Comunicare la contemporaneità: cinema e società in Gran Bretagna (1929-1991) by Sergio Guerra

“…Taking under consideration films as diverse as the chart-toppers The Wicked Lady (1945) and A Hard Day’s Night (1964), the documentary Drifters (1929), imperial adventures like The Four Feathers (1939), and ‘auteur’ films like Pressure (1975), High Hopes (1988) and Riff-Raff (1991), this work aims to establish their relation to the society and culture in which they were produced and to extrapolate the meanings and identities, in short the ideology they put forward. …”
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