Do as Some Said, or as Most Did?-A Foucauldian Experiment with Nineteenth-Century HIP by George Kennaway

“…Recordings by performers like Adelina Patti will reliably induce astonished laughter in an unprepared modern audience, and the slow, heavy portamento of early twentieth -century cellists such as Hans Kronold has a similar effect on conservatory cello students. The contrast between then and now is not simply a matter of different but equally valid performing styles, or a question of, e.g., the degree of portamento employed, which a little audience re-education would eventually make familiar. …”
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Interpreting Discontinuity in the Late Works of Debussy by Marianne Wheeldon

“…For example, certain Preludes (1913) and Etudes (1915), the Trois Poemes de Stephane Mallarme (1913), and the central movements of the Cello Sonata (1915) and Violin Sonata (1917) pursue formal discontinuity further, which becomes even more noticeable in the smaller scope and sparser textures of these compositions.…”
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Mineral preservatives in the wood of Stradivari and Guarneri. by Joseph Nagyvary, Renald N Guillemette, Clifford H Spiegelman

“…The ashes of wood from one violin and one cello by Stradivari, two violins by Guarneri, one viola by H. …”
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The angle of trunk rotation and symmetry of a lower limb loading in musicians of a symphony orchestra in Poland: a pilot study concerning instrument-specific results by Antonina Kaczorowska, Magdalena Kornek, Agata Mroczek, Ewelina Lepsy, Alina Radajewska

“…Conclusions The body position during playing violin and cello may increase the angle of trunk rotation and the lower limb loading’s asymmetry. …”
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No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise by Merve Akça, Merve Akça, Bruno Laeng, Bruno Laeng, Rolf Inge Godøy, Rolf Inge Godøy

“…In this study, expert cellists and novice participants were asked to first identify a target sound, and then to detect instrumental timbres of cello or organ, or human voice as a second target in a rapid auditory stream.Results: The results showed moderate evidence against the attentional blink effect for voices independent of participants' musical expertise. …”
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Investigation of the Prevalence of Enterobius Vermicularis Infection and Risk Factors among Kindergartens in Hamadan, West of Iran, in 2019 by Mohammad Fallah, Mahdi Parsaei, Eissa Soleymani, Ali Jamshidizad, Afshin Azimi

“…A total of 18 kindergartens were selected, followed by the random selection of a number of children from each kindergarten. The adhesive cello-tape is a standard method for examining this disease, and mothers were trained to use this method. …”
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<i>Calk</i>GH9T: A Glycoside Hydrolase Family 9 Enzyme from <i>Clostridium alkalicellulosi</i> by Paripok Phitsuwan, Sengthong Lee, Techly San, Khanok Ratanakhanokchai

“…The hydrolysis of CMC by <i>Calk</i>GH9T produced a series of cello-oligomers, with cellotetraose being preferentially released. …”
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Genetic circuit design automation for yeast by Chen, Ye, Zhang, Shuyi, Young, Eric M, Jones, Timothy S, Densmore, Douglas, Voigt, Christopher A

“…Based on these gates, Cello 2.0 was used to build circuits with up to 11 regulatory proteins. …”
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Stars, magnetism, bulls and heroes: Thomas Ades's metaphors and his music by Preece, J

“…<p>The portfolio of compositions comprises three pieces: Round Trips: Three Pieces for Oboe and Cello; Foreboding, for chamber ensemble; and A Reflection Di(still)ed for string quartet. …”

Early twentieth-century discourses of violin playing by Knapik, S

“…It also includes a preliminary study of early twentieth-century discourses of cello playing, and engages with the research to date on national styles of violin playing in the same period.…”

A case study for a psychographic-behavioral segmentation approach for targeted demand generation in voluntary medical male circumcision by Sema K Sgaier, Maria Eletskaya, Elisabeth Engl, Owen Mugurungi, Bushimbwa Tambatamba, Gertrude Ncube, Sinokuthemba Xaba, Alice Nanga, Svetlana Gogolina, Patrick Odawo, Sehlulekile Gumede-Moyo, Steve Kretschmer

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Biochemical and Structural Analysis of a Glucose-Tolerant β-Glucosidase from the Hemicellulose-Degrading <i>Thermoanaerobacterium saccharolyticum</i> by In Jung Kim, Uwe T. Bornscheuer, Ki Hyun Nam

“…β-Glucosidases (Bgls) convert cellobiose and other soluble cello-oligomers into glucose and play important roles in fundamental biological processes, providing energy sources in living organisms. …”
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Fine-Tuned Enzymatic Hydrolysis of Organosolv Pretreated Forest Materials for the Efficient Production of Cellobiose by Anthi Karnaouri, Evangelos Topakas, Evangelos Topakas, Leonidas Matsakas, Ulrika Rova, Paul Christakopoulos

“…Lignocellulosic biomass is the largest carbon source in the biosphere, therefore cello-oligosacharides (COS), especially cellobiose, are potentially the most widely available choice of NDOs. …”
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Characterizing Movement Fluency in Musical Performance: Toward a Generic Measure for Technology Enhanced Learning by Victor Gonzalez-Sanchez, Sofia Dahl, Johannes Lunde Hatfield, Rolf Inge Godøy

“…To this end, the movements of three cello players and three drummers at different levels of skill were recorded with an optical motion capture system, while a wireless electromyography (EMG) system recorded the corresponding muscle activity from relevant landmarks. …”
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Biochemical and in silico structural properties of a thermo-acid stable β-glucosidase from Beauveria bassiana by Buka Magwaza, Ayodeji Amobonye, Prashant Bhagwat, Santhosh Pillai

“…β-glucosidase hydrolyses the glycosidic bonds in cellobiose and cello-oligosaccharides, a critical step in the saccharification for biofuel production. …”
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KAHYANGAN: SEPENGGAL KISAH DALAM LEGENDA PERADABAN TANAH JAWA DALAM KOMPOSISI MUSIKAL by Reza Ginandha Sakti

“…Instrumen yang digunakan adalah Piano, Biola alto, Viola, Violin, Cello, French Horn, dan Flute. Komposisi terdiri atas tujuh repertoar yang masing-masing berbeda suasana untuk menggarap kisah legenda Kahyangan. …”
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Identification of peptidoglycan-associated proteins as vaccine candidates for enterococcal infections. by Felipe Romero-Saavedra, Diana Laverde, Dominique Wobser, Charlotte Michaux, Aurélie Budin-Verneuil, Benoit Bernay, Abdellah Benachour, Axel Hartke, Johannes Huebner

“…Comparison between the three extraction methods by Venn diagram and subcellular localization predictors (CELLO v.2.5 and Gpos-mPLoc) allowed us to identify six proteins that are most likely surface-exposed: the SCP-like extracellular protein, a low affinity penicillin-binding protein 5 (PBP5), a basic membrane lipoprotein, a peptidoglycan-binding protein LysM (LysM), a D-alanyl-D-alanine carboxypeptidase (DdcP) and the peptidyl-prolyl cis-trans isomerase (PpiC). …”
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Comprehensive enzymatic analysis of the cellulolytic system in digestive fluid of the Sea Hare Aplysia kurodai. Efficient glucose release from sea lettuce by synergistic action of... by Akihiko Tsuji, Keiko Tominaga, Nami Nishiyama, Keizo Yuasa

“…Filter paper was digested to cellobiose, cellotriose, and cellotetraose by 21K cellulase, whereas 45K and 65K enzymes hydrolyzed the filter paper to cellobiose and glucose. 210K ß-glucosidase showed unique substrate specificity against synthetic and natural substrates, and 4-methylumbelliferyl (4MU)-ß-glucoside, 4MU-ß-galactoside, cello-oligosaccharides, laminarin, and lichenan were suitable substrates. …”
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A trimeric glycosylated GH45 cellulase from the red abalone (Haliotis rufescens) exhibits endo and exoactivity. by L Joshua Hernández-Benítez, Miguel A Ramírez-Rodríguez, Alejandra Hernández-Santoyo, Adela Rodríguez-Romero

“…According to the periodic acid-Schiff reagent staining, detecting sugar moieties in SDS-PAGE gel confirmed that abalone cellulase is a glycoprotein. Hydrolysis of cello-oligosaccharides and p-nitrophenyl-β-D-glucopyranosides confirmed its endo/exoactivity. …”
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MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI’S "HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS)" by Gabriela COCA

“…He composed the work for organ and a string ensemble (1st violin, 2nd violin, viola, cello, double bass). The work has three movements, as the title Három Nagyheti Kép (Three Holy Week Events) suggests.[1] This paper analyses the work in question in detail, from a harmonic and formal point of view. …”
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