Showing 261 - 280 results of 470 for search '"art museum"', query time: 0.16s Refine Results
  1. 261

    Variants and Copies of Vouet’s Martha Scolding Her Vain Sister Mary Magdalene in Czech Collections / Varianti e copie di Marta che rimprovera sua sorella Maria Maddalena di Simone... by Eliška Zlatohlávková, Patrik Farkaš

    Published 2023-12-01
    “…L’analisi storico-artistica e le ricerche non invasive hanno portato a risultati che suggeriscono che l’autore del dipinto di Častolovice è un pittore della cerchia immediata di Vouet e che questo quadro è diventato il modello per la creazione di una copia allo Smithsonian American Art Museum di Washington.…”
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    Mot muet crie by Adelheid Koch-Didier

    “…Yet his archives, which are kept in the Musée d’Art contemporain (Contemporary Art Museum) in Rochechouart, grant us a comprehensive insight into this versatile artist who was a painter, a photographer, a poet, a novelist, a theoretician and a dancer. …”
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  4. 264
  5. 265

    16. YÜZYILA AİT BİR ÜNİK UŞAK SECCADESİ’NİN İKONOGRAFİK DEĞERLENDİRMESİ by M. Önder Çokay

    Published 2005-12-01
    “…A unique 120X180 cm Uşak praying rug in the Berlin Islamic Art Museum is a religious because of its art piece format and composition. …”
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  6. 266
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    Museumskommunikation in Klarer Sprache – Theorie, Praxis und Perspektiven by Karin Luttermann

    Published 2023-12-01
    “…The examples are taken from four explanatory films by the State Gallery Stuttgart, which guide a heterogeneous target audience through the permanent collection of the art museum. …”
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  8. 268

    Depositing memory. From the museum-warehouse to the storage by Federica Visconti

    Published 2020-03-01
    “…The paper aims to analyse the idea of ‘museum as storage’ proposed by Louis Kahn in the unbuilt project for the de Menil Foundation in Texas preceded by the constructions for Yale University in Connecticut and of the Kimbell Art Museum in Fort Worth. By analysing the etymological meaning of the word ‘storage’ (in Italian, deposito) as the act or the place for preservation and transmission of the memory, a link is established with some contemporary phenomena in the era of the World Wide Web and, in particular, with the work of musealization of architecture and the city proposed by the British director Peter Greenaway, in order to finally question, also in the digital age, the need of the space for the representation of the values of a community.…”
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  9. 269

    After the separation: UM in KL by Edzan, N.N.

    Published 2012
    “…The University of Malaya Art Museum (UMAM) was established in 1955 in Singapore. …”
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    Conference or Workshop Item
  10. 270

    <i>Continuity:</i> Sharing Space in teamLab’s Digital Ecosystems by Emily Lawhead

    Published 2023-04-01
    “…In 2021, the Asian Art Museum of San Francisco inaugurated the opening of its new contemporary wing with <i>teamLab: Continuity.…”
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  11. 271

    The Kaleidoscope of Culture: expanding the museum experience and the museum narrative by inviting visitors into the curatorial process by Kirsten Jensen, Karen Grøn

    Published 2015-07-01
    “…Traditional art museum exhibitions are planned according to art-historical elements. …”
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  12. 272

    Friderike Klauner (1916–1993). Director of the Picture Gallery and First Director of the Kunsthistorisches Museum Wien. A biographical sketch by Susanne Hehenberger

    Published 2023-12-01
    “…50 years ago, a woman headed Austria’s largest art museum for the first time. For eight years, Friderike Klauner managed the affairs of the Kunsthistorisches Museum in Vienna with untiring commitment. …”
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  13. 273

    I kontaktzonen mellem kunsthistorie og kolonihistorie by Mathias Danbolt, Nina Cramer, Emil Elg, Anna Vestergaard Jørgensen, Bart Pushaw

    Published 2022-06-01
    “…With a starting point in an analysis of “colonial ignorance” and methodological nationalism in Danish art history – and in the art museum in particular – the article analyzes two artworks in order to suggest how decolonial perspectives invite a renegotiation of what objects and questions are of relevance and value to art history today. …”
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  16. 276

    How online discourse networks fields of practice: The discursive negotiation of autonomy on art organisation about pages by Tommie Soro

    Published 2023-06-01
    “…Combining elements of Pierre Bourdieu’s field analysis and Norman Fairclough’s critical discourse analysis, the article analyses an elite art magazine, e-flux, and an elite art museum, IMMA, and the activities of discourses, genres, and utterances on their about pages. …”
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  17. 277

    Product of the art market? The representation of silver corncobs at the Ethnologisches Museum in Berlin by Manuela Fischer, Stefan Röhrs, Elena Gómez-Sánchez, Regine-Ricarda Pausewein, Hermann Born, Ina Reiche, Kai Engelhardt

    Published 2017-03-01
    “…In the 1960s two similar silver corncobs attributed to the Chimú-Inca period were sold by New York based art dealers to the Museum für Völkerkunde in Berlin, now the Ethnologisches Museum, and to the Denver Art Museum. The composition of the Berlin piece shows the use of different alloys, suggesting the reuse of different pre-Columbian objects. …”
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  18. 278

    Le Joker au musée dans Batman de Tim Burton, ou le vandalisme artistique entre avant-garde et culture populaire by Pierre-Antoine Pellerin

    Published 2020-07-01
    “…Whereas the editing done by Marclay tends to reduce artistic vandalism to the compulsive repetition of the dialectics that connects creation and destruction, the playful iconoclasm practiced by the Joker and his gang reveals the symbolic violence produced by the aesthetic object and the universalist claims of the art museum as an institution, their performance being reminiscent of the ethos of 20th century avant-garde movements. …”
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  19. 279

    Byzantine-period lamps from Antioch-on-the-Orontes and its hinterland by Ani Eblighatian

    Published 2019-12-01
    “…The paper is an off-shoot of the author's PhD project on lamps from Roman Syria (at the University of Geneva in Switzerland), centered mainly on the collection preserved at the Art Museum of Princeton University in the United States. …”
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