Sensiblement dansé vertigo « Variations sur le sensible » chorégraphiées par Marjana Krajač by Katja Šimunić

“…This essay on Variations on Sensitive choreographed by Marjana Krajač propose that the recent works of this artist could be called “posthybrid dance”. …”
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Play Dead/Fare il morto: danza, musei e le “arti basate sul tempo” by Marcella Lista

“…This article examines some recent dance exhibitions where a strong speculative involvement of choreographers from the so-called trend of “conceptual dance” has been at stake. …”
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Research on the Application of Information Fusion Technology in the Choreography of Hezhen Dance by An Lina

“…The difficulty of creating and choreographing group dances lies in the need for dozens or even hundreds of actors and choreographers to work together to complete the workload and its complexity. …”
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The Pedagogical Approaches of the Contemporary Dance Training for Choreography of the Students of Ukrainian Higher Educational Establishments by O. Yu. Khendryk

“…The pedagogical approaches can become a progressive methodology for generating innovative ideas and formation of the author’s dancing language of future choreographers.…”
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Ka sisaliku tee kivil jätab jälje. Tantsuteatri uurimise metodoloogiast Rahel Olbrei pärandi näitel / Even a Lizard’s Path on Stone Leaves a Trace: Methodological Issues on Dance R... by Heili Einasto

“…Rahel Olbrei (1898—1983) was an Estonian choreographer and founder of the Estonia Theatre Dance Company. …”
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CONTAMINATION AS A MANIFESTATION OF ECLECTICISM IN CONTEMPORARY STYLIZATION OF THE UKRAINIAN FOLK-STAGE DANCE by Olha Boiko

“…Ukrainian folk stage dance, with the vocabulary been formed by the XXth century leading choreographers on the basis of folklore sources through transformation in accordance to the stage choreography rules, is enriching and evolving thanks to the domestic choreographers achievements, with their achievement in the process of innovative methods of contamination application been used for the modern means of expression creation. …”
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Development of Folk-Dance Videos for E-learning by Mikee L. Llupar, Lorie Jean L. Malones, Vivencio L. Calixtro

“…This study was geared towards the development of folk-dance videos for e-learning through folk dance tutorial videos for physical education instructors and folk-dance trainers/choreographers to determine the level of development in terms of acceptability, usability, and relevance. …”
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The Modern Problems of Dance Studios by Nataliia Chilikina

“…Article is devoited to a number of problems of contemporary choreographic art, associated with dance practice, choreographic education, dance theory and methodology of its study (choreology), which are studied by modern dance studios. …”
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Modern Dance in the Digital Space: A Screen Dance in the Context of the COVID-19 Pandemic by Diana V. Schultz

“…We analyzed the few available approaches to determining the essence of a screen dancer, as well as the experience of choreographers in creating dance performances in conditions of self-isolation. …”
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Not People’s, but Honored: the Little-known Pages of Mykola Trehubov’s Creative Biography by Tetiana Churpita

“…This heritage should be studied in detail by a young generation of Ukrainian artists and choreographers.…”
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Virtuosity in Ukraine’s Folk Dance Ensembles of the Soviet Era by Artem Morozov

“…The historical method is applied for an objective consideration of the historical and political context; systematization of information about virtuoso movements in the dances of different choreographers; an art criticism analysis of folk stage dances was used to identify virtuosic choreographic vocabulary. …”
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THE PLAY CARMEN TV IN RADU POCLITARU`S CONCEPTION by VARNACOVA ELEONORA

“…Radu Poklitaru is one of the famous choreographers of our century, who created the theatre of the new generation and staged the play Carmen TV in a new vision. …”
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Premesse di un’estetica africanista by Brenda Dixon Gottschild

“…Thus, it provides a seminal methodological tool both for an understanding of the distinctive precepts of African-American Dance and for the disclosure of the underground traces of this culture and aesthetics in shaping Euro-American choreographers’ work, such as George Balanchine’s ballet.…”
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Breathing new life into dance traditions: kūttu and bharata nāṭyam among Sri Lankan Tamils by Cristiana Natali

“…Over the last decades, attempts have been made by many choreographers to yield a synthesis of the styles, with the twofold aim of reviving traditional repertoires and reassessing the value of the dance forms, previously separated along caste lines. …”
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Gasparo Angiolini’s «danza parlante» through Italian ballets librettos by Stefania Onesti

“…Discovering how these sources are related to the more properly Angiolini’s Viennese and Italian theoretical writings enables us to broaden and to enrich his poetic vision, offering a more complete picture of the choreographer’s activity.…”
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Mesurer Merce Cunningham by Clarisse Bardiot

“…To understand what quantitative methodologies can bring to the knowledge of theatre, I propose a case study of Merce Cunningham, one of the most influential choreographers of the 20th century. From data concerning the premieres of the 183 choreographies he created throughout his career, using various quantitative analysis tools and datavisualizations, can we identify typical features, characteristics specific to the history and life of the Merce Cunningham Dance Company as well as the aesthetics of Merce Cunningham?…”
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DANCEMAKING IN UNEXPECTED PLACES: MOLDOVAN MUSIC AND VERTICAL DANCE IN WYOMING by GARNETT RODNEY, WILSON MARGARET

“…Since 1998, vertical dance at the University of Wyoming has been an active catalyst for interactions among choreographers and dancers, composers and musical performers, audiences, rock climbers, and others. …”
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“Il momento magico”. Concerti e Maratone di danza al “Festival dei Due Mondi” di Spoleto (1967-1977) by Giulia Taddeo

“…Under the names "concerts" and "marathons", composite evenings are staged that welcome dancers and choreographers, mostly young, very different from each other for poetics, technique and training. …”
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AFRICAN STYLISTIC NUANCES IN THE CHOREOG RAPHIC PERFORMANCE CARMEN BY DADA MASILO by Varnacova Eleonora

“…Dada Masilo, a young contemporary choreographer, presents a new vision of the Carmen heroine and changes the subject line of the opera.…”
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Anna Sagna. Una pioniera del teatrodanza in Italia by Alessandro Pontremoli

“…Anna Sagna is one of the most interesting choreographers in the panorama of Italian dance in the second half of the 20th century, but despite her long and intense career and her undisputed and recognised importance from a choreographic and pedagogical point of view, her work has not yet been adequately appreciated. …”
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