« Mirdidingkingathi Juwarnda Sally Gabori » à la Fondation Cartier by Cédric Courtois

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The People of K’Gari/Fraser Island: Working through 250 Years of Racial Double Coding by Fiona Foley

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Cultural Tourism: Imagery of Arnhem Land Bark Paintings Informs Australian Messaging to the Post-War USA by Marie Geissler

Subjects: “…Aboriginal art…”
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Indigenous Agency in Australian Bark Painting by Marie Geissler

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Curated exhibitions and Australian art history by Catherine De Lorenzo, Joanna Mendelssohn, Catherine Speck

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Retrieving an archive: Brook Andrew and William Blandowski’s Australien in 142 Photographischen Abbildungen by Kerry Heckenberg

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Teaching the Whitefella—The Role of Cultural Tourism in Opening Remote Indigenous Art Centres to Non-Indigenous Visitors by Chrischona Schmidt

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QUICKSILVER: Reflections by Nicolas Rothwell

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The hang and art history by Catherine De Lorenzo

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Utilising PEARL to Teach Indigenous Art History: A Canadian Example by Carmen Robertson

“…PEARL offers significant interdisciplinary theory and methodology for implementing content related to both Canadian colonial history and Indigenous cultural knowledge implicit in teaching contemporary Aboriginal art histories. This case study, based on a third-year Indigenous art history course taught at University of Regina, Saskatchewan in Canada will articulate applications for PEARL in an Aboriginal art history classroom. …”
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Source to Subject: Fiona Foley’s Evolving Use of Archives by Marina Tyquiengco

“…Since the 1980s, multidisciplinary artist Fiona Foley has created compelling art referencing her history, Aboriginal art, and her Badtjala heritage. In this brief essay, the author discusses an early series of Foley’s work in relation to ethnographic photography. …”
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Writing the history of Australian art: its past, present and possible future by Terry Smith

“…This was largely the result of plethora of new approaches to art history that emerged worldwide during the 1970s: contextual, feminist, populist, Marxist. Aboriginal art awaited detailed art historical consideration. …”
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Empowering art: reconfiguring narratives of trauma and hope in the Australian national imaginary by Fiona Magowan

“…Aboriginal art has been the source of much contention between art curators, gallery owners, art critics and Aboriginal artists themselves. …”
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Field Notes From Jail: How Incarceration and Homelessness Impact Women’s Health by Louanne P. Keenan, Cybele Angel, Rebecca Martell, Diane Pyne, Rabia Ahmed

“…The team consisted of academic researchers, inner city physicians, social workers, nurses, Aboriginal art therapists, Aboriginal cultural consultants, correctional healthcare administrators, and inner city chaplains from non-profit organizations. …”
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La performance aborigen: arte de relación en el espacio The Aboriginal Performance: Art of Relation in Space by Milagros Müller

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A way of reasserting and sharing identity: acrylic paintings of the Central Desert. A critical approach by Roser Bosch

“…Many different discourses about the “new” Aboriginal art forms, especially Acrylic Paintings of the Central Desert, have been constructed during the last 30 years. …”
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The exploration of near-extinct indigenous Ghanaian cultural symbols for interior decoration by Emmanuel A. Ofori, Benjamin Tawiah, Benjamin K. Asinyo, Kwaku A. Adomako, Benjamin Eghan

“…The design aesthetically ingrained conceptual aboriginal art and near-extinct indigenous Ghanaian symbols from the four ethnic groups as inspiration. …”
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‘Believe in me and I will believe in myself’, a rural Australian health service learns how to mangan dunguludja ngatan (build strong employment) for Aboriginal and Torres Strait Is... by C. A. Opie, B. Gibson-Thorpe, C. Lees, H. M. Haines

“…Today, the ‘verandahs’ have been replaced with a modern hospital decorated with Aboriginal art, expressing cultural safety and inclusion, presenting fertile ground for strengthening and sustaining Aboriginal employment. …”
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Art centres supporting our Elders - ‘old people, that’s where our strength comes from’ - results from a national survey of Australian Aboriginal and Torres Strait... by Paulene Mackell, Kathryn Squires, Scott Fraser, Jessica Cecil, Maree Meredith, Roslyn Malay, Melissa Lindeman, Chrischona Schmidt, Frances Batchelor, Briony Dow

“…The survey was distributed in 2018 to art centres across Australia via their four art centre peak bodies: Desart; the Association of Northern, Kimberley and Arnhem Aboriginal Artists; the Indigenous Art Centre Alliance - Far North Queensland and Torres Strait Islands; and the Aboriginal Art Centre Hub - Western Australia. The survey was also conducted face-to-face with participants at art centre annual events; and on field trips to North Western and Central Australia, conducted as part of an overarching study. …”
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Customary Assets and Contemporary Artistry: Multimodal Learning and Remote Economic Participation by Judith Lovell

“… The role of artistry in transformative maintenance of law and custom is a theme widely researched and discussed in Aboriginal arts related literature. However, it is the aim of this paper to contribute to a wider discourse about learning and economic participation in remote Australia, and in particular the role of multimodality as a significant asset. …”
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