THE ROYAL BALLET : 75 Years / by Anderson, Zoe, author 627418

“…In 1931, Ninette de Valois started a ballet company with just six dancers. Within twenty years, the Royal Ballet - as it became - was established as one of the world's great companies. …”

Developing a dancer wellness program employing developmental evaluation by Terry eClark, Arun eGupta, Chester eHo, Chester eHo

“…This paper reports on a two year process involving feedback from professional ballet dancers, management and artistic staff, and healthcare providers at a ballet company in order to develop a dancer screening and wellness program. …”
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Balet Jana Cieplińskiego (1922–1925) by Janina Pudełek

“…The author discusses the history of Jan Ciepliński’s ballet company, highlighting the links between the artist’s activities and his “restless, entrepreneurial personality.” …”
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«Purpurowy płomień»: Helena Grossówna w Operze Pomorskiej i Teatrze Toruńskim by Artur Duda

“…Born in Toruń, the artist started out her career as a member of a ballet company for fledging dancers founded at the Toruń theatre during the first directorship of Karol Benda (1924-1926), which culminated in the opening of the Pomorska Opera. …”
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Um “Pas de Deux” da Estratégia com a Arte: as Práticas do Grupo Corpo de Balé by Ernani Viana Saraiva, Alexandre de Pádua Carrieri, Ana Rosa Camillo Aguiar, Valéria da Glória Pereira Brito

“…This work aims to understand the organizational strategies used by the ballet company Grupo Corpo, based in Belo Horizonte, Minas Gerais, Brazil. …”
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Essays on the Locus of Learning and Innovation by Fu, Carolyn Jiaming

“…This essay uses a qualitative archival analysis of a ballet company to elucidate the challenge this creates for experimentation, and how firms can address this by strategically choosing their audience, and periodically replacing their experimentation units.…”
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Relative energy deficiency in dance (RED-D): a consensus method approach to REDs in dance by Shane Kelly, Richard Clark, Nick Allen, Margo Lynn Mountjoy, Roger Wolman, Martin Lanfear, Andy Reynolds, Matthew Wyon

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AllPlay Dance: Two Pilot Dance Projects for Children With Disability, Developed and Assessed With a Dance Studies Approach by Olivia Millard, Ebony Lindor, Nicole Papadopoulos, Carmel Sivaratnam, Jane McGillivray, Nicole Rinehart, Nicole Rinehart

“…The research is also undertaken in partnership with professional ballet company, Queensland Ballet. This paper describes the development and execution of two pilot projects for children with disability, utilizing a dance studies methodology. …”
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Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet Art by Emilia Cholewicka

“…Analysing the history and literature of ballet as well as looking at the contemporary repertoire of leading ballet companies, it is easy to notice the numerous domination of women, which does not determine their dominance in the creative (choreography) and management sphere. …”
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Mujeres en el ballet: maestras, bailarinas y productoras en Guadalajara by Cristina Castellano

“…Schools, academies and ballet companies emerged in the cities of these countries with many peripheral regions and municipalities being left out. …”
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Saisir le mouvement dansé par l’analyse des interactions corporelles by Laura Cappelle

“…Then, drawing on sustained periods of observation with ballet companies in four countries, I describe the ways in which movement is learned and embodied in the case of classical creations, from the use of technical vocabulary to imitation and physical shortcuts. …”
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«Córka źle strzeżona» – baletowe wcielenie sentymentalizmu by Agnieszka Narewska

“…Apart from analysing how the premises of sentimentalism apply to the form and content of a ballet show, the article discusses one of the most famous 20th-century choreographies for the ballet, devised by Frederick Ashton, which is performer by many ballet companies around the world to this day.…”
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The Life of a Dance: Double Take Part II by Gregory Sporton

“…Dance academics and organizations like ballet companies and the trusts that claim to protect and preserve the heritage of specific choreographers protect this idea. …”
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Quantifying hierarchy and prestige in US ballet academies as social predictors of career success by Yessica Herrera-Guzmán, Alexander J. Gates, Cristian Candia, Albert-László Barabási

“…Through multiple logit models and matching experiments, we provide evidence that schools’ strategic network position bridging between communities captures social prestige and predicts the placement of students into jobs in ballet companies. This work reveals the importance of institutional prestige on career success in ballet and showcases the potential of network science approaches to provide quantitative viewpoints for the professional development of careers beyond science.…”
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Ka sisaliku tee kivil jätab jälje. Tantsuteatri uurimise metodoloogiast Rahel Olbrei pärandi näitel / Even a Lizard’s Path on Stone Leaves a Trace: Methodological Issues on Dance R... by Heili Einasto

“…Only the challenges of the present century – commercialization of ballet as a genre and internationalisation of ballet companies – have started to crumble Olbrei’s artistic legacy and ideal of dance performance as a deeply felt art and the dancer as the choreographer’s collaborator.  …”
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