Krzysztof Knittel's chamber opera and Agnieszka Stulgińska's music theatre: Examples of a new syncretistic medium in contemporary Polish music by Karwaszewska Monika

“…In Stuglińska's modern music theatre, the listener follows different sound sources and the setting: choreography, performers' and speakers' arrangement on stage, props and lighting, whose intensity dictates the form. The Heart Piece chamber opera is a two - Polish and American - composers' take on Müller's play Herzstück, with separate movements in their native languages. …”
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Un « opéra radiophonique » : Ariane de Georges Delerue et Michel Polac by Jérôme Rossi

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Le «nove canzoni» di Gian Francesco Malipiero e il mito dell’antico by Paola Cossu

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Камерная опера «Ер-Тостик» А. Маноцкова: к вопросу о взаимодействии культур by Кокишева, Марлена Тастемировна, Сафиева, Жанель Адлетовна

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A Midsummer Night’s Dream: reflections on Benjamin Britten’s Chamber Opera = Sonho de uma noite de verão: reflexões sobre a ópera de câmara de Benjamin Britten = El sueño de una noche de verano: reflexiones sobre la ópera de cámara de Benjamin Britten by Camati, Anna Stegh

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Portfolio of compositions and critical writing by Garrard, C

“…<p>The portfolio of compositions comprises six pieces: a chamber opera, an orchestral piece and four shorter chamber works. …”

The Rape of Lucretia, premier « opéra anglais » de Britten ?  by Gilles Couderc

“…As Britten’s first chamber opera and the only one that retells a story from Roman Antiquity it stands apart in the Britten canon. …”
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Le viol de Lucrèce de Britten : un livret d’opéra qui revisite les fondamentaux du genre by Pascal Terrien

“…After composing Peter Grimes, Benjamin Britten desired to go back to the basics of the genre. His first chamber opera, The Rape of Lucretia on a libretto in verse by Ronald Duncan constitutes an original experiment in the musical world of the time. …”
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Characterisation in contemporary opera and music theatre by Carlile, S

“…In tandem with the composition of my chamber opera, <em>The Exile</em>, I have undertaken research into characterisation within the context of opera and musical theatre, with a focus on both the delineation of individual characters and the context in which they appear. …”

Engaging with Religious History and Theological Concepts through Music Composition: <i>Ave generosa</i> and <i>The Song of Margery Kempe</i> by Brian Andrew Inglis

“…It focuses on two works with medieval sources—the concert piece <i>Ave generosa</i> (1996) and the chamber opera <i>The Song of Margery Kempe</i> (2008)—which were featured in the online Gallery of the conferences in 2021 and 2022, respectively, of the British and Irish Association for Practical Theology (BIAPT). …”
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Chișinău: City of the Three Conservatories by Ion Valer XENOFONTOV

“…It was created departments of singing, piano, violin, cello, fanfare theory, dramatic art, orchestral classes, ensembles, choir, accompanist and chamber, opera. Symphonic and opera concerts from the repertoire of classical composers were presented in the institutions, but Romanian compositions had priority. …”
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Zora D. by Isidora Žebeljan: Towards the new opera by Čičovački Borislav

“…Isidora Žebeljan was commissioned (granted financial backing) to compose a complete opera with a secured stage realization. The Dutch Chamber Opera (Opera studio Nederland) and the Viennese Chamber Opera (Wiener Kammeroper) were the co-producers of the first production. …”
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