Zombies in Revolt: The Violent Revolution of American Cinematic Monsters by Dunja Opatić

“…It is my contention that zombies, through their cinematic (r)evolution, came to embody Deleuze and Guattari’s vision of the nomad war machine. Zombie films are used as a vehicle for addressing the tension between the hegemonic fear of the violent multitude in revolt and the counter-hegemonic liberatory potential of the rising masses. …”
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Genre and Discourse (and Zombies), an Introduction in Pictures by Nicolas Labarre

“…It seeks to demonstrate the necessity to go beyond textual or prescriptive approaches, using the example of zombie films. The comic is arguing that some films that contain zombies are not usually seen as being part of the zombie film genre. …”
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The undead new world: Zombie epidemics’ apocalyptic surroundings and social relations by Mandić Marina

“…The narratives of zombie films articulate social relations in the context of an apocalyic social environment, indicating unstoppable processes of disease spreading through the omnipresence of zombies as the primary infection carriers, emphasizing discourses of biological catastrophe, that is, epidemics of infectious diseases as a potential means of the end of a modern civilization. …”
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Zombies saved my cold dead heart by Chng, Bee Hwee, Low, Koon Yen, Nah, Erwin Hark Eyan, Ng, Jessie Jieying

“…This is what happens to hopeless romantic Euclid, turning him into a zombie film geek with a compulsive need to over-analyze every situation. …”
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The Icon of the Zombie Mob by Jørgen Riber Christensen

“…This is in a more specific sense than the prevalent understanding of the zombie as an icon of fear of globalisation; but it is also a continuation of the cultural critique of mass society as expressed in for instance George Romero’s zombie film trilogy. If the zombie has become the mob, then a reciprocal question remains. …”
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The 1930s Horror Adventure Film on Location in Jamaica: ‘Jungle Gods’, ‘Voodoo Drums’ and ‘Mumbo Jumbo’ in the ‘Secret Places of Paradise Island’ by Emiel Martens

“…The first part contains a discussion of <i>Ouanga</i>, the first sound film ever made in Jamaica and allegedly the first zombie film ever shot on location in the Caribbean. …”
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