Review of Middlemas, Jill, The Divine Image: Prophetic Aniconic Rhetoric and Its Contribution to the Aniconism Debate (FAT, II/74; Tübingen: Morh Siebeck, 2014). by Lena-Sofia Tiemeyer

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AN AEOLIC OR YÖRÜK GRAVESTONE, A CAPITAL, OR AN ANICONIC CULT OBJECT? PRELIMINARY THOUGHTS ON THE NEW TYPE OF VOLUTED STONE OBJECTS FROM AEOLIS by Emre ERDAN, Nurdan AKBULUT, Nihan AYDOĞMUŞ

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JHWH i Jego maṣṣēbâ? Tel Arad i graniczny wyznacznik terytorium pod protektoratem Boga Izraela by Janusz Lemański

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Mosaics of the Hispanic Meseta Norte: Phases, Officinae, Artistic Taste by Fernando REGUERAS, Caridad SAN JOSÉ

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Review of Klauk, Hans-Josef, B. McGinn, P. Mendes-Flohr, C.-L. Seow, H. Spieckermann, B.D. Walfish, E. Ziolkowski (eds.) , Encyclopedia of the Bible and Its Reception: AaronAniconism (Berlin and New York: Walter de Gruyter, 2009). by Stephen Westerholm

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THE VEILED FACES OF PROPHETS IN THE ISLAMIC MINIATURES - APPLICATION ON ILLUSTRATED MANUSCRIPTS OF XVI CENTURY IN KONYA MAWLĀNĀ MUSEUM. by Ibrahim Mohamed Ibrahim Elassal

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Man as symbol of God by Anders Hultgård

“…One point of similarity is a clear tendency towards aniconic representation of the Divine, which, from the beginning, was the mark of Judaism as well as Zoroastrianism, being religions with a nomadic background. …”
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Trasmigrazioni: cultura materiale e sviluppo dell'identità. Alcune riflessioni sulla produzione di San Vincenzo al Volturno by Marianna Cuomo

“…In the last part, we discuss the perceptive effects of the aniconic paintings in the crypt of Joshua. …”
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A study of the ‘imagetexts’ of the Daoist visual culture, signifying the tripartite realms of Heaven, Human, Earth by Han, Yuhui

“…Text-oriented designs such as sacred charts, which have aniconic, and power-evoking symbolism will be used to analyze the correspondence of the universal forces—Heaven, Earth and Human. …”
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Antinomianism as Iconism: The Living Images of the Frankists by Knut Martin Stünkel

“…The open, visible, and public presentation was intended to be an affront by ostensibly/iconically opposing its aniconic stance. Anti-aniconism performed iconically was a deliberate and virtuously employed strategy in the struggle about messianic and eschatological issues. …”
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The Religious World of guthis: Three facets of Newār civilization, Nepal by Gérard Toffin

“…It first of all explores rites and beliefs associated with dance and music. The cult of the aniconic deity Nāsaḥdyaḥ, central to these questions, is analysed. …”
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Shrines and identities in Britain’s Nepali diaspora by Gellner, D, Hausner, S, Laksamba, C, Adhikari, K

“…Many Kirats keep no shrine at home because they believe that their tribal tradition is properly aniconic. Our material clearly shows that the distribution of ecumenical attitudes is not random, but reflects particular ethnic, regional, and caste histories within Nepal. …”

An Underground Rock-Cut Shrine near Amatsya, Judean Foothills, Israel by Boaz Zissu, Nurit Shtober-Zisu

“…The layout of the hall bears a striking resemblance to sacred architecture prevalent in the region since the Middle Bronze Age, while its decorative elements are linked to earlier artistic traditions dating back to the Iron Age, as well as the aniconic characteristics found in Idumean, Canaanite, Phoenician and Nabatean art of the Persian and Hellenistic periods. …”
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Sîn City: Notes on the Moon God of Ḫarrān/Carrhae in the Partho-Roman Period by Michael Blömer

“…Most important in this regard is the predominance of aniconic symbolism. A cult standard, a crescent on a globe with tassels mounted on a pole, continued to be the main of representation of the god. …”
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Catholic Church Interiors in Fin-de-Siècle Literature by Claire Masurel-Murray

“…Drawing on William Whyte’s analyses of changing attitudes towards church architecture in the 19th century in Unlocking the Church: The Lost Secrets of Victorian Sacred Space (OUP 2017), it shows how literary representations of church interiors in fin-de-siècle literature reflect the shift from the Protestant aniconic, congregation-centred approach to church design, in favour of an architecture of affect and sensation, where space and ornamentation lead the worshipper to experience the divine through a sensory overload. …”
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Introduction: On the Relations of Religion and Images by Thomas Jurczyk, Volkhard Krech, Martin Radermacher, Knut Martin Stünkel

“…Our focus is on examining the range of religious attitudes towards images, which can range from indifference (aniconism) to admiration (iconism) to outright rejection and destruction (anti-iconism). …”
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Introduction: the image between presence and absence by firm editor, Andrea Pinotti

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Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina by Gina Derhard-Lesieur

“…This results, thirdly, in an analysis of the figurate poems within the categories of iconism, aniconism, and anti-iconism.   …”
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The fixed image in cinema as a potential altered vision strategy by andrea pinotti

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Con-Temporary by Maria Gertrudis Bal

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