Max Imdahl and His ‘Ikonik’ / Макс Имдаль и его «Иконика» by Stepan Vaneyan / Степан Сережьевич Ванеян

“…By contrast, ‘ikonik’ refers to the semantics emerging as simultaneous affects of the act of vision, which embraces dynamic oppositions of meaning, having a scenographic and choreographic character. Thus, the interaction with an artwork is equated to a performative act, which ensures the apophatic growth of meaning and the approach to the Revelation. …”
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Virtual Reality CPR Training Improves Knowledge Acquisition of Critical Tasks by Catherine Wares, Ethen Ellington, Andrew Kitchen, Michael Runyon, David Pearson, Mark Bullard, Michele Birch, Heather Tarantino

“… Objectives: Team-focused cardiopulmonary resuscitation (TFCPR) is a choreographed approach to CPR in which responders know and practice their role in resuscitation, with prioritization on minimally-interrupted chest compressions and early appropriate defibrillation. …”
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РИТУАЛЬНІ СЛОВ´ЯНСЬКІ ТАНЦІ – «СКОКИ» / RITUAL SLAVONIC DANCES “SKOKI” by Олександр Курочкін

“…Our article is based on literary, archival and ethnographic field materials and does not claim to own choreographic analysis. In the diachronic aspect the wedding dances we can divide into two groups: the ritual and. not ritual. …”
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The acceptability and effect of a culturally-tailored dance intervention to promote physical activity in women of South Asian origin at risk of diabetes in the Netherlands-A mixed-... by Erik Beune, Mirthe Muilwijk, Judith G M Jelsma, Irene van Valkengoed, Annemarie M Teitsma-Jansen, Bernadette Kumar, Esperanza Diaz, Jason M R Gill, Anne Karen Jenum, Latha Palaniappan, Hidde P van der Ploeg, Aziz Sheikh, Emma Davidson, Karien Stronks

“…<h4>Methods</h4>A community-based culturally tailored dance intervention choreographed to Bollywood music was evaluated among 26 women of SA origin in the Netherlands for 10 weeks, 2 times per week. …”
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Participation of the Informal Societies of Culture in the Festival Movement of the Volyn Region of the Perestroika Period by Vasyl Chura

“…Such communities included educational, ethnographic, vocal, choreographic, theatrical and stage groups, which were formed as informal, consequently they were not controlled by the communist government. …”
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Transcriptomic Analysis of the Response of Susceptible and Resistant Bitter Melon (<i>Momordica charantia</i> L.) to Powdery Mildew Infection Revealing Complex Resistance via Multi... by Xuanyu Chen, Kaixi Zou, Xuzhen Li, Feifan Chen, Yuyu Cheng, Shanming Li, Libo Tian, Sang Shang

“…These observations underscore the pivotal role played by SA/JA signaling cascades in choreographing the mechanism of resistance against <i>P. xanthii</i> in the R variant. …”
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ARCHETYPAL ETHOS: “TRIPTIC (TRIPTYCH)” BY ADRIAN POP by Ecaterina BANCIU

“…The melodramatic melody treated heterophonically in the picturesque rhythms of Ardeal folklore and spiced up with specific timbres of the semantron and bells, lead the Triptych and its author, composer Adrian Pop, towards success in concert halls and give the audiences the hope for a new choreographic staging. …”
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Det kroppslige arkivet by Nina Helene Skogli

“…Starting from this latter perspective, the performance En lys sommers usigelige smerte by choreographer Mette Edvardsen is analyzed. The project borrows its title from a collection of poems by Ruth Maier and was carried out over several Saturdays late in the summer of 2022 in Vigelandsparken. …”
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Tracing Eukaryotic Ribosome Biogenesis Factors Into the Archaeal Domain Sheds Light on the Evolution of Functional Complexity by Mehmet Birikmen, Katherine E. Bohnsack, Vinh Tran, Sharvari Somayaji, Markus T. Bohnsack, Markus T. Bohnsack, Ingo Ebersberger, Ingo Ebersberger, Ingo Ebersberger

“…Ribosome assembly is an essential and carefully choreographed cellular process. In eukaryotes, several 100 proteins, distributed across the nucleolus, nucleus, and cytoplasm, co-ordinate the step-wise assembly of four ribosomal RNAs (rRNAs) and approximately 80 ribosomal proteins (RPs) into the mature ribosomal subunits. …”
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ARCHETYPAL ETHOS: “TRIPTIC (TRIPTYCH)” BY ADRIAN POP by Ecaterina BANCIU

“…The melodramatic melody treated heterophonically in the picturesque rhythms of Ardeal folklore and spiced up with specific timbres of the semantron and bells, lead the Triptych and its author, composer Adrian Pop, towards success in concert halls and give the audiences the hope for a new choreographic staging. …”
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Synergistic approach as a methodological concept of music-pedagogical research by Bilova Nataliia

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Neural mechanisms of early motor control in the vocal behavior of juvenile songbirds by Aronov, Dmitriy

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Development of human-robot interaction (HRI) methodology for autism rehabilitation using humanoid robot with a telerehabilitation platform / Syamimi Shamsuddin by Shamsuddin, Syamimi

“…This resulted with six new programs choreographed with body movements and interaction dialogues to fit the purpose of the robot as a learning tool. …”
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Von Krahli Teatri „Luikede järv“ kui mälumasin: esteetiline absoluut ja sotsiaalne kontekst / Von Krahl Theatre’s “Swan Lake” as a Memory Machine: Aesthetic Absolute and Social Con... by Riina Oruaas

“…The result of juxtaposing post-modern dance and videos was a complex co-existence of several choreographic languages and body techniques. The main relationship between the stage and the screens in the situation of the totalitarian society in this production was dissonance and the production can be summed up as a performative memory machine.  …”
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Death and civic pedagogy in the portuguese republican context: the funerals of "prominent dead" in the early decades of the XXth century/ Morte e pedagogia cívica no contexto repub... by Joaquim Pintassilgo, Rui Afonso da Costa

“…The way the ceremonies were organized and choreographed gave emphasis to their pedagogical potential. …”
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Images of a Sound: Portraits and Pictures of Jazz by Davide Sparti

“…Davide Sparti [trans. lise hogan] It has always been maintained that jazz reflects the social and urban changes of its times, but little attention has been given to the reversed statement, or rather, that twentieth-century culture reflects jazz, reacting and responding to its presence, and re-elaborating its sounds in visual (as well as textual and choreographic) forms. This paper, inspired by an exhibition of jazz album covers, examines the interplay between jazz and the visual arts. …”
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MAKNA SIMBOLIK TOR-TO RSOMBAH DALAM UPACARA ADAT KEMATIAN SAYUR MATUA PADA MASYARAKAT SUKU BATAK SIMALUNGUN by Febrina Athylata Purba, S Slamet

“…The problems in this study are expressed by describing the form of Tor-tor Sombah Tor-tor Sombah which is seen from the choreographic elements through Laban notation and is analyzed by using Laban theories, namely effort and shape. …”
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Sõdadevaheline vene emigratsioon suures ilmas ja väikeses Eesti / Interwar Russian Emigration in the Larger World and "Little Estonia" by Irina Belobrovtseva, Aurika Meimre

“…Reportedly the first professional ballet troupe was assembled in Tallinn in 1918 by Sessy Smironina-Sevun, but the first actual ballet was performed in 1922, premiering with Coppelia, choreographed by the Moscow Bolshoi Ballet prima ballerina Viktorina Krieger, who played the lead role, and was later to be the artistic director of the Estonia ballet. …”
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The iterative frame: algorithmic video editing, participant observation and the black box by Rapoport, RS

“…The trance of predictive analytics—the AI that increasingly choreographs our relationship to information—is the ineffable that finds form in the iterative frame. …”