THE INFLUENCE OF ACROBATIC EXERCISES ON THE PROFESSIONAL TRAINING OF STUDENTS IN THE FIELD OF CHOREGRAPHIC ART by MOGA, CAROLINA

Subjects: “…students in the field of choreographic art…”
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THE FUNCTION AND ROLE OF THE OBJECT IN FORMING THE COREGRAPHIC COMPOSITION by BEŢIŞOR ANGELA

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Integration of Experience and Achievements in the Development of Performing Skills of Kazakh Dance in Higher Education Institutions of the Republic of Kazakhstan by Aliya Kenzhetaeva, Karlgash Aitkalieva, Tolkyn Amreyeva

Subjects: “…folk dance, choreography, kazak folklore, art, choreographic skills…”
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The Evolution of Consent-Based Performance by Amanda Rose Villarreal

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Structural components of the discipline "Art of the balletmaster" and their role in the acquisition of students' skills and skills by L. Markevych

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5. Artistic Expressiveness - Exhaustive Component in the Teaching-Learning Process for “Dance” Specialty Students by Talpă Svetlana, Vacarciuc Mariana

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Welcome to the JCBP by Chelsea Pace, Laura Rikard, Amanda Rose Villarreal

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In search of the past: the phenomenon of the Russian ballet in exile in the 20th century by Joanna Mianowska

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Interpretation of Ballet Art Through Screen Directing Means by Галина Погребняк

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Ballet of Paris Opera by E. Degas in the Light of Its Popularisation as Art and Interpretation of the Artist’s Creative Method by Tatiana Portnova

Subjects: “…Choreography, Ballet of Paris Opera, Impressionist Method, Pictorial Systems, Choreographic Images…”
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The Ka’ulayawaa festivals among the Wayùu. Exploring continuities and variations in forms, meanings and contexts through ethnographic sources by Alessandro Mancuso

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Moving Collaborations: A Critical Inquiry Into Designing Creative Interactive Systems for Choreography by Kristin Carlson, Thecla Schiphorst, Steve DiPaola

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Genre and Style Interaction in Solutions Staged Ballets of the Nineteenth, Twentieth Centuries by Tatiana PORTNOVA

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On Trying to be With Each Other: A Conversation Between Laura Vriend and Nichole Canuso by Laura Vriend, Nichole Canuso

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INTERPRETATION OF LITERARY CHARACTERS IN BALLET : EPISODES FROM THE CREATIVE EXPERIENCE OF BORIS EIFMAN by BEȚIȘOR ANGELA

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Parcours de reconnaissance et principes de singularité dans le monde de la danse by Hélène Brunaux

Subjects: “…choreographer…”
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Decolonial Spectatorship and Performances of Contemporary Dance in South Africa:Mamela Nyamza’s Choreographies of Embodied Politics of Race and Gender in Place by Sarah DAVIES CORDOVA

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Director’s interpretation of Kazakh dance: development trajectories in the perspective of creativity by Anipa Kussanova, Balzhan Tleubayeva, Lyudmila Nikolayeva, Aliya Shankibayeva

Subjects: “…choreographic art…”
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"The Dying Swan" by A. Pavlova: Choreography and Iconography of the Image by Tatiana Portnova

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NUTRITION CONSIDERATIONS FOR CHILDREN AND ADOLESCENTS OF THE CULTURE AND ART EDUCATIONAL INSTITUTIONS by I.B. KERIMBAEVA, M.K. ESENAMANOVA, F.A. KOCHKOROVA, T.A. TSIVINSKAYA

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