Bowings and fingerings technique in Baroque music / Zaleelah Borhan by Borhan, Zaleelah

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The Reception of Baroque Music in Selected Works by Rochberg, Schnittke, and Szymański by Tomislav Bužić

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“Passion, Lament, Glory”: Baroque Music and Modern Social Justice Resonances by Jane W. Davidson

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Listener perception of changes in historically informed performance of solo baroque music due to room acoustics by Eley Nolan, Lavandier Catherine, Psychoyou Théodora, Katz Brian F.G.

“…This listening test was part of a larger study aimed at investigating the impact of room acoustics on historically informed performance (HIP) of baroque music which included an objective analysis framework designed to capture dimensions of performance important to a historical baroque playing style. …”
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Baroque music, postmodern knowledge: an epistemological analysis of Susan McClary’s article “The blasphemy of talking politics during Bach Year” (1987) by Douglas MacCutcheon

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Baroque music, postmodern knowledge: an epistemological analysis of Susan McClary’s article “The blasphemy of talking politics during Bach Year” (1987) by Douglas MacCutcheon

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The absence of Baroque ornamentation in performing baroque music on the classical guitar among UiTM music students / Muhammad Adil Putera Badrul Hisham by Badrul Hisham, Muhammad Adil Putera

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Exploring the variability of musical-emotional expression over historical time by Joshua Frank, Peter M. C. Harrison, Barry Ross, Carina Venter

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Contrafacta of Operatic Arias among the Dominicans of Baroque Silesia by Tomasz Jeż

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Juliane Pöche, Thomas Selles Musik für Hamburg. Komponieren in einer frühneuzeitlichen Metropole (= Musica poetica. Musik der Frühen Neuzeit, Bd. 2), Bern: Lang, 2019 by Burkhard Meischein

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Wiener Aufführungen von Oratorien aus Ober- und dem nördlichen Mittelitalien 1665–1705 : zur höfischen Oratorienpflege unter den Habsburgern Eleonora II. und Leopold I. by Marko Deisinger

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The practice of music in Rajhrad monastery in the first half of the 18th century by Pavel Žůrek

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Corelli empfängt Lully. Über eine virtuelle Begegnung bei François Couperin by Johannes Menke

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NEOBAROCK ELEMENTE IN DAS KLAVIERWERK PAUL CONSTANTINESCUS by Sanda HÎRLAV MAISTOROVICI

Subjects: “…Original musical composition system, Originality, Elements of Byzantine music, Romanian folklore, Formal Neo-Baroque musical elements…”
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NEOBAROCK ELEMENTE IN DAS KLAVIERWERK PAUL CONSTANTINESCUS by Sanda HÎRLAV MAISTOROVICI

Subjects: “…Original musical composition system, Originality, Elements of Byzantine music, Romanian folklore, Formal Neo-Baroque musical elements…”
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What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem by Platonova Olesia A.

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21M.220 Early Music, Spring 2007 by Cuthbert, Michael Scott

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LA MUSICA EN EL TRABAJO DE PARTO by Sandra Cruz P., Hugo Pirovich B., Eloísa Peña T.

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Music and social change during the Baroque period by Zhang Xinyue

“…Meanwhile, the broad influence of Baroque music on subsequent periods was investigated, and its unique and unparalleled value in the annals of Western music. …”
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ORNAMENTS IN THE TREATY VERSUCH EINER ANWEISUNG DIE FLÖTE TRAVERSIÈRE ZU SPIELEN (1752) FROM JOHANN JOACHIM QUANTZ by Ignác Csaba FILIP

“… The application of the performing principles ornaments described by Quantz is valid for all the performers who wish to represent the baroque music according to its rules and to the rules of the epoch. …”
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