Adapting drug approval pathways for bacteriophage-based therapeutics by Callum Cooper, Mohammadali Khan Mirzaei, Mohammadali Khan Mirzaei, Anders S Nilsson

“…The global rise of multi-drug resistant bacteria has resulted in the notion that an antibiotic apocalypse is fast approaching. This has led to a number of well publicized calls for global funding initiatives to develop new antibacterial agents. …”
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Interpretation of the Bedawang Nala ornament located on the base of Pura Pabean in Buleleng Regency Indonesia by Ida Bagus Idedhyana, Made Mariada Rijasa

“…The analyzed Bedawang Nala was also a combination of Akupara (tortoise) with Vedava-nala (cosmic fire/fire of the apocalypse). This indicated that the body was similar to that of a tortoise, with the head being observed as a cosmic fire resembling the figure of a mare. …”
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Tajemnica życia i teatru: Teatralne widzenie świata w powieściach Kazimierza Brauna by Joanna Michalczuk

“…This article analyzes Kazimierz Braun’s works from 2016–2020 (Dzwon na trwogę [Alarum Bell], Płonący teatr [The Burning Theatre], Próba Apokalipsy [Apocalypse Rehearsal] and Teatr@ziemia.niebo [Theatre@earth.heaven]) as a series of theater novels with an autobiographical slant. …”
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Dispositif, Matter, Affect, and the Real: Four Fundamental Concepts of Lyotard's Film-Philosophy by Ashley Woodward

“…Each of the fundamental concepts of Lyotard's film-philosophy are introduced in the context of the current fields and debates to which they are relevant, and are discussed with filmic examples, including Michael Snow's La Région centrale (1971), Roberto Rossellini's Stromboli (Stromboli, terra di Dio, 1950), Francis Ford Coppola's Apocalypse Now (1979), and neo-realist cinema.…”
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Taşköprizade on the (Occult) Science of Plague Prevention and Cure by Matthew Melvin-Koushki

“…The genre of the plague treatise, still little studied, testifies to the cultural transformations that swept western Eurasia after the Black Death apocalypse of the mid-fourteenth century, with recurrent outbreaks for centuries thereafter. …”
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Postmodern teleological agents of end in Don DeLilLos White Noise by Khodadadegan, Neda, Jujar Singh, Hardev Kaur

“…Rosen’s study of the genre in her book; ApocalypticTransformation: Apocalypse and the Postmodern Imagination (2008). Findings of this study show how theabsence of a complete destruction in the novel manifests the failure of the only sense-making device in the age ofnuclear fear and the everlasting nature of such fears.…”
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Literature Study of Tsunami Waves in the Study of Science and the Al-Qur’an by Anggraini Welly, Yuberti Yuberti, Santika Ria, Saputro Trimo, Syarlisjiswan Muhammad Ridho

“…These things are one of the signs of a small apocalypse.…”
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The Concept of “Book” in Dostoevsky’s Novel The Idiot by Caterina Corbella

“…It is disclosed how in the novel the possibility of a correct interpretation depends on whether the book is read to the end: this fact throws a new light on both the contents of Ippolit’s “Explanation” and the central role of the Apocalypse in the novel. The paper concludes with a brief discussion of the role of Cervantes’ Don Quixote in Dostoevsky’s novel as a complex subtext operating at different levels in different characters, thus identifying possible directions for further research.…”
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“What Would the Mushrooms Say?” Speculating Inclusive and Optimistic Futures with Nature as Teacher by Julia Reade

“…When approached through the theoretical lenses of canonical literature and the reductionist Western science of settler colonialism, climate crisis discourse grapples with a conception of apocalypse wherein catastrophe and hopelessness engender eco-anxiety and a sense of environmental nihilism. …”
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A teoria pós-colonial no encontro de duas narrativas by Izabel Cristina dos Santos Teixeira

“…O objetivo deste trabalho é realizar uma leitura comparativa entre duas narrativas – a novela “O coração das trevas” (1898), de Joseph Conrad e o filme “Apocalypse now” (1979), do diretor Franz Ford Coppola – tendo por base a teoria pós-colonial. …”
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The concept of “the Lamb of God” («ὁ ἀµνὸς τοῦ θεοῦ») in English, German and Russian translations of the Gospel of John by Ivan A. Kazantsev

“…The absence of a separate lexical unit leads to confusion in the translations of the «Lamb» («ἀμνὸς») from the Gospel of John and the «Lamb» («ἀρνίον») from the Apocalypse, which distorts the meaning of the translations. …”
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A Grounded Theory A Study Of Model Of The Ideal Islamic Family by Neda Malekifarab, froogalsabah shojanoori, hossein bostannajafi, simin hosseinian, mohammadmehdi labibi, reza poorhossein

“…In the first stage of the study, with the detailed study of religious sources including the Holy Qur'an and the well-known and well-known hadiths of Shiites and Sunnis, as well as the family of the infallibles, the categories related to the family of apocalypse were encoded in three stages. In open coding, 284 categories were categorized in axial coding, which were categorized according to the similarity of the subject, and 54 were categorized, and in the final stage, following the hierarchical axis codes, 5 categories were derived. …”
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Features of New Institutions in The Digital Economy by Tamara N. Yudina, Petr S. Lemeshchenko, Elena V. Kupchishina

“…Guterres asserts global distrust as one of the four “horsemen of the apocalypse” that threaten all of humanity at the present time. …”
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Revelation 11:1-13 by Turner, S

“…There is new exegesis from Joachim of Fiore, who believes that the two witnesses will be two religious orders, and Alexander Minorita, who reads the entirety of the Apocalypse as a sequential narrative of Church history, arriving at the sixth century for 11:1-13.…”

Idyllic pastoral: environmental scenic remedial sublimes for Apocalyptic ecophobia in Margaret Atwood's the year of the flood by Jujar Singh, Hardev Kaur, Akram Yahya, Amani, Haw Ching, Florence Toh, Bahar, Ida Baizura

“…In this respect, the concept of apocalypse will be polarized in the discussion to examine Atwood's deliberate depiction of natural catastrophes as impending apocalyptic threat. …”

BIBLICAL INTERTEXT IN W. SHAKESPEARE’S TRAGEDY “KING LEAR” AND PECULIARITIES OF ITS REPRODUCTION IN THE UKRAINIAN TRANSLATION BY PANTELEIMON KULISH by Kravtsova, Mariia

“…It has been clarifi ed that the source text contains the following implicit biblemes: the story of Job, intertexts of the Fall and fratricide, images of the Apocalypse and the suff erings of Jesus. It is established that the use of biblical allusions creates in the text the biblical archetypes of Christ, Job, the Devil, Cain and Abel, which is properly refl ected in the translation. …”
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Eschatology Myths In Our Pre-Millennium Playwriting / Milenyum Öncesi Oyun Yazarlığımızda Eskatoloji Mitleri by Banu Ayten Akın

“…In the plays I have studied, the apocalypse, which is an ancient theme considered to be an eschatological myth, is reduced to an imported phenomenon. …”
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<i>Practical Gods</i>: Carl Dennis’s Secularized Religious Visions by Hong Zeng

“…Contrasting what he views as theological determinism with its view of linear history and the apocalypse of grand events, Dennis embraces human free will, a non-teleological, aestheticized living with necessary fiction, and a transient paradise on earth. …”
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An Improbably Moveable Mediterranean: Translating, Transplanting, & Transforming Global Surrealisms by James Gifford

“…La plus importante, montée par Sam Bardaouil et Till Fellrath, met l’accent sur sa résonance internationale et sur la complexité de son engagement dans différents aspects du surréalisme, parmi lesquels le manifeste de Breton et de Trotski en 1938, ou les relectures anarchistes du surréalisme initiées sous l’égide de Henry Miller par le groupe de la Villa Seurat et qui gagnèrent le mouvement de la Nouvelle Apocalypse en Angleterre ainsi que les autres écrivains de langue anglaise en Egypte et aux Etats-Unis. …”
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Dialogue between Language School and Metarealism: Sun by Michael Palmer and Oil by Aleksei Parshchikov by Aleksei E. Masalov

“…And as in the poem Sun through heteroglossia, the symbolism of the crisis meaning, a permanent apocalypse Palmer creates political criticism of the symbolic order of the consumption society, including intellectual commodity fetishism, as in the poem Oil with a multilayered image of raw materials, including as an ideological concept, Parshchikov opens up new ways for analytical political poetry.…”
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