Resonancia de bronces. Organizaciones y maestros de música en La Tirana (1970-2000) by Alberto Díaz Araya, Nicole Cortés Aliaga, Jean Franco Daponte, Jaime Antezana Llanes

“…It analyzes the northern musicians who assumed the role of teachers within the bands, enriching the choreographic repertoire of the religious dances and events, incorporating musical literacy and learning systems that articulated musical styles of significance in the Sanctuary and northern cities…”
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Assembling Shreds of History: dance and memory of the last Argentine civic-military dictatorship by Eugenia Cadús

“…The article analyzes the play Retazos pequeños de nuestra historia más reciente (2010) choreographed by Daniel Payero for the Compañía Nacional de Danza Contemporánea, and its approach to the memory of the last Argentine civic-military dictatorship (1976-1983). …”
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ROUND DANCE TRADITION OF BELGORIE: THE SEMANTIC AND CULTURAL ASPECT by Bursikova Olga Borisovna, Kuznetsova Natalia Stanislavovna, Amelina Maria Nikolaevna, Tatarintsev Andrey Yurievich, Trofimov Roman Viktorovich

“…In this work, based on expeditionary materials and researchers’ publications, the choreographic forms of round dances (circular karagods, tanks, figured tanks) of the Belgorod region are identified and described. …”
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Rituals of royalty and the elaboration of ceremony in Oman: View from the edge by Chatty, D

“…Traditions, particularly Western practices, are often made up, choreographed, and then formally instituted in a matter of a few years, rapidly gaining a sense of permanence. …”

Rituals of royalty and the elaboration of ceremony in Oman: View from the edge by Chatty, D

“…Traditions, particularly Western practices, are often made up, choreographed, and then formally instituted in a matter of a few years, rapidly gaining a sense of permanence. …”

Ginástica para Todos: notas sobre a composição coreográfica por praticantes idosas by Jéssica Shizuka Yahiro da Silva Oliveira, Felipe de Souza Silva, Fernanda Raffi Menegaldo, Marco Antonio Coelho Bortoleto

“…Gymnastics for All: notes about choreographic composition process by elderly women Abstract This study analysed the choreographic composition and performance experienced by Gymnastics for All (GfA) practioners from the UniversIDADE Program (Unicamp). …”
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Atlante del bianco: new dancers on the contemporary scenes by Gaia Germanà

“…The essay deals with the experience of the newborn Italian dance company Damasco Corner, a group of visually impaired professional dancers working with the choreographer Virgilio Sieni in Firenze, at CANGO_Cantieri Goldonetta. …”
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Lin Hwai-min’s Water Stains on the Wall: A Cosmopolitical Perspective by Kin-Yan Szeto

“…Water Stains on the Wall is a pivotal example that demonstrates the world-renowned Taiwanese choreographer Lin Hwai-min’s cosmopolitical perspective. …”
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A Tale of Encounters with Lia Rodrigues Cia. de Danças by Bianca Scliar Mancini

“…This article considers her presence at this urban zone as a procedure of presence, suggesting an attention to dance that precedes the process of choreographic composition, seen by the public. To investigate notions such as site, location and permanence and how they engender the work of her Company, the author follows three dancers through their urban trajectories. …”
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Racisme et danse: mouvement de construction des corps d'exception by Amandine Dumont

“…Like other sectors of society, the world of dance, which is pedagogical and choreographic, hosts a racism built around prescriptive prejudices. …”
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Les imaginaire(s) du voyage à travers un projet de recherche création en danse by Biliana Vassileva

“…The study approaches the concept of « travel imaginaries » » as choreographic and performance activity. It addresses the need of contemporary dance artists to travel, blending Eastern and Western dance techniques. …”
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A Tale of Encounters with Lia Rodrigues Cia. de Danças by Bianca Scliar Mancini (Concordia University – Montreal, Canadá)

“…This article considers her presence at this urban zone as a procedure of presence, suggesting an attention to dance that precedes the process of choreographic composition, seen by the public. To investigate notions such as site, location and permanence and how they engender the work of her Company, the author follows three dancers through their urban trajectories. …”
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Lettres di Noverre nel Veneto: l’Encyclopédie méthodique e la «Gazzetta Urbana Veneta» by Olivia Sabee

“…Through this Venetian publication, the translation in Spain of Noverre’s Lettres included in the Encyclopédie méthodique, and in several French periodicals, Noverre’s ideas were disseminated in contexts that were no longer associated with the name and personage of the French theorist and choreographer.…”
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Work(s) and (Non)production in Contemporary Movement Practices by Hetty Blades

“…I examine the way that practice is foregrounded in the work of UK dance artists Katye Coe and Charlie Morrissey, and American choreographer Deborah Hay, troubling distinctions between the internal and external aspects of performance. …”
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Landscape in the figure by Sue Hawksley

“…I discuss somatic and creative practices that offer tools for cultivating a sense of presence in and as nature, giving examples of artists’ creative practices, including some of my own choreographic explorations aiming to embody the ‘landscape in the figure’.…”
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Rituals of royalty and the elaboration of ceremony in Oman: View from the edge by Chatty, D

“…Traditions, particularly Western practices, are often made up, choreographed, and then formally instituted in a matter of a few years, rapidly gaining a sense of permanence. …”

Evocative Coaching : Transforming Schools One Conversation at a Time / by Tschannen-Moran, Bob, author 525896, Tschannen-Moran, Megan, 1956-, author 421577

“…Viewed as a dynamic dance, the model is choreographed in four steps ? Story, Empathy, Inquiry, Design ? …”

Kuidas uurida eesti rahvatantsu tänapäeval? Teooriatest, meetoditest ja nende rakendamisest Eestis by Sille Kapper

“…In dance analysis, two levels can be discerned – the analysis of a dance event as a cultural text and specific analysis of choreographic text, or dance movements. Two principally different ways of notation – prescriptive and descriptive – are discussed. …”
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The dance to abstraction: Wayang, dance and the aesthetics of interartistic exchange in the abstract paintings of Bagong Kussudiardja 1980-2000 by Lee, Isaiah Christopher Xin En

“…Despite being known primarily as a choreographer, his establishment of Padepokan Seni Bagong Kussudiardja (PSBK) whose educational model remains similar to that of Rabindranath Tagore’s ashram in Śāntiniketan, India testifies to his approach to art making as one that refutes neat distinctions of form. …”
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Toward a Unification of the Arts by Steven Brown

“…The second is to examine how this sharing creates “affordances for combinations,” making it possible for music to be set to a poem or for dance movements to be choreographed to music. By elucidating the neurocognitive mechanisms of sharing across arts domains and the affordances that they offer for creating combinations, it should be possible to achieve a unification of the arts.…”
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