Æstetik og æstetisering by Peter Allingham, Gorm Larsen

“…The contributions of these philosophers on cognitive processes, the beauty of art and nature reflect the development of the modern individualistic subject and the rise of a modern bourgeois culture of education and good manners. In a further perspective, it seems that an emerging late modern culture is developing that breaks away from positions within classic philosophical aesthetics. …”
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About the experience of building of law-abiding state in the Republic of Kazakhstan by A. D. Tolysbayeva

“…The idea of law-abiding state was born by the liberal trend of Western (bourgeois) political and legal thought. Historically, this idea combined the concept of inalienable natural human rights with the concept of the state - the «night watchman» of these rights. …”
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Device for Determining Variations in Stem Thickness of Trees by F. Freire, J. Chimarro

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Don Quixote or the disenchantment of a revolutionary. On Alfred Schütz by Panagiotis Christias

“…Can Quixote be seen as a symbol of the revolutionary political parties trying to introduce a new reality in the disenchanted bourgeois world? In the 1950’s, when Schütz presented his analysis of Quixote, the ideological choice was capitalist market or communist planism. …”
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La autoridad de lo escrito en la Primera Crónica Anónima de Sahagún by Miguel Calleja Puerta

“…Après un passage en revue des indices de communication gestuelle, du rôle de l’oralité et de la mise en scène publique des relations, le cœur de notre argumentation se trouve dans le règlement du conflit avec les bourgeois. L’autorité pontificale, exprimée à travers ses documents, est l’agent qui recompose l’ordre perdu; sa réception, telle que la chronique la dépeint, est un exemple peu commun de l’usage des écritures d’autorité au Moyen Âge.…”
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« Tout n’est pas une question de race » ?Penser l’intersectionnalité : race, genre et classe dans Us by Célia Sauvage

“…Us rethinks the place of these characters within this genre and, to that end, reverses the stereotypes of horror films to make racialized identities visible again, especially thanks to its story around a dark-skinned and bourgeois Black family, two specificities often invisible on screen. …”
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Litteratur för integration av arbetarbarn by Jimmy Vulovic

“…By allowing working class children to enjoy literature in the form of stories and poems, the organization aimed to integrate underprivileged children into bourgeois culture and society. The organization’s magazine “The Sunbeam” (Solstrålen) was an important tool in this endeavor. …”
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Emanuel Rosenzweig (1843-1906) – a Маn of Modern Time in Austrian Chernivtsi by Kateryna Valiavska

“…The characteristic feature of a modern Jewish elite in Chernivtsi during the 19th century was the symbiosis of a Jewish religious tradition on the one hand and of modernity and bourgeois life style on the other hand. The identity and worldview of E. …”
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Reflection of Time of Troubles Events in Polish Poetry of the First Quarter of 17^th Century (by Example of Adam Vladislavsky’s Works) by N. V. Eylbart

“…Attention is focused on the works of Adam Vladislavsky, Krakow’s craftsman, a representative of the so-called “bourgeois poetry,” which to some extent reflects the events of the time of Troubles in Russia. …”
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Hegel: a filosofia enquanto sistema da razão by Fátima Maria Nobre Lopes, Adauto Lopes da Silva Filho

“…Porém, antes, faremos uma apresentação desta como um todo, inclusive amparados pela ótica de Bernard Bourgeois, um grande intérprete de Hegel. …”
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The Second Sex in Hungary. Simone de Beauvoir and the (Post)-Socialist Condition by Mária Joó

“…Beauvoir’s work was translated in 1969, a period of change in state socialism: the introduction of some elements of market economy in 1968 (called New Economic Mechanism), the publication of Western bourgeois philosophers as Sartre and Beauvoir, and Marxist philosophers’ efforts to revise orthodox Marxism. ’The woman question’ was declared to be already solved by socialism. …”
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Is language a system of signs? Lenin, Saussure and the theory of hieroglyphics by Patrick Sériot

“…We propose the following angle of attack: the recurring theme of this criticism, namely that Saussure’s Cours presents a “theory of hieroglyphics”, therefore a type of “bourgeois idealist” theory that Lenin assailed in his 1909 book Materialism and Empiriocriticism about Ernst Mach. …”
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Du type au stéréotype : analyse des modalités d’insertion des stéréotypes des physiologies dans Bouvard et Pécuchet by Vincent Stohler

“…Après s’être interrogée sur le statut particulier des physiologies, l’étude montre que les différents types qu’elles mettent en scène, et plus particulièrement celui du « bourgeois », fournissent à Flaubert un matériel discursif stéréotypé qui lui sert de base de composition à l’ensemble de son texte : composition des personnages (traits physiques, caractériels, axiologiques, etc.), composition structurelle du roman, etc. …”
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Nation, Social Class and Style: a Comparison of the Humour of Britain and America by Christie Davies

“… Historically a much greater range of styles of literary humour were to be found in Bri[1]t sun than in the United States because Bi „.n was a much more hierarchical society with a divined elite and an aristocratic as well as a bourgeois aesthetic. In America there was a single dominant class, that of independent farmers and the businessmen and professional people of medium sized cities whose optimistic, egalitarian, moralistic, culture restricted the range of styles an aspiring American humorous writer could use. …”
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Le visage et le masque. Ellie Papadimitriou, une intellectuelle de gauche by Ioanna Petropoulou

“…By following the case of Elli Papadimitriou (1900-1993), this article discusses the issue of the relation between literary creativity and political engagement. Originating from a bourgeois family of Smyrna, Papadimitriou relocated in Athens after 1922. …”
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Historigraphy and Historical Perspective of the Mirza Mohammad Kalântar-e Fars by AliAhmad elyasi

“…This research on the history of Mirza Muhammad Kalantar Fars, a bourgeois character, is a historian of the Zandian era. …”
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Engels’s Theory of Social Murder and the Spectacle of Fascism: A Critical Enquiry into Digital Labour and its Alienation by Aishik Saha

“…Engels’s analysis of The Condition of The Working Class in England links the various forms of violence faced by the working class to the bourgeois rule that props their exploitation. I shall argue, within the framework of Critical Social Media Studies, that the rapid advance of fascist and authoritarian regimes represents a similar development of violence and dispossession, with digital capitalism being a major factor catalysing the rifts within societies. …”
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<i>Teorema</i>: una parabola tra film e romanzo by Paolo Orrù, Maura Bonfiglio

“…The author himself, also, claimed the impossibility to handle in a realistic and mimetic way a novel centered on a middle class/bourgeois reality. Our goal is to demonstrate how the author forces cinematographic and literary conventions with the aim of describing a peculiar allegory of the Italian society; in doing this we focused primarily on the analysis of characteristic features pertaining to the different codes used.…”
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Anna Lampérière, solidarité et citoyenneté féminine sous la Troisième République by Anne R. Epstein

“…Operating within the flourishing associational culture of the early twentieth century Anna Lampérière helped initiate and run important gender-inclusive civic education projects as a way of putting into practice Léon Bourgeois’s solidarist ideology. A self-identified antifeminist, she nonetheless saw herself as an advocate for women and promoter of social progress and, like many contemporaries, placed education reform at the center of her republican project. …”
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The Cultural Politics of “Spring Thunder”: The Naxalbari Movement and the Re-framing of Bengali Culture in the 1960s by Samrat Sengupta, Saikat Maitra

“…The movement initiated a search for a Maoist revolutionary praxis that could decisively liberate the dominant Bengali cultural sphere from its moorings in colonial and semi-feudal bourgeois class interests. The counter-hegemonic cultural praxis of the Naxalbari Movement repeatedly evaded its confinement within the diktats of a hardened party line (of the Communist Party of India – Marxist Leninist, which led the movement) but remained rich with multifarious possibilities, openings and narratives. …”
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