Instituting Artists’ Collectives: the Bangalore/Bengaluru Experiments with “Solidarity Economies” by Shukla Sawant

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The Stateless Nation’s Elite: Artistic Collections of Polish Aristocracy, 1795–1918 by Kamila Kłudkiewicz, Michał Mencfel

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A-Frame as a Tool to Create Artistic Collective Installations in Virtual Reality by João Azevedo, Paulo Veloso Gomes, João Donga, António Marques

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Social Impact of Building Cultural and Artistic Collections (Case example: Karaj City Theater) by Hadi Barghamadi, Simin Zamani

Subjects: “…the cultural and artistic collection…”
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Paraphrase as an Act of Art: Some Aspects in the Work of the Łódź Kaliska and the Substitute Thirsters Artist Collectives by Katalin BALAZS

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R.U.A.: Augmented Urban Reality. When the meeting turns into an artistic, collective and expanded territory by Lilian Amaral

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Monuments of Dissidence: 3D Models of the Social Unrest in Chile by the Artist Collective Antes del Olvido by Matthias Johannes Pfaller Schmid

“…The artist collective Antes del Olvido formed in 2019 during the crisis in Chile to document significant locations of the protest as 3D models. …”
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Collectives, Communities and Non-Hierarchical Modes of Creation from the 1970s till the 1990s by Tomaž Toporišič

Subjects: “…artistic collective…”
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Symbiotic Relations at Ca’ Inua: Farming, Exhibitions, and Social Engagement. A Conversation with the Artist Collective <i>Panem et Circenses</i> (<i>Ludovico Pensato</i> and <i>Alessandra Ivul</i>) by Silvia Bottinelli, Margherita d’Ayala Valva

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Collectifs d’artistes et renouvellement urbain. Tensions autour du rôle du travail artistique dans le projet urbain by Isabelle Genyk, Élise Macaire

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No count! BIPoC artists counteracting “fair” representation and systemic racial loneliness in higher education in the arts by Cecilie Ullerup Schmidt

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Discursive Memorials: Queer Histories in Atlanta's Public Spaces by Wesley Chenault, Andy Ditzler, Joey Orr

“…Through this online exhibit, artist collective John Q maps discursive memorials at public sites in Atlanta's queer histories.…”
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Rito extinto: recolonización neovanguardista de Tierra del Fuego by Julián Farías Hurtado, Antonio Urrutia Luxoro

“…Based on the case observed in the Rito extinto project by the artist collective formed by Josefina Dagorret and Sebastián Escalona, we propose an analysis around the production of knowledge in the academy and how the fetishization of alterity resurfaces. …”
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Here and Not: The Project for an Incompiuto Eden by J. Igor Fardin

“…Against this background – and following Agamben’s insights into the possibility of a different figure of the Garden – the article understands the artist collective Alterazioni Video’s engagement with Incompiuto as an attempt to break with this economy through a specific Eden project, one for which Eden is here and not.…”
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Recuperating Conflict: Between Critical Generosity and Antagonistic Activation by Justin Langlois

“…By examining a number of socially engaged art projects I developed as the research director of the artist collective, Broken City Lab, and by situating this work in relation to a number of core ideas exploring notions of antagonism, I propose a tactical recuperation of the idea of conflict in order to see it as a core part of our democratic social lives.…”
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The instability of the digital archive: How to deal with pixels by hand by Jonathan Larcher, Leyokki

“…This essay presents the work of the Brèches artist collective and research questioning the ‘becoming-archive’ and the instability of vernacular digital images. …”
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Born in Translation and Iteration: On the Poetics of João Delgado by Lea Mauas, Diego Rotman

“…João Delgado’s poetry first appeared as an anthology of translated poetry in <i>He’arat Shulaym</i> Issue 1, published in November 2001 in Jerusalem by the artist collective Sala-Manca. The entire issue was devoted to João Delgado. …”
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One, two, three, testing possible (hi)stories by Ojeda, Danne

“…On the artistic collective DUPP and their installation for the 7th Havana Biennial, 2000.…”
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The People’s Choice: Transcultural Collectivity and the Art of Shared Knowledge Production by Samantha Schramm

“…This article analyses the exhibition The People’s Choice (Arroz con Mango), which was curated by the artistic collective Group Material and on view in New York City in 1981. …”
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From commerce to art: Transformation of intervention through the interactions of virtual and urban space in Karaköy by Tuba Sarı, Nurhilal Burak, Rümeysa Bayar

“…This paper focuses on Karaköy’s streets which were once the centre of trade, have now been replaced by artistic collective constructs. The study aims to document this transformation, considering various physical and social aspects of urban space, while highlighting a new form of “urban intervention” through virtual spaces. …”
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