FILM ANIMASI SEBAGAI MEDIA PEMBELAJARAN KEKERITISAN PENALARAN ANAK USIA SEKOLAH DASAR PADA MASYARAKAT MULTIBUDAYA DI INDONESIA by Yuni Pratiwi

“…The product specification is as follows: (1) animated movie series help children practice their critical thinking using the designed patterns; (2) the content of the movie contains moral values for character building in Indonesian multicultural society; (3) the language exposure in the animated series is comprehensible for children, and (4) the development of the story is through naturalistic style. …”
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Rhétorique narrative du machinima : polyphonies et saillances d’une narration sous contrainte by Fanny Barnabé

“…Through the analysis of two series of machinimas (Halomon and Garrymon) remediating the animated series Pokémon in other video games, this research aims to study the articulation of the rhetorical and narrative processes of this form of video game remix. …”
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Il ruolo dei cartoni animati nell’acquisizione dell’italiano come L2: il caso degli studenti L1 sloveno dell’Università del Litorale by Susanna Pertot

“…However, watching cartoons stimulated their motivation to learn Italian and produced a long-term loyalty to the network that broadcast the animated series.…”

“Dude” and “Dudette”, “Bro” and “Sis”: A Diachronic Study of Four Address Terms in the TV Corpus by Marie Flesch

“…They also show that familiarizers are more frequent in American English than in British and Canadian English, and that their frequency in the TV Corpus is genre-dependent, with animated series and reality television shows being more conducive to their use.…”
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"Jump in the Mud": The Construction of Preschool Children's Sense of Place in Peppa Pig by Wei Xinyang, Huang Xu

“…Overall, through the interactive experience between the protagonist and the place, the animated series "Peppa Pig" shows preschool children the "non-controlled" locality of family space and the "non-regulated" locality of school space, constructing their sense of beauty, familiarity and a sense belonging to the place. …”
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The development of internal migration flow patterns in Japan by Kaoru Kakinuma, Guy J. Abel

“…In addition, we use an animated series of chord diagrams to show the development of internal migration between 1954 and 2020. …”
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Media and the Socio-cultural Aspects of Society by Heba D. Al-Maghraby

“…This is because this series is one of the most popular animated series inside and outside the United States of America. …”
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Harley Quinn and the carnivalesque transformation of comic book fandom by Liam Burke

“…The antihero Harley Quinn was first introduced as the Joker's "henchwench" in Batman: The Animated Series (1992). The character soon developed a dedicated fan base, including enthusiasts who did not conform to traditional definitions of comic book fans. …”
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Experiencing Life as Cinematic Fiction by Gemma Fantacci

“…By applying Torquato Tasso’s notion of “marvelous” as a revelatory element, that is, «a process that provides access to a hidden dimension beyond reality» (Ardissino 2019), this essay aims at analyzing Monomyth: gaiden (2018-2020), a four parts animated series by Petra Széman, a Hungarian moving image artist. …”
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Las máscaras identitarias o Los Simpson. Aproximaciones al consumo cultural de los menores trabajadores de bogotá by John Jairo Uribe Sarmiento

“…ABSTRACT This article analyzes the interpretation given by young workers to the animated series “The Simpsons”, by establishing the relation between this interpretation and their social status. …”
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Las máscaras identitarias o Los Simpson. Aproximaciones al consumo cultural de los menores trabajadores de bogotá by John Jairo Uribe Sarmiento

“…ABSTRACT This article analyzes the interpretation given by young workers to the animated series “The Simpsons”, by establishing the relation between this interpretation and their social status. …”
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“Horsin’ Around”? #MeToo, the Sadcom, and <i>BoJack Horseman</i> by Nele Sawallisch

“…The animated series <i>BoJack Horseman</i> has garnered much critical acclaim for its mix of tragic and comic portrayals of its eponymous protagonist, washed-up actor and cynic BoJack, and his friends in the anthropomorphic Hollywoo setting. …”
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“Absolute Alterity”? The Alien Animal, the Human Alien, and the Limits of Posthumanism in Star Trek by Manuela Neuwirth

“…Examining alien-pet relations in Star Trek: The Original Series, The Animated Series, and The Next Generation through a triangular structure of interconnected becomings, this paper argues that, while convergent and divergent becomings complicate established dualisms, the affective alien-pet interrelations in Star Trek ultimately effect a becoming-human for humanoid aliens while they mark the nonhuman animal as absolute other. …”
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Lapis Lazuli. Politics and Aqueous Contingency in the Animation Steven Universe by André Vasques Vital

“…Steven Universe (2013-), the North American cartoon produced by Cartoon Network, has been receiving attention from the media, the public and academia for its break with the relative norms of programs directed towards child audiences. It is the first animated series created by a woman (Rebecca Sugar) on Cartoon Network, and one of the first to centralize queer character narratives, breaking gender normative binarism. …”
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Las máscaras identitarias o Los Simpson. Aproximaciones al consumo cultural de los menores trabajadores de bogotá by John Jairo Uribe Sarmiento

“…ABSTRACT This article analyzes the interpretation given by young workers to the animated series “The Simpsons”, by establishing the relation between this interpretation and their social status. …”
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Il diradarsi e il dissiparsi. Il rapporto di Pratt con il pubblico nella serialità-non seriale di Corto Maltese=The relationship between Pratt and his audience in the non serial-se... by Sergio Brancato

“…In the last years, suspended in his fictional universe, Corto’s stories became less frequent, moving away from the serial form, but also from specific aspects of the character; until its rebirth, first in new media forms, such as videogames and animated series, then in a renewed comic book version realized by Juan Diaz Canales and Rubén Pellejero, that renovate its myth in a post-serial way.…”
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Representation of Violence, Revolution and Social Change in the Online Series Arcane: League of Legends by Parkhomenko, Y. A.

“…This article examines the dramatic narrative model of the animated series Arcane, which was a significant success with a wide target audience. …”
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Les hors-la-loi ne sont pas des femmes : Ma Dalton et Calamity Jane dans les séries animées adaptées de Lucky Luke des années 1980 à 2010 by Lallet Mélanie

“…Si les reprises successives finissent par donner lieu à une revalorisation de ces anciens personnages féminins à la mort de leur créateur Morris, leurs performances de genre contre-stéréotypiques demeurent ambivalentes : teintées d’humour, elles sont tantôt connotées positivement, tantôt négativement.This article explores popular female masculinities embodied by Calamity Jane and Ma Dalton in animated series adapted from the comics series Lucky Luke: Lucky Luke (1984, FR3), Les Nouvelles Aventures de Lucky Luke (2001, France 3) and Les Dalton (2010-2013, France 3, Canal+ et TéléTOON+). …”
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The Case of Rodion Raskolnikov, Who Could Not Kill Alyona Ivanovna. Essays on Alternate History by Liudmila I. Saraskina

“…The paper analyses the animated series created by Kaspersky Lab under the general title “History Could Have Gone Differently.” …”
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Semiotic technology as material resonance of postcolonial aesthetics in digital children’s picture book apps by P.Dhayapari Perumal, Shanthini Pillai Joseph Sandra, Melissa Shamini Perry

“…Hence, through a qualitative approach, the digital children’s picture book app version of the Malaysian animated series Upin and Ipin: Storybook: The Rain and The Sea Part 1 was selected as case study for this paper. …”
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