Shou / Tomonari Tsuchiya by Tomonari, Tsuchiya, Syed Mohammed, Sharifah Faizah

“…This event is part of the World Music History Lecture Series organized by Dr Sharifah Faizah Syed Mohammed.…”
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Ciccolini / Tomonari Tsuchiya by Tomonari, Tsuchiya, Syed Mohammed, Sharifah Faizah

“…This event is part of the World Music History Lecture Series organized by Dr Sharifah Faizah Syed Mohammed.…”
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Sawari : Transcending traditional Japanese sounds in western music / Tamonari Tsuchiya by Tamonari, Tsuchiya, Syed Mohammed, Sharifah Faizah

“…This event is part of the World Music History Lecture Series organized by Dr Sharifah Faizah Syed Mohammed.…”
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Sawari : Transcending traditional Japanese sounds in western music / Tamonari Tsuchiya by Tamonari, Tsuchiya, Syed Mohammed, Sharifah Faizah

“…This event is part of the World Music History Lecture Series organized by Dr Sharifah Faizah Syed Mohammed…”
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ALONG WITH THE SONG: LEARN ITALIAN “CON ANIMA E PASSIONE” by L. E. Nagornova

“…The article analyzes the phenomenon of the Italian language in the world music tradition and Italian songs in the world cultural history. …”
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Questionnaire for the lecturing TOMO 3 : Sawari : Transcending traditional Japanese sounds in western music / Tamonari Tsuchiya by Tamonari, Tsuchiya

“…This event is part of the World Music History Lecture Series organized by Dr Sharifah Faizah Syed Mohammed…”
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Introduction. Son, musique et violence by Luis Velasco-Pufleau

“…Listening can become a tool for exploration of, engagement with and sensorial knowledge of the world. Music can be a device for projecting, framing and preparing for confrontation with the enemy. …”
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Introduction. Sound, Music and Violence by Luis Velasco-Pufleau

“…Listening can become a tool for exploration of, engagement with and sensorial knowledge of the world. Music can be a device for projecting, framing and preparing for confrontation with the enemy. …”
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Questionnaire for the lecturing TOMO 2 : Sawari : Transcending traditional Japanese sounds in western music / Tamonari Tsuchiya by Tamonari, Tsuchiya, Syed Mohammed, Sharifah Faizah

“…This event is part of the World Music History Lecture Series organized by Dr Sharifah Faizah Syed Mohammed…”
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Звуки музыки как средство открытия нового мира в избранных рассказах А.П. Чехова by Tadeusz Osuch

“…Chekhov succeeded in portraying different sides of the human beings’ inner world. Music provided inspiration for the emergence of A. …”
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MUSICAL EDUCATION IN THE SECOND HALF OF THE XVIII TH AND IN FIRST HALF OF XIX TH CENTURIES by A.I. Omelchenko

“…The organizing of the musical education continued the stated traditions in sing the best achievements of national and world music culture. Different forms and methods of music-aesthetic upbringing of the youth were used with the aim of forming a personality and professional training of a teacher of Music. …”
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Folklore motives in the early compositions of Nikola Borota - Radovan by Jovanović Jelena

“…The creative work of Nikola Borota - Radovan (musician, composer, lyricist, arranger and record producer, based in New Zealand - formerly from Yugoslavia) held a specific place in development of world music (poly)genre in his native homeland in the early 1970s. …”
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Marimba de chonta y poscolonialidad musical by Oscar Hernández Salgar

“…La cara poscolonial de estos imaginarios se encuentra en discursos como el multiculturalismo y la world music que obligan a las músicas tradicionales a debatirse entre la inclusión y la exclusión, el deseo y el rechazo.…”
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Hudební preference vysokoškolské mládeže ve vztahu k minimal music by S. Štoudková

“… Příspěvek shrnuje výsledky a interpretace výzkumné sondy, která sledovala hudební preference vysokoškolské mládeže ve vztahu k minimal music a jí blízkým žánrům v oblasti artificiální a nonartificiální hudby (etnická hudba, world music, new age, taneční hudba apod.). Vztah mladých lidí k minimal music byl interpretován na základě hodnocení třinácti ukázek třemi soubory respondentů v sémantickém diferenciálu. …”
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Marimba de chonta y poscolonialidad musical by Oscar Hernández Salgar

“…La cara poscolonial de estos imaginarios se encuentra en discursos como el multiculturalismo y la world music que obligan a las músicas tradicionales a debatirse entre la inclusión y la exclusión, el deseo y el rechazo.…”
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On End-to-End White-Box Adversarial Attacks in Music Information Retrieval by Katharina Prinz, Arthur Flexer, Gerhard Widmer

“…Furthermore, we show the potential of adversarial attacks being a security issue in MIR by artificially boosting playcounts through an attack on a real-world music recommender system.…”
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Hibridismo no mercado da música e a articulação das identidades by Michel Nicolau Netto

“…This process is clearly noticed at the level of social relations, which are analyzed here on the basis of descriptions of musicians found in catalogues of a World Music international trade fair. These descriptions show that social actors can now articulate identities hoping for a symbolic gain. …”
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Творчі настанови народно-­інструментальних ансамблів у культурному просторі Харкова другої половини XX – початку XXI ст.... by M. Danyliuk, Ya. Danyliuk

“…Виявлено притаманні їм ознаки: варіабельність форм і складів, віртуозність, новаційне розширення органологічних, тембрових, фактурних, техніко-виконавських параметрів; інтенсивна апробація світової та національної класики, оригінальних творів сучасних українських митців; значущість автентичних настанов і фольклорної домінанти репертуару, академізації та утвердження нових звукообразів народних інструментів, тембрових експериментів та театралізації виконавства, естетики world music і кроссоверу; синтез виконавської, композиторської, науково-дослідницької, педагогічно-методичної діяльності його представників. …”
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Meintjes, Louise. 2003. Sound of Africa! Making Music Zulu in a South African Studio. Durham and London: Duke University Press, 335 pp. by Brett Pyper

“…In the wake of Paul Simon's Graceland collaborations, accomplished studio musicians and eth-nically identified groups like Ladysmith Black Mambazo gained access to the burgeoning world music market. At the same time, however, a violent upsurge of Zulu ethnic nationalism threatened the negotiated transition from white minority rule to nonracial democratic elections. …”
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German-language Popular Music Studies in Germany, Austria and Switzerland by Martin Pfleiderer

“…Nevertheless, there is no big gap between the issues of popular music research in Germany and in the predominant Anglo-American academic discourses, due to central themes concerning popular music that bridge the frontiers of nation-states and national culture, such as globalisation, world music, or performance and media studies.…”
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