Alterskapet fra Andenes. En liturgisk lesning av skapets ikonografi med hovedvekt på Nådefader-gruppen i skapets corpus by Per Olav Folgerø

“…This detail indicates a nexus between the angel and the content of a prayer in the core of the Eucharistic cycle, the Súpplices te rogámus, asking for God’s acceptance of the gifts lifted by “the hands of an angel to the Altar of Heaven”.…”
Get full text

Esterilizaciones forzadas, narrativa participativa y contramemoria digital en el Perú by Matthew Brown, Karen Tucker

“…También supone enfatizar en las relaciones humanas que se sacrifican fácilmente en el altar de la innovación tecnológica.…”
Get full text

Portugal e as variações artísticas de um culto: a iconografia de Santiago na escultura dos séculos XIII e XIV by Carla Varela Fernandes

“…Assim, este texto propõe abordar as primeiras representações do apóstolo Tiago Maior na arte portuguesa através de esculturas devocionais (imagens de altar), mas também de relevos, e de como a iconografia do santo acompanhou as variações/ preferências da religiosidade de cada época, bem como os factores políticos dominantes.…”
Get full text

La catedral sin órganos. Elementos para la reconstrucción de una catedral a partir del arte moderno norteamericano. The cathedral without organs. Elements for the reconstruction of... by Jaime Ripollés Llauradó

“…Sólo reconstruyendo la función simbólica de cada uno de éstos objetos de culto de las iglesias, desde el simbolismo de la planta hasta la función del sacerdote, pasando por las vidrieras o el altar, estaremos en el camino de comprender el museo moderno como una suerte de catedral sin órganos.…”
Get full text

Jozef Miloslav Hurban and his Olejkár by René Bílik

“…Hurban thus incorporates into his prose - besides his own theoretical construct of nation history - Štúr´s call for sacrificing personal matters (love, marriage) on the altar of the nation.…”
Get full text

The Church of St. Stephan on Šćepan polje near Soko-grad by Popović Marko, Vukadinović Svetlana

“…The floor of the naos was a step lower than the floor of the altar. Flooring made of mortar, like in the altar area also existed in the choirs. …”
Get full text

KLENTENG HOK TEK BIO BREBES SEBAGAI SIMBOL KEBERAGAMAN DAN EDUKASI UNTUK GENERASI MILENIAL by Rumyati Rumyati

“…Keberagaman yang terkandung dalam bangunan Klenteng Hok Tek Bio dibedakan menjadi dua, yaitu keberagaman fisik (wuwungan, motif mega mendung, tema bunga-bungaan, altar utama, daun pintu, warna mencolok, Yin dan Yang, dan nabi Kong Hu Chu) dan non fisik (tradisi gunungan, nilai sastra pada kayu nasib dan kayu obat) dan edukasi untuk generasi milenial yang terkandung seperti makanan tradisional, kesehatan, dan spirit yang berkaitan dinamika masyarakat yang harus diketahui dan ditanamkan sejak dini. …”
Get full text

Nazim design of Qashqai Carpet in the process of changing lifestyle Qashqai nomads from migration to settlement case study : nazim design of carpet producing Cheshmeh Rahman and G... by Mohammad Afrough

“…This article is the result of a field activity and is associated with the carpet of Qashqai's Nazem design. which has been completed in the camps of Cheshmeh Rahman and Gol Afshan in the city of Semirom in Isfahan province. the nazem design is one of the most prominent designs among the various types of designs in qashqai architecture which is woven today with a different approach and structure from the past in the qashqai geography from Fars province to south of Isfahan (Semirom).the process of settlement of qashqai tribes leads to a change in lifestyle and fundamental changes in quantitative and qualitative production, application and structure of qashqai woven, in particular the carpet of the nazem design in the technological dimension and aesthetic dimension.these dimensions will be investigated and analyzed in this study. the type of research is fundamental and research method is descriptive-analytical.the way information is gathered is predominantly fieldwork. findings of the research indicate is that lifestyle changes from nomad to settlement have a great influence on the production of nomadic wool and especially the carpets of the nazim design. so that the weaving the mental process have given Place herself to weave by pattern and raster map. the size of the carpet of nazem design is smaller than the past and elements of the original structure of the design (altar like space, half cedars,tree of thousand flowers- central of flower pot and flowers and leaves spread and saucer shape) has undergone fundamental changes.…”
Get full text

El retablo de San Cristóbal Mártir de la Catedral de Orihuela by Mariano Cecilia Espinosa, Gemma Ruiz Ángel

“…La pintura se ornamenta con decoración Rococó en los laterales y un escudo nobiliario en su coronamiento perteneciente a la familia Timor, quien desde 1760 tuvo su sepultura en el altar donde se ubicaba el lienzo. En la parte inferior se añadió en el siglo XVIII la predela de un antiguo retablo con las advocaciones de santos y mártires vinculados a la identidad religiosa de la Corona de Aragón. …”
Get full text

Två konstnärers sätt att i ord och bild presentera sig själva i sengotikens Norden by Jan Svanberg

“…He left another self-portrait in Härkeberga church and close to his kneeling figure here a young man stands by a painted altar, probably his apprentice. – Adam van Düren came to Sweden together with other German stonemasons in 1487 to complete Linköping Cathedral. …”
Get full text

The setting of the celebrations of the Grand Millennium Jubilee of the Baptism of Poland in the Cathedral of St John the Baptist in Warsaw (23–24 June 1966) by Katarzyna Chrudzimska-Uhera

“…The interiors of the chancel (throne of the archprelate, main altar with The Visitation of the Mother of God) survived in the unchanged, millennium form till the end of the 1980s.…”
Get full text

Stifterbilleder og deres ikonografi i danske 1100-tals fresker. Kong Niels og Dronning Margrete Fredkulla malet i Vä Kirke (1121–22) og elleve andre kirker med stifterfigurer by Ulla Haastrup

“…Most unusually, the queen is presenting a church model and the king a reliquary. The main altar is dated to 1121 on the basis of a parchment found in a reliquary. …”
Get full text

Ku chrześcijańskim korzeniom Europy. Znaczenie nawrócenia cesarza Konstantyna dla Kościoła, dla Cesarstwa Rzymskiego, dla Europy by Józef Grzywaczewski

“…In later centuries such an alliance of the altar with the throne was boring for the Church. …”
Get full text

Lamp as a symbol in theology and iconology of light in the Mediterranean by Tešić-Radovanović Danijela T.

“…Being small and portable, lamps were used as compact sanctuaries, censers, altars, oil vessels, and containers of light, all in one. …”
Get full text

Game design and control using EEG signals (I) by Ng, Lynette Yanrong

“…The main goal of the game is for players to find the “Ultimate Orb” and channel it successfully at that altar. An experiment was carried out over three days with participants playing the game. …”
Get full text

The treatment of men towards women in the works of Che Husna Azhari by Johari, Nenny Djuhara

“…The willingness to be the sacrificial lamb in the altar of marriage is also highlighted. They surrendered their bodies and souls to fulfill the expectations of the society. …”
Get full text

A study of the role of Shiite symbols in the spatial sense of the holy places of the Safavid period A case study of Imam Mosque and Sheikh Lotfollah Mosque by Reza Oryaninezhad, Omid Dezhdar, Mohammad Mehdi Soroush

“…Findings show that the highest factor share is related to the formation of large and small spaces, which include the altar, basin, nave, courtyard of the mosque, dome, with a value of (1,000) and the lowest factor share. …”
Get full text

Program ikonograficzny wystroju wnętrza kościoła pw. Wniebowzięcia Najświętszej Maryi Panny i św. Augustyna w Kraśniku (wiek XVII i XVIII) by Anna S. Czyż

“…In the following decades, especially in the mid-eighteenth centuries, the interior was supplemented and developed, within the aforementioned themes, through the foundations of new altars, a pulpit and paintings in the chancel. Comparing the themes of the church decoration in Krasnik with other churches of the Canons Regular of the Cracow Congregation, it should be noted that they are typical. …”
Get full text

Princess Olga and Constantinople: Wandering Plots and Changeable Inscriptions by Andrey Vinogradov

“…However, the chronicles of the late 11th – early 12th century do not know Olga’s cross, which, according to the Prolog, stood in the 1160s in the altar of St. Sofia of Kiev. It was either a “fixation” of the historical memory of the first baptist of Rus’, or a contribution of a 12th century princess with the same name (e.g., of the daughter of Yuri Dolgorukiy and a Byzantine princess). …”
Get full text

The Mosaic Floors of the Church at Hazor-Ashdod, Israel by Lihi HABAS

“…The eastern part has not survived, but a capital of an altar table leg has been found, not in situ. The complex is decorated with mosaic floors, and each part of the building is decorated with a different pattern. …”
Get full text