Histoire(s) de l’art: Curating the cinema of Vincent Dieutre by Jules O’Dwyer

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Art World Authenticities: Postmodern Curators, Creators and Performers by Dena Davida

Subjects: “…art curation…”
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Apt Perception, Aesthetic Engagement, and Curatorial Practices by Emine Hande Tuna, Octavian Ion

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Comisariar futuribles. Un posible atlas de espacios ecotópicos=Curating “Futuribles”. A Possible Atlas of Ecotopic Spaces by Blanca de la Torre

Subjects: “…ecotopías, artes visuales, comisariado, futuribles, sostenibilidad=ecotopias, visual arts, curating, futures, sustainability…”
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Data artivism and feminicide by Helena Suárez Val, Catherine D'Ignazio, Jimena Acosta Romero, Melissa Q Teng, Silvana Fumega

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Pontus Hultén and the Quest to Bring Andy Warhol’s Pop Art to the Moderna Museet during the Cold War by Elena Sidorova

“…The current paper argues that legendary Swedish art curator Pontus Hultén played a crucial role in the international promotion of Andy Warhol’s Pop Art during the early years of the Cultural Cold War. …”
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Exilic Roots and Paths of Marronage: Breaching Walls of Space and Memory in the Historical Poetics of Dénètem Touam Bona by Geoffroy de Laforcade

“…Afropean anthropologist, philosopher, and art curator Dénètem Touam Bona is an original “border thinker” and “crosser” of geographic and conceptual boundaries working within a tradition of Caribbean historical poetics, notably represented by Édouard Glissant. …”
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Street art cannot do redevelopment by itself by Simona Capodimonti

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Circles and Circuits I and II by I. A. Choudhury

“…Circles and Circuits I: History and Art of the Chinese Caribbean Diaspora Circles and Circuits II: Contemporary Chinese Caribbean Art Curated by: Alexandra Chang and Steven Y. Wong, in coordination with Mar Hollingsworth California African American Museum, Los Angeles, September 15, 2017–February 25, 2018; Chinese American Museum, Los Angeles, September 15, 2017–March 11, 2018 Reviewed by: I. …”
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Learning to Say No, the Ethics of Artist-Curator Relationships by Mirjami Schuppert

“…The article suggests that the perceived ethics of curatorial practice are not often in balance with operative ethics, and analyses the problem by focusing on the curator-artist relationship. Contemporary art curators constantly find themselves in a situation where they have to choose between the needs of the few and the many. …”
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Logos & Techne - About New Possibilities of Creating Art with Artificial Intelligence by Arkadiusz Mieczysław Marcinkowski

“… The integration of artificial intelligence (AI) in the art world has been transforming various industries, including the creation of new artwork, interpretation of existing pieces of art, curation of exhibitions, authentication of artworks, creation of interactive art, and restoration of damaged artwork. …”
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Curating the Arcade: Strategies for the Exhibition of Videogames by Sofia Romualdo

“…This paper aims to present an overview of the strategies employed in the exhibition of videogames, and to suggest curatorial methodologies that can be adapted in order to effectively introduce videogames into spaces dedicated to the exhibition of art. Curators are currently at a stage of experimentation in the field of videogames in museums, a time of both challenges and opportunities to study, develop and test new practices. …”
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Gardner's Art Through the Ages: The Western Perspective, 14th Edition, Volume IL By Fred S. Kleiner. Cengage Learning, Boston. 2014. ISBN-13: 978-1-133-95480-4. 601 pp. Hardcover... by Saqlain Zaidi

“…It offers careers not only in areas ike art curation, art law, art conservation and restoration, visual resources management,  archaeology, architecture, historical preservation but it also provides an understanding in various areas of Media Sciences, like cinematography, art direction, direction, advertising  and film criticism. …”
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Empowering art: reconfiguring narratives of trauma and hope in the Australian national imaginary by Fiona Magowan

“…Aboriginal art has been the source of much contention between art curators, gallery owners, art critics and Aboriginal artists themselves. …”
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FEMINISM IN CONTEMPORARY ART – PREJUDICE AND DISCRIMINATION by RUSU, MARINELA

“…Modern artistic currents now learn the unmistakable imprint of the affirmation of feminine creation, despite the discriminations that still persist, despite the prejudices rooted in the consciousness of educators, creators and male art curators. This struggle for affirmation and recognition continued, registering unexpected successes. …”
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Notes towards a Definition of Adaptive Reuse by Sally Stone

“…Thus, adaptive reuse draws upon a collage of different sources, many beyond pure architecture, including installation art, fine art, curation, interior design, and urban design. Inevitably, as the subject moves from the periphery of architectural practice towards the middle ground, the number of publications has increased. …”
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Curating in the Dark: Notes on a Fugitive Concept of Black Curation by Phokeng Setai

“…The paper proposes a method of ‘curating in the dark’, a speculative, multi-vocal dialogic praxis and non-linear approach that seeks to intervene into bankrupt models of curating or engaging with Black art. Curating in the dark is geared towards expanding the scope of what we understand Black art to be in the spectrum of current global artistic practices, and what it can also still become. …”
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Displaying Dissent: On Faith, Consumerism, and Censorial Discipline in the Israeli Museum by Nissim Gal, Ronit Milano

“…The protest developed into a multi-participant debate in the art scene, involving ordinary citizens, artists and art curators, local church leaders, the city mayor, the minister of culture and other politicians, civil rights organizations and the court, as each part sought to exercise civic, moral, ethical or practical authority to censor the position or the work of the other. …”
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The Exhibition as Cosmogram by Joshua Simon

“…To this curatorial gesture of difference and connectedness which informs contemporary art curating, we can call metastabele (metastability is defined in thermodynamics as a relation of high energy that is minimized to specific locations of “many-body assemblies,” on the verge of collapse). …”
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Documenting Paintings with Gigapixel Photography by Pedro M. Cabezos-Bernal, Pablo Rodriguez-Navarro, Teresa Gil-Piqueras

“…This line of research is extremely interesting, not only for art curators and scholars but also for the general public. …”
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