Luca Vitone: Monitoring of Four Living Canvases by Camilla Zaratti, Simona Brunetti, Veronica Fondi, Chiara Alisi, Fernanda Prestileo, Tilde de Caro, Stefania Montorsi, Andrea Macchia

“…Additionally, the collected data were correlated with the prevailing microclimate within the storage. Indeed, the canvases underwent an evolution during their transfer to the storage; it was mainly the photosynthetic part of the consortium that underwent the greatest changes, resulting in changes in the color tones of the canvases. …”
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Canvases in Conversation: Charles Amédée Philippe Van Loo’s Paintings for the Private Dining Room of King Frederick II of Prussia by Rahul Kulka

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A Review of Applications of Nanocellulose to Preserve and Protect Cultural Heritage Wood, Paintings, and Historical Papers by Anastasia Fornari, Marco Rossi, Daniele Rocco, Leonardo Mattiello

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La Pasión de Cristo según José de Alcíbar by Alena Robin

“…Signed and dated in 1776, the series is constituted of 14 large canvases. However, from an inventory of 1801 of the goods belonging to the parish church of Chihuahua (now the cathedral), it is believed this series originally had 15 canvases, and was hung in the nave of the church. …”
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Reinforcement of cellular concrete with composite materials by Khayrnasov Kamil

“…Consideration of methods for determining the given characteristics of a multilayer composite canvas is necessary for conducting a study of the bearing capacity of reinforced concrete structures reinforced with composite canvases or canvases. In this paper, methods are presented for determining the given characteristics of multilayer composite canvases and panels with different arrangements of the base layers. …”
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Buffering and Antibacterial Properties of Cotton Canvas with Dolomite/ZnO-Styrene-Acrylic Complex Coating and their Comparison with Properties after the Accelerated Aging by Hana Křižova, Viktor Tuček, Jitka Neoralova, Jakub Wiener

“…The aging was provided in the climatic test room for 144 hours and the properties of canvases before and after aging were compared and evaluated.…”
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Depth-SIMS: semi-parametric image and depth synthesis by Musat, V, De Martini, D, Gadd, M, Newman, P

“…In this paper we present a compositing image synthesis method that generates RGB canvases with well aligned segmentation maps and sparse depth maps, coupled with an in-painting network that transforms the RGB canvases into high quality RGB images and the sparse depth maps into pixel-wise dense depth maps. …”

The influence of chemical fibers’ surface treatment to the nonwoven materials’ properties by V. M. Gorchakova, V. A. Batalenkova, B. A. Izmailov

“…The silicon-organic compounds have been immobilized to the surface of fibers, canvases and nonwoven materials with the help of different surface treatments, for example by oligoalkoxy(C3-C6)(alkoxy)siloxanes. …”
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Blurring the Edges: Ricoeur and Rothko on Metaphorically Figuring the Non-Figural by B. Keith Putt

“…This essay examines Ricœur’s mimetic and transfigurative perspective on non-objective art and adopts it as an idiom for examining Mark Rothko’s artistic intention in the multiform canvases of his “classical” period from 1949 until his death in 1970. …”
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A Unique Painting Ensemble Explored by Ige Verslype

“…For instance, he used a special measuring system and squaring grids to transfer the compositions from small sketch to large format canvas (one square in the sketches corresponding to one square foot in the canvases). It also appears that the painter arranged his compositions in such a way that the canvases could be easily adjusted for size in the event that the opening in the panelling was a little larger or smaller than envisaged. …”
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Portraits of the 18th Century from the Family Gallery of the Galagan’s: Socio-Cultural dynamics in visual images of history by Maryna Budzar, Yana Yarmolenko

“…Over the course of 50 years, the transition from Cossack portraits with characteristic features of the baroque style to academic canvases, combining elements of rocaille, classicism, sentimentalism, and romanticism, took place within one collection. …”
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Jack Tworkov's work from 1955 to 1979 : the synthesis of choice and chance by Fichner-Rathus, Lois, 1953-

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Where are the Graphics? Communicating Legal Ideas Effectively Using Images and Symbols by Tania Leiman

“…It begins by discussing why communication about the law can benefit from using tools other than text, before moving on to a brief historical and theoretical overview of visual communication in the law. It canvases examples of best practice visual communication about the law before going on to seek to understand what this might mean for lawyers, legal education and legal educators.…”
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Entre texte et image : réflexions sur la traduction des titres de tableaux de Paul Gauguin by Barbara Walkiewicz

“…We will analyse the titles that the artist painted directly on the canvases by making them invariant just like the image itself. …”
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Aesthetic Absence and Interpretation by David Fenner

“…Salvatore Garau’s sculpture Sono is (apparently) composed of empty space; the original drawing at the heart of Robert Rauschenberg’s Erased de Kooning Drawing is essentially gone; Rauschenberg’s White Paintings are primarily just white canvases. In this paper, I examine this ‘something missing’ – which I call an ‘aesthetic absence’. …”
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La cultura figurativa romana in Portogallo: Francesco Mancini a Mafra ed a Évora by Andrea Carnevali

“…For a long period, Mancini’s canvases were confused with works by Masucci and attributed to the latter’s workshop. …”
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La ciudad y la arquitectura en la pintura joven de los años 80’ en Madrid (1976-1992) by Javier Torras de Ugarte

“…The imagined cities, the painted architectures, the Madrid of “La Movida”, the cities of classical mythology, occupied much of the canvases of the eighties.…”
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‘To Form a New Compound’: Eliot, Bergson, and Cubism by Shun-liang Chao

“…Bergson’s theory of durée enables Cubist painters to have a new view of reality and thereby create the ‘multiple viewpoints’ technique—which brings to Cubist canvases ‘the Fourth Dimension’—to fashion new wholes.…”
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Peaux tatouées comme œuvres d’art et objets de collection : enjeux éthiques et légaux by Alix Nyssen

“…They are based on the involvement of volunteers willing to offer their bodies to artists who use them as living canvases on which to ink their drawings. Through an analysis of this transition from literary narrative to genuine artistic projects, the aim of this article is to highlight the ethical and legal issues involved in exhibiting, conserving, buying and selling works whose medium is the human body.…”
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Colore solo. Le valenze cromatiche di “painterly” e “post painterly” nell’estetica di Clement Greenberg by Marcello Sessa

“…Finally, it stresses Greenberg’s troublesome concern with objecthood in art, referring the problematic threshold between monochromatic painting, blank canvases as works of art and a “non painterly” perspective on pictorial images.…”
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