Textes en exil : le théâtre de Yannis Ritsos by Chiara Gallo

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Guerra y tragedia: el sentido dramático de la párodos del Agamenón de Esquilo by David García Pérez

“… Tomando como punto de partida la lectura de la guerra de Troya que Yannis Ritsos plantea en el inicio de su poema Agamenón, se propone en este artí­culo un análisis de la párodos del poema homónimo de Esquilo a través del sentido que cobra lo trágico de acuerdo con el destino de los Atridas, especí­ficamente de Agamenón, su proyección simbólica en el conflicto con los troyanos, el sacrificio de Ifigenia y el dolor que implica el aprendizaje de los avatares del destino. …”
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Images of Sculptures in the Poetry of Giorgis Manousakis by Michał Bzinkowski, Rita Winiarska

“…Many famous poets such as the first Nobel Prize winner in literature, George Seferis (1900-1971), as well as Yannis Ritsos (1909-1990) frequently use sculptural imagery in order to allude to, among other things, though in different approaches, the classical past and its existence in modern conscience as a part of cultural identity. …”
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Shedding light on Odysseus’ companions by Matrona Paleou

“…It focuses on the examination of four poems that present an interesting reworking and appropriation of themes drawn from the Homer’s Odyssey: Ezra Pound’s Canto XX (1928) and Yannis Ritsos’ three selected short poems, included in the collection Testimonies 2 (1966), where myth, history and politics interweave. …”
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The last modernist wave: a metamodernist approach to Greek literature of the 1960s by Russello, C

“…Chapter Two examines Yannis Ritsos’s <em>Τέταρτη διάσταση</em>, exploring the role of the boundary-affect in the collection’s development and reinterpreting the concept of the ‘fourth dimension’ as a Bergsonian <em>durée</em>. …”