexible and dynamic, so that there was no clear distinction in Cervantes’ time between ekphrasis –verbal representations of objects of art–, and hypotypose, understood as the vivid and evident description of reality as a work of art. This problem is essential for reconstructing the poetic vision shared by the Spanish Golden Age writers over the ciceronian verbis depingere from the Classical Age and the Renaissance and Baroque verbal paintings. …”
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The blurring dots between illusion and reality in film : a metamorphosis / Maszalida Hamzah by Hamzah, Maszalida

“…To Tolstoy, 'a real work of art destroys, in the consciousness of the receiver, the separation between himself and the artist'. …”
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Undialectical conclusions by Morgan, B, Morgan, Ben

“…When compared to the subject's awe-struck contemplation of a work of art, any more practical intervention in the world is bound to appear crude and instrumental.…”

Reading the books of Margery Kempe and Alice Pyett: attachment and feminist restoration in Michelle Paver's 'Wakenhyrst' by Varnam, L

“…The article foregrounds and analyses the author’s own response to the novel and to Paver's comments about Kempe from the perspective of Rita Felski's work on art and attachment (2020) and in the context of Carolyn Dinshaw's reading of Hope Emily Allen's championing of Margery Kempe (2012). …”