Marguerite Duras, Experimental Filmmaker Between Antinarration and Iconoclasm by Marta

“… The essay is focused on how Duras’ film writing is a visual expression of the central themes of her literature (love and desire) and how certain practices of aesthetic aniconism – and their theoretical reading – refer to the manifestation of emotional and sentimental control. …”
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Between the mind and the senses: Jean Mitry’s approach to cinematic consciousness by Federica Cavaletti

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Immersions and Dives by Roberto Paolo Malaspina, Elisabetta Modena, Sofia Pirandello

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On the razor’s edge by Pietro Conte, Lambert Wiesing

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Immersions and Dives by Roberto Paolo Malaspina, Elisabetta Modena, Sofia Pirandello

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Adventures beyond anthropocentrism in virtual reality art by Philippe Bédard

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Allegories of Immersion by Filippo Fimiani

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I Stalk Myself More than I Should by S()fia Braga

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Perception, hallucination, virtual reality. From controlled hallucination to Resident Evil 7: Biohazard by andrea pinotti

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What to do in /with images? The (virtual) hand in augmented and virtual reality. by Julia Reich

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From inside to outside (and vice versa) by Francesco Tedeschi

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...Or We Will Do Without the Theatre. Challenging the Urban Space, Drafting a New City Map Through Performances. by alice volpi

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Digital Heterotopias in the Metaverse by Margherita Fontana

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On the altered states of machine vision by Federica Cavaletti

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Imagination and Körperzustand by Salvatore Tedesco

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Clothes with no emperors by Yizeng Zhang

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Screening the human mind: A Deleuzian approach to altered states of consciousness in cinema history by Federica Cavaletti

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Caravaggio’s gyroscope by Francesco Zucconi

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Images that we should not see. The issue of non-perceptual attitudes from film to virtual reality by Federica Cavaletti

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Art and Artifice by Lucia Corrain

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