The development of character category in Jawi typography-an implementation in typography course in UiTM / Intan Nur Firdaus Muhammad Fuad, Sharifah Raudzah S. Mahadi and Ahmad Khai... by Muhammad Fuad, Intan Nur Firdaus, S. Mahadi, Sharifah Raudzah, Ahmad, Ahmad Khairul Azizi

“…This is important to designer espeacially typographer or calligrapher to use it in every project to ensure that they are using the same level of quality and displaying consistenly of the end result in every each of jawi typeface exploration.…”
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Combining calligraphy and plant motifs as a starting point for achieving a formative vision of the metal work with the students In the Faculty of Art Education by mohamed eisa hasanen

“…The issue of Arab identity is a very important issue that always needs study and continuous research in light of the current and future development in various fields of science, arts and literature, which makes us always shed light on it to preserve historical legacies and preserve the Arabic language with its arts and literature, and then preserve the path of the Arab artist and calligrapher and complete the journey of creativity, The field of metalworking is one of the important fields in which the Islamic artist excelled throughout the Islamic ages, integrating in his works writings with decorations. …”
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Wang Xizhi and Sichuan by Tang Lin

“…Together with another great calligrapher, Zhong Yao (钟繇), they were referred to as “Zhong Wang.” …”
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Moroccan Mus'haf at Abi Mohamed Al-Morjani Mosque in Tunisia - first published by Amer Aglan

“…The pages of the Mus'haf were written in extended Moroccan calligraphy, as well as the conclusion page, which contains the name of the calligrapher and the commander of writing the Mus'haf, and the history of the void of his writing in the Maghribic script (Fassi script). …”
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Scientific analysis of tie luo, a Qing Dynasty calligraphy artifact in the Palace Museum, Beijing, China by Le Wei, Wenjia Chen, Gaowa Jin, Zhimou Guo, Yunli Wang, Baoqiang Kang, Na Wang, An Gu, Yun Zhang, Yong Lei

“…Abstract Tie luo (affixed hanging) was an expressive form of traditional Chinese calligraphy or paintings, and popular in the imperial palaces for interior decorations in Qing Dynasty (1644–1911 C.E.). A piece of calligraphic tie luo, written by an eminent calligrapher Gu Gao (1763–1832 C.E.), was restored recently in the Palace Museum, Beijing, China. …”
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笔趣 = Joy of brushwork by Ng, Woon Lam

“…The objective of this project was to experiment with the essence of Chinese calligraphical brushwork and showcase its advantages for animation. …”
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蘇軾「黃州寒食詩帖」山谷題跋析義 = Interpretation of Colophon by Huang Ting-jian for Su Shih’s ‘The Cold Food Observance Festival' Manuscript by I, Lo-fen

“…His distinctive calligraphy skills whereby the poems were written were greatly appreciated by a renowned calligrapher in the Yuan dynasty, Xian Yu Shu, who honored Su Shih’s ‘Cold Food Observance Festival’ Manuscript as one of the three running script calligraphy masterpieces. …”
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Chinese Calligraphy Generation Based on Involution by Yao Song, Fang Yang, Te Li

“…The calligraphic works of particular calligraphers often contain only a limited number of characters, rather than the full set of Chinese characters required for typography, which does not meet practical needs. …”
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Figural Representation in the Arabic Calligraphy by Meliha Teparic

“…A deep analysis of calligraphic works show deep meaning behind each letter. …”
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‘Emptiness’ and ‘Nothingness’ as Key Elements to Conveying and Understanding Meaning in Japanese Calligraphy by Ioana-Ciliana Tudorică

“…In this way, there are instances of “emptiness” during several stages of creation and understanding of a calligraphic work. In order to illustrate this, our article will analyse two shodō 書道 works, pinpointing the use of “emptiness”, or “nothingness”, and the effect they create for the calligraphic work as a whole. …”
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An evolution in the works of calligraphy Khwaje Abdollah Mor-varid Kermani by Zahra Hossein Abadi

“…It seems that the interest of Moslem calligraphers in their art is deeply rooted in their contemplation over the Di-vine Book, the Holy Quran. …”
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THE ROLE OF MYTHS IN JAPANESE CALLIGRAPHY’S INTERPRETATIVE PROCESS by Ioana-Ciliana TUDORICĂ

“…However, calligraphic works – and shodō as art – are rich in meaning and abundant of myths. …”
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Introducing, Classification and Examining Styles in Sahifi Jowhari s Inscriptions by Farhad Khosravi Bizhaem

“…Sahifi Jowhari is one of the most accomplished calligraphers in Sulus living in Safavid era. He wrote poetry as well. …”
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Intermedialita kaligrafických inspirací v poválečném umění a filosofickém diskursu by Petra Polláková

“…In this study, based on my dissertation thesis, I focus on the issues of circulation and various methods of appropriating calligraphic practices within the framework of transnational art history, predominantly in the context of the post-war European and North American art scenes. …”
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Graphic Adaptive Transformation Of Islamic Motifs A Case Study Of Kedah Traditional House by A. Bakar, Abdelaziz Eisa

“…Furthermore the calligraphic motifs needed certain ways of modification and changes. …”
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On the contemporary value of Sha Menghai’s view of calligraphy in the construction of calligraphy courses in colleges and universities by Kong Dexiang

“…In a Chinese society of great cultural prosperity and development, there are not many calligraphers left. Why? Reflect on how shining the famous calligraphers were during the Republic of China. …”
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Research on Algorithm for Authenticating the Authenticity of Calligraphy Works Based on Improved EfficientNet Network by Weijun Wang, Xuyao Jiang, Hai Yuan, Jinyuan Chen, Xintong Wang, Zucheng Huang

“…Indeed, the authentication of traditional calligraphy heavily relies on calligraphers’ subjective judgment. Therefore, spurred by the recent development of neural networks, this paper proposes a method for authenticating calligraphy works based on an improved EfficientNet network. …”
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Developing a web application for Chinese calligraphy learners using convolutional neural network and scale invariant feature transform by Adam Wong, Joseph So, Zhi Ting Billy Ng

“…The application could compare the learner's work with skillful calligraphers' and provide a similarity score to help Chinese calligraphy learners track their progress. …”
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The Influence of historical scripts on contemporary calligraphy and type design by Ling Manny

“…Traditionally, calligraphers and palaeographers seldom co-operate or collaborate. …”
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Revaloriser la calligraphie : le rôle des expositions pendant les ères Meiji et Taishō by Laïli Dor

“…This paper examines the networks set up by calligraphers in reaction to this situation, and in particular the way exhibitions helped create a modern market for calligraphy.…”
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