Rambo 4 [videorecording] : John Rambo to hell and back / by Stallone, Sylvester

Subjects: “…Adventure films…”

XXX [digital video disc] : the next level / by Tamahori, Lee

Subjects: “…Adventure films…”

Timeline [digital video disc] / by Donner, Richard

Subjects: “…Adventure films…”

The 1930s Horror Adventure Film on Location in Jamaica: ‘Jungle Gods’, ‘Voodoo Drums’ and ‘Mumbo Jumbo’ in the ‘Secret Places of Paradise Island’ by Emiel Martens

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Pengaruh Diskusi Tayangan Film Petualangan Kelompok Terhadap Motivasi Bekerjasama = The Influence Of Group Adventure Film Discussions on The Improvement Teamwork Motivation by Perpustakaan UGM, i-lib

“…This research was intended to reveal: (1) the influence of group adven-ture film discussions on the improvement of teamwork motivation, (2) the influence group adventure films on the improvement teamwork motivation. …”

M:i-2 [digital video disc] / by Woo, John, 1948-

Subjects:

Chain reaction [video compact disc] / by Davis, Andrew, 1946-

Subjects: “…Adventure films…”

Minimalism of Blood in Dynamics from the 1970s to the 1990s: Late Soviet Costume Historical Film and TV Series by Salnikova, Ekaterina Viktorovna

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Diegetic Invisible/Vanishing in Silent Cinema and its Origins / Диегетическое исчезающее/невидимое в немом кино и его корни by SALNIKOVA EKATERINA V. / САЛЬНИКОВА Е.В.

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The dark knight rises [videorecording] / by Nolan, Christopher, 1970-

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‘REALITY WORLDS’ COLLIDE: FILM AND VIDEOGAMES AS PEDAGOGICAL TOOLS FOR THE CLASSICS by B. Karam, M. Kirby-Hirst

“…Indeed, the influence of the computer is so powerfulthat it is rare for an action-adventure film to be able to call itselfa ‘blockbuster’ unless it is released with some sort of videogametie-in following closely in its wake, as the case of James Cameron’sAvatar (2010) suggests. …”
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“Viimne reliikvia” ja “Kolme katku vahel”: ruumist eesti ajalookirjanduse ekraniseeringutes / The Last Relic and Between Three Plagues: On Space in Film Adaptations of Estonian His... by Eva Näripea

“…The Last Relic, defined by its authors as a historical adventure film, is centred on a complicated love story from the 16th century, presented against the background of the conspiracies and plots of church and nobility, and the revolt of Estonian peasants against these institutions. …”
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The Para-Indexicality of the Cinematic Image by Seung-hoon Jeong

“…In fact Bazin’s interest in adventure films facing this unrepresentable realm especially inspires us to revamp indexicality as para-indexicality. …”
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Belarusian cinema from 1930s to 1980s in Ukrainian printed film posters from fonds of V. I. Vernadskyi National Library of Ukraine by Hutnyk Liudmyla

“…The panorama of films represented on Ukrainian posters, inter alia dramas, historical and adventure films, comedies and children's films forms a wide layer of the national historical and cultural heritage of Belarus created by the best filmmakers of the republic, as well as filmmakers of the former Soviet Union and partially of foreign countries. …”
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La imagen de la Prehistoria en el cine y los géneros del cine prehistórico. Un mundo de hombres mono, bikinis y dinosaurios. by Alberto Lombo-Montañés

“…The result of this work highlights three main stages: 1) the comic origin of prehistoric cinema (1905-1940), 2) the attempt at standardization of the stereotypes in the fantastic adventures’ films (1940-1970), and 3) the historical tendency (1980-2019), as it includes a discussion about the use of prehistory in postmodernity. -- El presente artículo establece las bases de una historia de la Prehistoria en el cine. …”
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