Automated cameraman by Khan, Yaser Mohammad

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The technique of the television cameraman/ by Jones, Peter, 1929-

Professional cameraman's handbook / by 217933 Carlson, Sylvia, Carlson, Verne

The Role of Cameraman in the Shooting of Commercials by Едуард Тімлін, Марина Діденко, Владислав Савчин

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Revolutionizing Video Production: An AI-Powered Cameraman Robot for Quality Content by Bara Fteiha, Rami Altai, Maha Yaghi, Huma Zia

“…Conventionally, using a cameraman has been an effective yet expensive way to enhance video quality. …”
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Everyday fragments under the view of the narrator/cameraman Gonçalo M. Tavares: 'short movies' by Renata Quintella de Oliveira

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Peculiarities of Using Lighting in the Process of Film Shooting by Алла Медведєва, Олександра Рослякова

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Comparing the Operational Related Outcomes of a Robotic Camera Holder and its Human Counterpart in Laparoscopic Ovarian Cystectomy: a Randomized Control Trial by Shervin Taslimi, Haydeh Samiee, Atousa Jafari, Zahra Asgari, Alireza Mirbagheri, Ali Jafari, Faramarz Karimian, Farzam Farahmand

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Operation and Human Clinical Trials of RoboLens: an Assistant Robot for Laparoscopic Surgery by Alireza Mirbagheri, Farzam Farahmand, Borna Ghanadi, Keyvan Amini Khoiy, Sina Porsa, Mohammad Javad Shamsollahi, Mohammad Hasan Owlia, Faramarz Karimian, Karamallah Toulabi

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Application of Augmented Reality and Robotic Technology in Broadcasting: A Survey by Dingtian Yan, Huosheng Hu

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Qui fabrique et qui regarde ? by Isabelle Singer et Philippe Morice

“…To achieve this we have relied on the various aspects that are taken into account on film sets: according to Jean-Cesar Chiabaut, a cameraman who worked with Robert Besson in particular:”our attitude is “we put the camera there” (Bardet, 2008, 41); for Jacques Loiseleux, cameraman for Maurice Pialat among others, the question is: “What do we put inside and what do we leave outside?” …”
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A False Start. The Filming at Theresienstadt of January 20, 1944 by Karel Margry

“…It discusses the reasons why the cameraman chose to do this. …”
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Mongush Karma Dombuevich by Svetlana M. Munzuk

“…Mongush Karma Dombrowicz (25.05.1936–24.06.2012) — the first professional cameraman Tuva, Honored worker of culture of the Tuva ASSR, holder of the order "For valorous work".…”
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“He Often Writes About the Weather…” Boris Eyberg at the State Central Film Museum by Dolgopyat, Elena Olegovna

“…Cameraman Boris Markovich Eyberg (1904-1995), his notes on the work.…”
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Contested Territory: The Politics of Geography in Luis Buñuel’s «Las Hurdes: Tierra sin pan» by Jordana Mendelson

“…This article seeks not only to historically contextualize the film, but also to examine the multiple references within the film to the conventions of documentary, the emerging disciplines of geography and ethnography, and the influence of the film's cameraman Eli Lotar and dissident surrealism. The article demonstrates that the film engages an aesthetic of collage and juxtaposition to provoke a different understanding of documentary, ethnography and the Spanish landscape.…”
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MULTISTAGE BITRATE REDUCTION IN ABSOLUTE MOMENT BLOCK TRUNCATION CODING FOR IMAGE COMPRESSION by S. Vimala

“…The proposed method has been tested with standard images like Lena, Barbara, Bridge, Boats and Cameraman. The results obtained are better than that of the existing AMBTC method in terms of bit-rate and the quality of the reconstructed images.…”
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Capter, transformer, mentir, agir. Quatre jalons d’un cheminement avec le film ethnographique by Baptiste Buob

“…Starting from a cinematographic conception that links documentation and creation, I was brought to take interest in the singular knowledge produced by the encounter between cameraman and those whom s/he films, in the heuristic « lie » that it provokes -to put it in Jean Rouch’s terms- and in the specificity of the filmic act in ethnography. …”
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Pendekatan pencahayaan neo – noir dalam filem pendek Jogan andika: interpretasi naratif kepada implementasi stail pencahayaan / Lokman Hakim Mustapha by Mustapha, Lokman Hakim

“…The “light memory” for the lighting cameraman is similar to the musical memory necessary for a musician”.…”
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Questioning the Images of Atrocity: An Introduction by Alice Cati, Vicente Sánchez-Biosca

“… The images of atrocity, either analog or digital, are always the trace of an encounter between the gaze of a photographer or a cameraman and a human being suffering from the painful effects of man-made violence. …”
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Research on network data transmission and compression based on compression-aware model by Mao Zhijian, Chen Xiaozhong

“…The results show that when the CR is 0.8, the PSNR values of the Lena image, Peppers image and Cameraman image are 37.608dB, 37.32884dB and 37.3428dB, respectively. 512×512 network data fragment has the shortest encryption time of 2.0156s. …”
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