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  1. 141

    To Act or not to Act: How Coleridge Changed the Way We See Hamlet by Svetozar Poštić

    Published 2014-10-01
    “…First of all, he identified with the main protagonist of the play, the Prince of Denmark, and described the unbridgeable gap between ambitions and power of imagination on the one hand, and inability to act on the other. Like Hamlet, Coleridge had "great, enormous, intellectual activity, and a consequent proportionate aversion to real action" (Coleridge 2014: 345). …”
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  2. 142

    TO ACT OR NOT TO ACT: HOW COLERIDGE CHANGED THE WAY WE SEE "HAMLET" by Svetozar Poštić

    Published 2014-10-01
    “…First of all, he identified with the main protagonist of the play, the Prince of Denmark, and described the unbridgeable gap between ambitions and power of imagination on the one hand, and inability to act on the other. Like Hamlet, Coleridge had "great, enormous, intellectual activity, and a consequent proportionate aversion to real action" (Coleridge 2014: 345). …”
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    Actor training / by Hodge, Alison, 1959-

    Published 2010
    Subjects: “…Acting…”
  13. 153

    When's it coming out? / by Lipman, Maureen

    Published 1992
    Subjects: “…Acting…”
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